5 minutes
The four-channel video installation Same Old Crowd departs from the documentation of an unknown city and takes place in an ambiguous temporal and spatial frame. Twelve characters (amateur actors hired by the artist) appear in black-and-white in highly stylized surroundings wearing patterned cloths. The identities or time period of the characters, all deprived of languages, are impossible to determine. Punctuated by staccato sounds and fast camerawork, the protagonists’ exaggerated expressions and emphatic gestures create a high level of tension. For the artist, repetitions in the video do not attempt to level notion of “difference.” Rather repetition is antithetical to the notion of novelty within the discourse of reality, modernity, and media. As such, Same Old Crowd recalls the artists’ earlier video Beyond Geography and can also be seen as a type of anthropological theater intersecting with performance studies.
Li Ran produces video, installation, and performance-based works that examine various states of parody and simulacra in the digital world. Through performative narrative, reproduction, mimicry, and satire, Li Ran’s work straddles the line between fact and fiction in playful explorations of the meaning and making of truth. Li describes his own artwork with the language of architecture: that if an artwork is like a room, its meaning should be open and porous, not forced against a unilateral interpretation. This virtual-minded analogy is fitting, as Li’s practice increasingly hinges on the exploration of the non-reality within reality.
Untitled (Women) (2011) presents a startlingly succinct history of violently romanticized femininity...
The Breaks reflects Capistran’s interests in sampling and fusing different cultural, social, and historical sources...
Although seemingly unadorned at first glance, Yang Xinguang’s sculptural work Phenomena (2009) employs minimalist aesthetics as a means of gesturing towards the various commonalities and conflicts between civilization and the natural world...
The image of rusted nails, nuts and bolts as shrapnel sandwiched between a fried Chicken burger highlights the contrast between decadence and destruction...
The lengthy titles in Chen Xiaoyun’s work often appear as colophons to his photographs that invite the viewer to a process of self realization through contemplating the distance between word and image...
Pak created New York Public Library Projects (NYPLP) (2008) during a residency in New York, using public libraries as exhibition spaces and the books they house as raw materials...
Paint and Unpaint is an animation by Kota Ezawa based on a scene from a popular 1951 film by Hans Namuth featuring Jackson Pollock...
The 10 $1 bills that make up From a Whisper to a Scream (2012) read like instructions in origami...
Unregistered City is a series of eight photographs depicting different scenes of a vacant, apparently post-apocalyptic city: Some are covered by dust and others are submerged by water...
In the video installation A Gust of Wind , Zhang continues to explore notions of perspective and melds them seamlessly with a veiled but incisive social critique...
After engaging primarily with video and photography for more than a decade, Chen turned to painting to explore the issue of urban change and memories—both personal and collective...