5 minutes
The four-channel video installation Same Old Crowd departs from the documentation of an unknown city and takes place in an ambiguous temporal and spatial frame. Twelve characters (amateur actors hired by the artist) appear in black-and-white in highly stylized surroundings wearing patterned cloths. The identities or time period of the characters, all deprived of languages, are impossible to determine. Punctuated by staccato sounds and fast camerawork, the protagonists’ exaggerated expressions and emphatic gestures create a high level of tension. For the artist, repetitions in the video do not attempt to level notion of “difference.” Rather repetition is antithetical to the notion of novelty within the discourse of reality, modernity, and media. As such, Same Old Crowd recalls the artists’ earlier video Beyond Geography and can also be seen as a type of anthropological theater intersecting with performance studies.
Li Ran produces video, installation, and performance-based works that examine various states of parody and simulacra in the digital world. Through performative narrative, reproduction, mimicry, and satire, Li Ran’s work straddles the line between fact and fiction in playful explorations of the meaning and making of truth. Li describes his own artwork with the language of architecture: that if an artwork is like a room, its meaning should be open and porous, not forced against a unilateral interpretation. This virtual-minded analogy is fitting, as Li’s practice increasingly hinges on the exploration of the non-reality within reality.
A Portrait: Covering and Cleaning is an installation of six black-and-white video projections...
After engaging primarily with video and photography for more than a decade, Chen turned to painting to explore the issue of urban change and memories—both personal and collective...
Untitled (Women) (2011) presents a startlingly succinct history of violently romanticized femininity...
After engaging primarily with video and photography for more than a decade, Chen turned to painting to explore the issue of urban change and memories—both personal and collective...
In Made In Heaven , we are face to face with a sculptural apparition, a divine visitation in the artist’s studio...
State Terrorism in the ultimate form of Pre-Raphaelite Brotherhood features a portrait of the artist wearing a zipped utilitarian jacket reminiscent of a worker’s uniform, with one arm behind his back as if forced to ingest a bundle of stick—a literal portrayal to the definition of fascism...
Although seemingly unadorned at first glance, Yang Xinguang’s sculptural work Phenomena (2009) employs minimalist aesthetics as a means of gesturing towards the various commonalities and conflicts between civilization and the natural world...
Pak created New York Public Library Projects (NYPLP) (2008) during a residency in New York, using public libraries as exhibition spaces and the books they house as raw materials...
Peasant Sensation Passing Through Flesh – 3 consists of a massage chair fixed to a wall...
In the video installation A Gust of Wind , Zhang continues to explore notions of perspective and melds them seamlessly with a veiled but incisive social critique...