A Portrait: Covering and Cleaning is an installation of six black-and-white video projections. Each video depicts a portrait with features changing continuously and quickly into different persons, animals and symbols. Driven by the evolving contents of the screen itself, this piece showcases the form and material of Qiu Anxiong’s working method, which relies on precisely planned storyboard sketches drawn in pen on A4 paper. After the narrative is fully formed, Qiu transfers each image by painting it onto a small canvas with acrylic, which can be quickly wiped away to prepare for the subsequent image or element to be painted on top. Such process distills an aesthetics of over-painting that drives narrative development through changing logical relationships between material and form rather than plot elements.
Qiu Anxiong creates paintings, sculpture, installation and animation. He is best known for his moving animations implementing the style of traditional Chinese ink painting. His merging of traditional painting into moving images has distinguished his practice at the forefront of contemporary experimental ink painting. He uses this interplay between the past and the present as a strategy to examine the relationship between man and nature, especially how today’s mass urbanization has compromised our values for tradition and the environment.
Unregistered City is a series of eight photographs depicting different scenes of a vacant, apparently post-apocalyptic city: Some are covered by dust and others are submerged by water...
Peasant Sensation Passing Through Flesh – 3 consists of a massage chair fixed to a wall...
Pak created New York Public Library Projects (NYPLP) (2008) during a residency in New York, using public libraries as exhibition spaces and the books they house as raw materials...
In the flash animation SpringValle_ber_girls , Petra Cortright collages together surreal scenes out of unnaturally idyllic desktop screensavers with equally unreal computer-generated women that pop in and out of the landscape...
Uncertain Pilgrimage is an ongoing project in which Moore draws from his unplanned travels in recent years...
After engaging primarily with video and photography for more than a decade, Chen turned to painting to explore the issue of urban change and memories—both personal and collective...
Drawn from the widely circulated images of protests around the world in support of women rights and racial equality, the phrase I can’t believe we are still protesting is both the title of Wong Wai Yin’s photographic series and a reference to similar messages seen on protest signages...
State Terrorism in the ultimate form of Pre-Raphaelite Brotherhood features a portrait of the artist wearing a zipped utilitarian jacket reminiscent of a worker’s uniform, with one arm behind his back as if forced to ingest a bundle of stick—a literal portrayal to the definition of fascism...
After engaging primarily with video and photography for more than a decade, Chen turned to painting to explore the issue of urban change and memories—both personal and collective...
The central point of Vanishing Point is the most direct physiological reaction of the body to the environment...
Sign #1 , Sign #2 , Sign #3 were included in “Found Object Assembly”, Copeland’s 2009 solo show at Jack Hanley Gallery, San Francisco...
The Tower of Babel is an installation of large-format photographs that forces the audience to occupy a central position through its monumental scale...
The series Nightmare Wallpapers represents a shift if Chuen’s practice, allowing the artist to immerse himself in an “artistic pilgrimage of self healing” following the failure of the 2014 Umbrella Movement...