A Portrait: Covering and Cleaning is an installation of six black-and-white video projections. Each video depicts a portrait with features changing continuously and quickly into different persons, animals and symbols. Driven by the evolving contents of the screen itself, this piece showcases the form and material of Qiu Anxiong’s working method, which relies on precisely planned storyboard sketches drawn in pen on A4 paper. After the narrative is fully formed, Qiu transfers each image by painting it onto a small canvas with acrylic, which can be quickly wiped away to prepare for the subsequent image or element to be painted on top. Such process distills an aesthetics of over-painting that drives narrative development through changing logical relationships between material and form rather than plot elements.
Qiu Anxiong creates paintings, sculpture, installation and animation. He is best known for his moving animations implementing the style of traditional Chinese ink painting. His merging of traditional painting into moving images has distinguished his practice at the forefront of contemporary experimental ink painting. He uses this interplay between the past and the present as a strategy to examine the relationship between man and nature, especially how today’s mass urbanization has compromised our values for tradition and the environment.
Unregistered City is a series of eight photographs depicting different scenes of a vacant, apparently post-apocalyptic city: Some are covered by dust and others are submerged by water...
Peasant Sensation Passing Through Flesh – 3 consists of a massage chair fixed to a wall...
Although seemingly unadorned at first glance, Yang Xinguang’s sculptural work Phenomena (2009) employs minimalist aesthetics as a means of gesturing towards the various commonalities and conflicts between civilization and the natural world...
Unregistered City is a series of eight photographs depicting different scenes of a vacant, apparently post-apocalyptic city: Some are covered by dust and others are submerged by water...
Peasant Sensation Passing Through Flesh – 3 consists of a massage chair fixed to a wall...
Pak created New York Public Library Projects (NYPLP) (2008) during a residency in New York, using public libraries as exhibition spaces and the books they house as raw materials...
Drawn from the widely circulated images of protests around the world in support of women rights and racial equality, the phrase I can’t believe we are still protesting is both the title of Wong Wai Yin’s photographic series and a reference to similar messages seen on protest signages...
Study of History IV by Subas Tamang is an etching and aquatint print based on photographs taken by German photographer Volkmar Wentzel in 1949...
The Tower of Babel is an installation of large-format photographs that forces the audience to occupy a central position through its monumental scale...
His untitled paintings express his concern regarding perception in abstract form...
White Minority , is typical of Capistran’s sampling of high art genres and living subcultures in which the artist subsumes an object’s high art pedigree within a vernacular art form...
Concerned with the early history of Singapore, Zai Kuning spent many years living with and researching the history of the Riau peoples who were the first inhabitants of Singapore...