Although seemingly unadorned at first glance, Yang Xinguang’s sculptural work Phenomena (2009) employs minimalist aesthetics as a means of gesturing towards the various commonalities and conflicts between civilization and the natural world. Comprised of rudimentary planks of wood hammered together into a rectangular form, Yang’s work uses reclaimed materials from everyday life and seems deliberately in conversation with Arte Povera, the art movement that originated in Italy during the late 1960s where practitioners produced art from found and common materials as an act of resistance against the decided commercialization of the art world through market economies. Yang, by extension, pays close attention to his materials in attempt to release the forms within them rather than impose his own. He rarely adds anything to the materials that he uses; instead, he chisels, pares and scrapes the excess away, allowing his completed works to emerge through a combination of happenstance and almost meditative handwork. In Phenomena , Yang’s handwork becomes apparent in a constellation-like form scratched into the wood. Suddenly, the nails and knots in the wood’s surface become vertices in a larger web of connecting lines, suggesting the inexorable interconnections between our alternately fabricated and naturally occurring environments. Rather than privileging one over the other, Yang’s work invites us to contemplate these relationships and how these coessential phenomena define our existence.
Yang Xinguang is an artist whose work explores the interconnections between the natural world fabricated materials in a post-industrialist society. His work is deliberately restrained and frequently uses reclaimed materials such as found wood planks, a gesture that recalls the Arte Povera movement’s commitment to using un-rarified and common materials in art making practice. His work is also deeply invested in exploring the phenomenological relationship between viewers and artworks, and his sculptural installations gesture towards Minimalist traditions, inviting viewers to pause and consider their own relationship to their surrounding space.
The image of rusted nails, nuts and bolts as shrapnel sandwiched between a fried Chicken burger highlights the contrast between decadence and destruction...
Americans for the Arts Remembers Star of Film, TV, and Stage, Angela Lansbury | Americans for the Arts Jump to navigation Americans for the Arts Arts Action Fund National Arts Marketing Project pARTnership Movement Animating Democracy Facebook Twitter LinkedIn Instagram YouTube Load Picture Home News Room Americans for the Arts Remembers Star of Film, TV, and Stage, Angela Lansbury Hello Guest | Login Americans for the Arts Remembers Star of Film, TV, and Stage, Angela Lansbury Friday, October 14, 2022 Americans for the Arts mourns the loss of beloved Artists Committee member Dame Angela Lansbury , who passed away in her Los Angeles home on October 11, 2022, at the age of 96...
Unregistered City is a series of eight photographs depicting different scenes of a vacant, apparently post-apocalyptic city: Some are covered by dust and others are submerged by water...
In Dilemma: Three Way Fork in the Road , Wang references Peking opera in a re-interpretation of traditional text...
A mesmerizing experience of a vaguely familiar yet remote world, History of Chemistry I follows a group of men as they wander from somewhere beyond the edge of the sea through a vast landscape to an abandoned steel factory...
Untitled (Celestial Motors) is a visual meditation on an icon of modern urban Philippine life—the jeepney...
Ana Roldán’s Primeval forms series looks up close at the fecund shapes of plants often found in the artist’s native Mexico...
Clémentine Adou — Xmas — Les Bains-Douches d'Alençon — Exhibition — Slash Paris Login Newsletter Twitter Facebook Clémentine Adou — Xmas — Les Bains-Douches d'Alençon — Exhibition — Slash Paris English Français Home Events Artists Venues Magazine Videos Back Previous Next Clémentine Adou — Xmas Exhibition Installation, sound - music, mixed media, video Clémentine Adou, Red nose, red dot, 2023 Red nose, motor — 5 × 5 × 5 cm Clémentine Adou & Tonus, Paris Clémentine Adou Xmas Ends in 21 days: January 26 → March 3, 2024 “Movement is not material...
Contrast to the bustling and unrelenting experience of a city such as Hong Kong, Chris Huen Sin Kan paints the tranquil interiors of his apartment, where he leads a modest and almost hermit-like life...