Ongoing Time Stabbed with a Dagger was Farmer’s first kinetic sculpture that added a cinematic character to an “ever-reconfiguring play presented in real time.” The assembly of various objects and props on top of a large platform constitutes not only a work, but, to a certain extent, a show in itself. The title of the piece comes from the literal translation of René Magritte’s painting from 1938, La Durée Poignardée , whose more familiar translation is “Time Transfixed.”
Geoffrey Farmer borrows equally from the traditions of installation and conceptual art to create carefully staged works that emphasize temporality and fiction, and examine history, art history, and popular culture. His interest in theatricality is particularly evident in pieces like Theater of Cruelty (2009) and And Finally the Street Becomes the Main Character [Clock] (2008) in which various fragments are assembled into epic narratives. Through these stagings, Farmer critiques modernity’s construction of history, temporality, and fiction.
Barry McGee’s Untitled is a collection of roughly fifty, framed photographs, paintings, and text pieces clustered together in corner...
The Crime of Art is an animation by Kota Ezawa that appropriates scenes from various popular Hollywood films featuring the theft of artworks: a Monet painting in The Thomas Crown Affair (1999), a Rembrandt in Entrapment (1999), a Cellini in How to Steal a Million (1966), and an emerald encrusted dagger in Topkapi (1964)...
The Simpson Verdict is a three-minute animation by Kota Ezawa that portrays the reading of the verdict during the OJ Simpson trial, known as the “most publicized” criminal trial in history...
Untitled (Grate I/II: Shan Mei Playground/ Grand Fortune Mansion) is part of a series drawn from architectural objects that mark the boundary of public and private spaces Wong encountered while strolling in Hong Kong...
Human Quarry is a large work on paper by Leslie Shows made of a combination of acrylic paint and collage...
Untitled (Grate I/II: Shan Mei Playground/ Grand Fortune Mansion) is part of a series drawn from architectural objects that mark the boundary of public and private spaces Wong encountered while strolling in Hong Kong...
Ponderosa Pine IV belongs to a series of large-scale photographs of trees taken by Graham and depicts a particular species that live in Northern California...
Weekly Southeast Asia Radar: The artist who wants the Rafflesia; Thai colourful culture | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia ArtsEquator Radar John Clewley October 1, 2020 ArtsEquator’s Southeast Asia Radar features articles and posts about arts and culture in Southeast Asia, drawn from local and regional websites and publications – aggregated content from outside sources, so we are exposed to a multitude of voices in the region...
Weekly Picks: Indonesia (17 - 23 December 2018) | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia Weekly To Do December 17, 2018 Top Picks of Indonesia art events in Bali and Solofrom 17-23 December 2018 The year is coming to a close but there are still a few exciting art events that might brighten your holiday season...
Quiz: Which Singaporean writer are you? | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia ArtsEquator Viewpoints July 3, 2021 For every Singaporean who loves stories and words—whether you lovingly document your everyday experiences on Facebook, pen epic poems during your lunch breaks, or are a writer working on that great Singapore novel— there comes a time where you ask yourself the big questions: like, what is the meaning of life? Could I win the Golden Point Award? And, most importantly, which Singaporean writer are you, exactly? Alternatively, click here for the quiz...
The archival images used by Frida Orupabo in her collages trace stereotyped representations of race, gender, sexuality and violence...
Foreigners Everywhere is a series of neon signs in several different languages...
Glenn Ligon’s diptych, Condition Repor t is comprised of two side-by-side prints...
Bowers’ Radical Hospitality (2015) is a sculptural contradiction: its red and blue neon letters proclaim the words of the title, signaling openness and generosity, while the barbed wires that encircle the words give another message entirely...
Wright Imperial Hotel (2004) is a sort of bow and arrow made out of feathers, a São Paulo phone book, and other materials...
Many of Araujo’s works depict reproductions and Libro Ponti II is a recreation of a book on Italian architect Gio Ponti...
In 2008, Grassie was invited by the Whitechapel Gallery to document the transformation of some of its spaces...