Ongoing Time Stabbed with a Dagger

Barry McGee’s Untitled is a collection of roughly fifty, framed photographs, paintings, and text pieces clustered together in corner...

The Crime of Art is an animation by Kota Ezawa that appropriates scenes from various popular Hollywood films featuring the theft of artworks: a Monet painting in The Thomas Crown Affair (1999), a Rembrandt in Entrapment (1999), a Cellini in How to Steal a Million (1966), and an emerald encrusted dagger in Topkapi (1964)...

Lockhart’s film Lunch Break investigates the present state of American labor through a close look at the everyday life of the workers at the Bath Iron Works shipyard—a private sector of the U...

There are several elements to Subject, Silver, Prism ...

Untitled (Grate I/II: Shan Mei Playground/ Grand Fortune Mansion) is part of a series drawn from architectural objects that mark the boundary of public and private spaces Wong encountered while strolling in Hong Kong...

Sign #1 , Sign #2 , Sign #3 were included in “Found Object Assembly”, Copeland’s 2009 solo show at Jack Hanley Gallery, San Francisco...

Michigan Central Station is part of a larger photographic series, Detroit Photos , which includes images of houses, theaters, stadiums, offices, and other municipal structures...

There are several elements to Subject, Silver, Prism ...

Untitled (Grate I/II: Shan Mei Playground/ Grand Fortune Mansion) is part of a series drawn from architectural objects that mark the boundary of public and private spaces Wong encountered while strolling in Hong Kong...

The image of rusted nails, nuts and bolts as shrapnel sandwiched between a fried Chicken burger highlights the contrast between decadence and destruction...

The central point of Vanishing Point is the most direct physiological reaction of the body to the environment...

Weekly Southeast Asia Radar: The artist who wants the Rafflesia; Thai colourful culture | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia ArtsEquator Radar John Clewley October 1, 2020 ArtsEquator’s Southeast Asia Radar features articles and posts about arts and culture in Southeast Asia, drawn from local and regional websites and publications – aggregated content from outside sources, so we are exposed to a multitude of voices in the region...

Weekly Picks: Indonesia (17 - 23 December 2018) | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia Weekly To Do December 17, 2018 Top Picks of Indonesia art events in Bali and Solofrom 17-23 December 2018 The year is coming to a close but there are still a few exciting art events that might brighten your holiday season...

Exhibitions and workshops on the transformation of hearing with Deaf culture (2013–)...

How star Chinese architect behind Canada’s Absolute Towers thinks – Hong Kong exhibition goes behind the scenes of Ma Yansong’s MAD Architects projects...

Foreigners Everywhere is a series of neon signs in several different languages...

Glenn Ligon’s diptych, Condition Repor t is comprised of two side-by-side prints...

Percent for Art is seemingly concerned with “art enrichment” by state or city arts agencies role in it, managing the artist rosters, maintaining public art collections, commissioning artworks, selecting installation sites, among other things for aesthetic and cultural enhancement in both public and private real estate developments...

The small drawings that comprise Study from May Day March, Los Angeles 2010 (Immigration Reform Now) and We Are Immigrants Not Terrorists are based on photographs taken at a political rally in downtown Los Angeles in which thousands of individuals demonstrated for immigrants’ rights...

At a recent auction in London, a gallery paid five times the top estimate for a series of photographs...

By the time flames were doused, all that was left of the installation by Michelangelo Pistoletto was a charred frame....

In 2007, the Swedish duo Goldin+Senneby travelled to California to find the source of one of the most widely distributed images of all time, the Microsoft Windows desktop...

Ojih Odutola uses a distinctive visual style to capture members of her family, rendering them one pen stroke at a time, until their skin resembles ribbons woven into the contours of a face, neck, or hand...