Map (from Uncertain Pilgrimage), 2006-2009
2006 - Sculpture (Sculpture)
Gareth Moore
Uncertain Pilgrimage is an ongoing project in which Moore draws from his unplanned travels in recent years. Many of the pieces are found objects and discarded materials that he has transformed into tools and eccentric prop-like sculptures to help him on his journeys. Map (from Uncertain Pilgrimage) is one such object that could be a metaphor for the whole project: a simple empty paper map that has no location written on it.
Gareth Moore’s practice—which explores ideas of journey and loss—combines performance, documentation, installation, and sculpture, as well as everyday activities. For the exhibition The Wizard of Oz at California College of the Arts’s Wattis Institute, Moore was blindfolded and deposited in an unknown location with only the clothes on his back, some pocket money, and a camera to find his own way back to the gallery.
Colors:
Related works featuring themes of: » Architecture's Effects, » Canadian, » Columns and Totems, » Consumerism
© » KADIST
John McCracken
Though not strictly representational, some objects in Untitled (1962) are recognizable: a flower, an egg, a foot...
© » KADIST
Wong Wai Yin
2021Drawn from the widely circulated images of protests around the world in support of women rights and racial equality, the phrase I can’t believe we are still protesting is both the title of Wong Wai Yin’s photographic series and a reference to similar messages seen on protest signages...
© » KADIST
Firenze Lai
2013Central Station, Alignment, and Sumo are “situation portraits” that present whimsical characters within distorted and troubling worlds...
© » KADIST
Wong Wai Yin
2021Drawn from the widely circulated images of protests around the world in support of women rights and racial equality, the phrase I can’t believe we are still protesting is both the title of Wong Wai Yin’s photographic series and a reference to similar messages seen on protest signages...
© » KADIST
Firenze Lai
2013Central Station, Alignment, and Argument are “situation portraits” that present whimsical characters within distorted and troubling worlds...
© » KADIST
Federico Herrero
2009Federico Herrero’s energetic paintings reflect his experiences on the streets of his native San José, Costa Rica, and in the surrounding tropical landscape...
© » KADIST
Wong Wai Yin
2021Drawn from the widely circulated images of protests around the world in support of women rights and racial equality, the phrase I can’t believe we are still protesting is both the title of Wong Wai Yin’s photographic series and a reference to similar messages seen on protest signages...
© » KADIST
Choi Jeong-Hwa
2008The application of bright colors and kitsch materials in Flower Tree manifests a playful comment on the influence of popular culture and urban lifestyle...
© » KADIST
Haegue Yang
2016A steel clothing rack adorned with turbine vents, Moroccan vintage jewelry, pinecones and knitting yarn, these heterogeneous elements are used here to create an exotic yet undefined identity within the work...
© » KADIST
Geoffrey Farmer
2009Ongoing Time Stabbed with a Dagger was Farmer’s first kinetic sculpture that added a cinematic character to an “ever-reconfiguring play presented in real time.” The assembly of various objects and props on top of a large platform constitutes not only a work, but, to a certain extent, a show in itself...
© » KADIST
Donna Conlon and Jonathan Harker
2012In Tapitapultas (2012), Donna Conlon and Jonathan Harker comment on mass consumerism and pollution by way of a game they invented...
© » KADIST
Ben Shaffer
2007Ben Shaffer’s Ben Deroy (2007) is part performance, part self-portrait, and part spiritual vision...
© » KADIST
Patty Chang
The video “Shangri-La” refers to the mythical city of James Hilton’s novel “Lost Horizon” written in 1933 and is exemplified in a film by Frank Capra which speaks of eternal youth in a city of happiness...
© » KADIST
Qiu Anxiong
2011A Portrait: Covering and Cleaning is an installation of six black-and-white video projections...
