This research-based artwork acts as a memorial to early twentieth century European exploration of China. An antique open suitcase reveals a pile of rubbings and an air-dried peony, while projected photographs of the Chinese landscape appear as a slideshow on the gallery wall. The artifacts refer to a 1908-1909 expedition of naturalists, missionaries, and colonists to the west of China, which ended abruptly with the death of one of the travelers by unusual circumstances. The installation complicates notions of time, history, fact, and subjectivity by including readymade European artifacts with photographs made by Hu Yun’s own grandfather and a bell in the corner of the gallery that summons an attendant to recite a fairytale for the viewer. Individual experience cannot be separated from historical account, while past events cannot be separated from their context within the present moment.
Shanghai-based artist Hu Yun works in various media, including graphite, watercolor, installation, video, and performance. He brings together personal and historical events from different times and locations to create complex narratives that demonstrate the coexistence of the past and present. He invites viewers to discover connections between the elements of each piece and their own experiences.
Empire’s Borders II – Passage and Empire’s Borders II – Workers are from the three-channel film installation Empire’s Borders II – Western Enterprise, Inc...
The Tower of Babel is an installation of large-format photographs that forces the audience to occupy a central position through its monumental scale...
Mario Garcia Torres discovered the work of artist Oscar Neuestern in an article published in ARTnews in 1969...
The Cloud of Unknowing (2011) is titled after a 14th-century medieval treatise on faith, in which “the cloud of unknowing” that stands between the aspirant and God can only be evoked by the senses, rather than the rational mind...
The image of rusted nails, nuts and bolts as shrapnel sandwiched between a fried Chicken burger highlights the contrast between decadence and destruction...
Empire’s Borders II – Passage and Empire’s Borders II – Workers are from the three-channel film installation Empire’s Borders II – Western Enterprise, Inc...
In the video installation A Gust of Wind , Zhang continues to explore notions of perspective and melds them seamlessly with a veiled but incisive social critique...
A mesmerizing experience of a vaguely familiar yet remote world, History of Chemistry I follows a group of men as they wander from somewhere beyond the edge of the sea through a vast landscape to an abandoned steel factory...
Mario Garcia Torres films a game of Charades among professional actors guessing the former North Korean dictator’s favorite Hollywood films...
Although seemingly unadorned at first glance, Yang Xinguang’s sculptural work Phenomena (2009) employs minimalist aesthetics as a means of gesturing towards the various commonalities and conflicts between civilization and the natural world...
603 Football Field presents a soccer game played inside a small student apartment in Shanghai...
Mario Garcia Torres imagines cinematic devices to replay stories occasionally forgotten by Conceptual art...