This research-based artwork acts as a memorial to early twentieth century European exploration of China. An antique open suitcase reveals a pile of rubbings and an air-dried peony, while projected photographs of the Chinese landscape appear as a slideshow on the gallery wall. The artifacts refer to a 1908-1909 expedition of naturalists, missionaries, and colonists to the west of China, which ended abruptly with the death of one of the travelers by unusual circumstances. The installation complicates notions of time, history, fact, and subjectivity by including readymade European artifacts with photographs made by Hu Yun’s own grandfather and a bell in the corner of the gallery that summons an attendant to recite a fairytale for the viewer. Individual experience cannot be separated from historical account, while past events cannot be separated from their context within the present moment.
Shanghai-based artist Hu Yun works in various media, including graphite, watercolor, installation, video, and performance. He brings together personal and historical events from different times and locations to create complex narratives that demonstrate the coexistence of the past and present. He invites viewers to discover connections between the elements of each piece and their own experiences.
Empire’s Borders II – Passage and Empire’s Borders II – Workers are from the three-channel film installation Empire’s Borders II – Western Enterprise, Inc...
State Terrorism in the ultimate form of Pre-Raphaelite Brotherhood features a portrait of the artist wearing a zipped utilitarian jacket reminiscent of a worker’s uniform, with one arm behind his back as if forced to ingest a bundle of stick—a literal portrayal to the definition of fascism...
The image of rusted nails, nuts and bolts as shrapnel sandwiched between a fried Chicken burger highlights the contrast between decadence and destruction...
In Up All Night, Waiting for the Chelsea Hotel Magic to Spark My Creativity Mario García Torres constructs and documents a hypothetical scene, situating himself within a lineage of artists and creatives that used to congregate at the historic hotel...
Golden Bridge is part of “Golden Journey”, a series of site-specific performances and installations created during Lin’s residency at Kadist San Francisco...
A mesmerizing experience of a vaguely familiar yet remote world, History of Chemistry I follows a group of men as they wander from somewhere beyond the edge of the sea through a vast landscape to an abandoned steel factory...
603 Football Field presents a soccer game played inside a small student apartment in Shanghai...
Kwan Sheung Chi’s work One Million is a video work depicting the counting of bills...
A Flags-Raising-Lowering Ceremony at my home’s cloths drying rack (2007) was realized in the year of the 10th anniversary of the establishment of The Hong Kong Special Administrative Region of the People’s Republic of China...
The lengthy titles in Chen Xiaoyun’s work often appear as colophons to his photographs that invite the viewer to a process of self realization through contemplating the distance between word and image...