Libro Azul (Ayer-Mañana) (Blue Book (Yesterday-Tomorrow))

2011 - Sculpture (Sculpture)

Mateo Lopez

location: Bogota, Colombia
year born: 1978
gender: male
nationality: Colombian
home town: Bogota, Colombia

Though he often works with paper and traditional techniques such as lithography, Mateo López is interested in expanding the scope of drawing and frequently operates outside of traditional studio situations to conjure personal experiences. His early studies in architecture equipped him to consider his medium in terms of time and space, and in three rather than two dimensions. The portability of López’s methods, along with his personal approach to collecting information from his personal journeys, has become a trademark of his installations. Drawings and trompe l’oeil objects, ranging from apples to clothing hangers to doors, extend beyond their sources of inspiration as sensuous entities, creating their own life in a Proustian narrative.


Colors:



Related works featuring themes of: » Andes Region, » Art That Plays With Scale, » Contemporary Conceptualism, » Found Objects, » Colombian

Metaphors of the presence or conversations at the speed of light
© » KADIST

Nicolás Paris

2012

Nicolas Paris studied architecture and worked as an elementary school teacher before he decided to become an artist...

Casa de la cabeza (House of the head)
© » KADIST

Bernardo Ortiz

2011

Casa de la cabeza (2011) is a drawing of the words of the title, which translate literally into English as “house of the head.” Ortiz uses this humorous phrase to engage the idea of living in your head....

Nadie sabe de la sed con que otro bebe (No one knows the thirst with which another drinks)
© » KADIST

Nicolás Consuegra

2012

A residency program in the blazing hot city of Honda, Colombia, inspired artist Nicolás Consuegra to consider the difficulty in understanding the needs of a distant community...

Untitled
© » KADIST

Jedediah Caesar

2009

For Untitled, Caesar encased recycled objects such as scraps of plywood, paper or cloth in resin and then cut and reassembled the pieces into abstract forms...

Colombia
© » KADIST

Nicolás Consuegra

2014

Consuegra’s Colombia is a mirror made in the shape of the artist’s home country—a silhouette that has an important resonance for the artist...

A meditation on the possibility…
© » KADIST

Daniel Joseph Martinez

2005

Martinez’s sculpture A meditation on the possibility… of romantic love or where you goin’ with that gun in your hand , Bobby Seale and Huey Newton discuss the relationship between expressionism and social reality in Hitler’s painting depicts the legendary Black Panther leaders Huey P...

La Ligne du Temps
© » KADIST

Valeska Soares

2012

Relying on repetition and repurposed materials, Soares works to interrogate time—its measurement, its passing, and its meaning...

I used to eat lemon meringue pie till I overloaded on my pancreas with sugar and passed out; It seemed to be a natural response to a society of abundance
© » KADIST

Daniel Joseph Martinez

1978

For I use to eat lemon meringue pie till I overloaded on my pancreas with sugar and passed out; It seemed to be a natural response to a society of abundance (1978), also known as the Bodybuilder series, Martinez asked male bodybuilding competitors to pose in whatever position felt “most natural.” They are obviously trained in presenting their ambitiously carved physiques, but their facial expressions seem comparatively unstudied...

Destilaciones
© » KADIST

Ximena Garrido Lecca

2014

Destilaciones ( Distillations , 2014) is an installation composed of a group of ceramic pots, presented on the floor and within a steel structure...

I can’t believe we are still protesting
© » KADIST

Wong Wai Yin

2021

Drawn from the widely circulated images of protests around the world in support of women rights and racial equality, the phrase I can’t believe we are still protesting is both the title of Wong Wai Yin’s photographic series and a reference to similar messages seen on protest signages...

Two Eyes Two Mouth
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Erika Verzutti

2015

Made in cast bronze, Two Eyes Two Mouths provokes a strong sense of fleshiness as if manipulated by the hand of the artist pushing her fingers into wet clay or plaster to create gouges that represent eyes, mouths and the female reproductive organ...

Dilemma, three way of fork in the road
© » KADIST

Jianwei Wang

2007

In Dilemma: Three Way Fork in the Road , Wang references Peking opera in a re-interpretation of traditional text...

Versions
© » KADIST

Oliver Laric

2012

Oliver Laric’s video Versions is part of an ongoing body of work that has continued to evolve and mutate over time...

Sunday (Domingo)
© » KADIST

Rivane Neuenschwander

2010

In this video, a parrot chews on seeds printed with punctuation marks...

Drawn and Quartered
© » KADIST

Claudia Joskowicz

2007

The primary interest in the trilogy is Joskowicz’s use of cinematic space, with long tracking shots that portray resistance to habitual viewing experiences of film and television...

Untitled
© » KADIST

Gabriel Sierra

2010

Untitled consists of a small wooden sculpture that leans against a wall...

Abece “K”
© » KADIST

Johanna Calle

2011

Johanna Calle’s Abece “K” (2011) is part of a series of drawings (compiled into an artist book called Abece ) based on the alphabet...

Execution Changes #22
© » KADIST

Julian Hoeber

2011

Every work in Hoeber’s 2011 series Execution Changes is titled in alphanumeric code...