The Left Hand Can't See That the Right Hand is Blind

This photograph of Martin Creed himself was used as the invitation card for a fundraising auction of works on paper at Christie’s South Kensington in support of Camden Arts Centre’s first year in a refurbished building in 2005...

Martin Creed | The Dick Institute Experience the work of one of this country’s most ingenious, audacious and surprising artists at the Dick Institute ARTIST ROOMS Martin Creed presents highlights from the British artist’s thirty-year career...

Martin Kippenberger’s late collages are known for incorporating a wide range of materials, from polaroids and magazine clips to hotel stationery, decals, and graphite drawings...

7″ Single ‘Pop In’ by Martin Kippenbergher consisting of a vinyl record and a unique artwork drawn by the artist on the record’s sleeve...

The White Album (2008) presents a compilation of one hundred issues of Artforum magazine released between 1970 and 1979...

Starting with Bruce Nauman’s iconic artwork, The True Artist Helps the World by Revealing Mystic Truths (Window or Wall Sign) , Mungo Thomson’s neon sign is one of a series that replaces Nauman’s quixotic mini-manifesto with aphorisms from ‘recovery’ culture, especially those made popular by alcoholics anonymous...

In line with Hernández’s interest in catastrophe, Vulnerabilia (choques) is a collection of images of shipwrecks and Vulnerabilia (naufragios) collects scenes of car crashes...

In Monster (1996-97), the artist’s face becomes grotesque through the application of strips of transparent adhesive tape, typical of Gordon’s performance-based films that often depict his own body in action...

The White Album (2008) presents a compilation of one hundred issues of Artforum magazine released between 1970 and 1979...

Sarcastically titled to call attention to the problematic notions underlying colonialism, this photograph shows hundreds of Native Malaysians seated quietly behind one of their colonial oppressors...

Rocket Society refers to a space project led by a group of Armenian researchers at the beginning of the 1960s...

LaToya Ruby Frazier is an artist and a militant; her photos combine intimate views of her relation with her parents and grandparents with the history of the Afro-American community of Braddock, Pennsylvania, where she grew up and where her family still live...

Mouvement 1 — Exposition performative — Système D — Exhibition — Slash Paris Login Newsletter Twitter Facebook Mouvement 1 — Exposition performative — Système D — Exhibition — Slash Paris English Français Home Events Artists Venues Magazine Videos Back Previous Next Mouvement 1 — Exposition performative Exhibition Performance, sound - music Upcoming Graphisme : clarahoya.ch Mouvement 1 Exposition performative In 2 days: February 14 → 23, 2024 Mouvement 1 est une exposition performative où rien n’est immuable...

The Wheat Stele Chronicles: An Underwater Artistic Odyssey with Gola Hundun,”Stele del Grano” | Brooklyn Street Art BROOKLYN STREET ART LOVES YOU MORE EVERY DAY An Interview With the Artist Who Installs Underwater It’s Christmas time – do you have your underwater tree up yet? Gola Hundun...

Ghost Games , follows the enigmatic dance of crabs “steered” by a flashlight in the night of darkness of a South American beach...

Tino Sehgal’s This Exhibition requires an interpreter (in this particular piece, a gallery attendant) to faux faint each and every time a visitor enters into a given space...

Good life (2007) is an installation displaying letters, documents, photographs and objects from a man named Joseph Carrier, and appropriated by artist Danh Vo...

In Monster (1996-97), the artist’s face becomes grotesque through the application of strips of transparent adhesive tape, typical of Gordon’s performance-based films that often depict his own body in action...

Blind Spencer is part of the series “Blind Stars” including hundreds of works in which the artist cut out the eyes of Hollywood stars, in a symbolically violent manner...

Ghost Games , follows the enigmatic dance of crabs “steered” by a flashlight in the night of darkness of a South American beach...

Superb production values and special effects that in the hands of Miguel Angel Rios do not get in the way or distracts from the content and deep essay of this work...

Alfredo Aceto "3" Hua International / Berlin | | Flash Art Flash Art uses cookies strictly necessary for the proper functioning of the website, for its legitimate interest to enhance your online experience and to enable or facilitate communication by electronic means...

"A Land Imagined" and The Ghosts We Forget | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia Articles Photo courtesy of Akanga Film Asia & Philipp Aldrup Photography Photo courtesy of Akanga Film Asia & Philipp Aldrup Photography February 21, 2019 By Alfonse Chiu (1200 words, six-minute read) The three definitions of the word “ghost” from the Oxford dictionary are as follows: the first, “an apparition of a dead person which is believed to appear or become manifest to the living”; the second, “a slight trace or vestige of something”; and the third, “a faint secondary image caused by a fault in an optical system, duplicate signal transmission, etc.” In all three, presence is a suggestion of memory, amenable to corrections by means of a quick scrub of one’s spectacles...

Solid are the Winds: Aeolian Encounters at The 9th Asia Pacific Triennial (Part II) | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia Articles January 10, 2019 By Marcus Yee (1340 words, five-minute read) This is the second of a two-part essay on the 9th Asia Pacific Triennial running at the Queensland Art Gallery, Brisbane, Australia, from 24 November 2018 to 28 April 2019...