Braga’s video work Provisão (2009) opens with a still shot of a clearing in a forest, shoots of grass emerging from a muddy brown patch of seemingly dry and barren earth. As the camera fades to black, the viewer hears the repeated sound of a shovel striking dirt. The camera fades back to the clearing and zooms in on a shirtless man digging up the ground.
Yoneda’s Japanese House (2010) series of photographs depicts buildings constructed in Taiwan during the period of Japanese occupation, between 1895 and 1945. Yoneda focuses both on the original Japanese features of the houses and on details that have been altered since the end of the occupation. The yet-to-be acknowledged history of the occupation of Taiwan and other East Asian countries by Japan during World War II is subtly disclosed in these pictures.
Architectural details become abstracted renderings in Chris Wiley’s inkjet prints 11 and 20 (both 2012). In photographing seemingly mundane images of doorways and walls, Wiley collapses the viewer’s experience of inhabiting space by foregrounding features that we all too often miss in our built environment: the peeling white paint on a Corinthian column or the rusty studs on a blue door.
Architectural details become abstracted renderings in Chris Wiley’s inkjet prints 11 and 20 (both 2012). In photographing seemingly mundane images of doorways and walls, Wiley collapses the viewer’s experience of inhabiting space by foregrounding features that we all too often miss in our built environment: the peeling white paint on a Corinthian column or the rusty studs on a blue door.
Compositions such as Tree on Keystone (2011) become hyperreal versions of their real-world equivalents. Blalock resists the immediacy that we have come to expect from photography—that each photograph should communicate its message without delay.
Untitled is a black-and-white photograph of a wave just before it breaks as seen from the distance of an overlook. Donnelly’s interest in the waveform–visually, aurally, and perceptually–is made manifest in works across multiple media, including photography, drawing, video, sculpture, and performance.
Susan Sontag, the author of On Photography and Regarding the Pain of Others, was captured through Hujar’s now-iconic photograph in a relaxed yet pensive pose. A friend and supporter of his work as well as his subject, Sontag wrote the introduction for Hujar’s only book published during his lifetime: Portraits in Life and Death.
Sam Contis’s photographs explore the relationship of bodies to landscape, and the shifting nature of gender identity and expression. Horseback is part of a photographic series Contis made at Deep Springs College, one of the United States’s last all-male institutions of higher learning, located in a remote desert valley on the California–Nevada border. Horseback is a black and white photograph that depicts the arched shoulders of a horse, its slick mane splayed across its neck.
Sam Contis’s photographs explore the relationship of bodies to landscape, and the shifting nature of gender identity and expression. Oil is part of a photographic series Contis made at Deep Springs College, one of the United States’s last all-male institutions of higher learning, located in a remote desert valley on the California–Nevada border. Oil features a hand in front of an open hood of a car, checking the oil.
Young men are often found together in uniform, already influenced by ideology and bodily and style stereotypes. The majority of these photographs are linked to the memory of the military coup d’état in 2014 when the artist was very young. The imagination always remains at the center of Harit Srikhao’s work and may be defined as an arm against convention.
Young men are often found together in uniform, already influenced by ideology and bodily and style stereotypes. The majority of these photographs are linked to the memory of the military coup d’état in 2014 when the artist was very young. The imagination always remains at the center of Harit Srikhao’s work and may be defined as an arm against convention.
Carland’s series of large-format photographs Lesbian Beds (2002) depicts beds that have been recently vacated. Shot from directly above, they are lavish views of very private spaces. The artist plays to her viewers’ voyeuristic impulses, inviting us to look, but then denying us the opportunity to study the figures to whom the sheets belong, so that the rumpled covers become like anthropomorphic stand-ins inviting empathic projection.
Young men are often found together in uniform, already influenced by ideology and bodily and style stereotypes. The majority of these photographs are linked to the memory of the military coup d’état in 2014 when the artist was very young. The imagination always remains at the center of Harit Srikhao’s work and may be defined as an arm against convention.
Photojournalist with Two Cameras restages a portrait of a photojournalist from the background of an old photograph of protest published in South China Morning Post on January 10, 2010 under the headline “Return of the Radicals: Recent angry protests are nothing new.” The photojournalist in the photograph, probably from a protest of earlier decades, was capturing the scene of a protester’s arrest while wearing two cameras. January of 2010 was a time of pro-Democracy demonstrators called for the release of activist Liu Xiaobo, drafter of the Charter 08 manifesto calling for the end of authoritarian rule, was sentenced to 11 years in prison one month earlier. Leung’s isolating and highlighting of the photographer by bringing him from the original photograph’s background to the foreground of his studio shot calls attention to the two older cameras and the journalist’s retro-style clothing.
Farah Al Qasimi’s approach to photography deviates from the norms and conventions of traditional figurative and portrait photography. It’s Not Easy Being Seen 2 is from a series of photographs depicting women who are otherwise unnoticed by the public. In this work, her subject is obscured by a bright, green fabric (also referred to as a morph suit) that uses the concept of green screen technology to conceal identity.
“In the 1980s I started using coloured paper backdrops, one of which was yellow. You can see they never reached the floor. I used them for colour and black-and-white photography.” Hashem El Madani.
His series, The Golden State, harkens back to his early career and his photographic training. Using a still camera to compose the fifty images of the series, Jones turns his lens on the vernacular architecture of California’s southern region, looking at the iconic and idiosyncratic spaces that define a region. William E. Jones is a filmmaker, writer, and artist whose interests lie in the circulation of images—images that are broadcast, images that are hidden, and images that become imbedded in our collective consciousness.
Welling employs simple materials like crumpled aluminum foil, wrinkled fabric and pastry dough and directly exposes them as photograms, playing with the image in the process of revealing it. Although Welling’s approach to photography is more conceptually oriented than poetic, the resulting image in Stowe (a direct photogram of a crumpled piece of cloth) somehow resembles a curtain, perhaps suggesting that an artificial even fictive component in photographic representation. While the curtain might echo other imagery, Welling’s approach is not allegorical but rather abstract in a way that reinforces the materiality of the object.
New Landmark No. 1 is part of the series New Landmark . In this series, Tsang reversed the direction of his camera lens, and capture images of skyscrapers from an upshot angle.
Composed of four images, the series Sleeping Elephant in the Axis of Yogyakarta (2011) explores the artist’s observation of how Javanese mythology and cosmology have marked the geography of Yogyakarta, the cultural centre of Indonesia. Through photomontage digital operation, an identical elephant is superimposed in front of iconic landmark of the city: Parangtritis Beach, Sultan Square, the City Monument and Mount Merapi. These four locations are spiritual symbols and the subject of cosmological beliefs in Indonesia and the imagery of elephant has long been considered as a cultural and religious icon.
Tree on the Former Site of Camera Obscura (1996) belongs to a series of large-scale photographs of trees taken by Graham and depicts a particular species that lives in Northern California. The photograph is framed upside down; these “inverted trees” follow Graham’s early experiments with the camera lucida, a room-size pinhole camera that dates back to ancient times. Through these works Graham looks back at the history of photography while making the viewer aware of his or her own retinal experience.
Eileen Quinlan’s abstracted images, like Swipe , rely on the manipulation of photographic materials inside the studio itself, and reject the exterior world for complex interrogations of the medium.
Bhanwari and Lichhma from the Balika Mela series by Gauri Gill explores human expression through the medium of photography, bringing questions of agency, the role of photography, and feminism together through its portraits of adolescent girls from rural Rajasthan, India. Balika Mela is an annual fair for girls aimed at uplifting a population severely maligned in Rajasthan. Having set up a stall in this fair, Gill invited local girls to voluntarily pose for photographs which they were allowed to keep, expressing their performative individuality.
Office Lady with a Red Umbrella restages a figure from a 1980 postcard made from a photograph from 1950’s. The retro-glamor of the 1950s style is restyled devoid of the original context of a Hong Kong street scene, where the “office lady” is walking on Queens Road of the Central district. With the “office lady” facing away from the viewer with a bare background, an introspective tone is created in Leung’s restaging while highlighting the red umbrella resonating with a red pencil skirt emblematic of the identity of the professional urban woman when Hong Kong was under British rule.
Priola pays particular attention to otherwise unnoticed details in the cityscape, a quality that not only recurs throughout his oeuvre, but which also places his work in line with a strong tradition of California documentary photography. Close-ups and attention to detail reveal something different: a portrait of what is usually discarded or missing, like unassuming weep holes in Alameda Street or minuscule weeds making their way up through the pavement in Chestnut Street . But these details are subtle to the point of being conceptual; from afar both images appear to be monochromes.
#17 Pink is a photogram, a photographic image produced without the use of a camera. Here, the artist placed plumbago blossoms on a sheet of eight-by-ten-inch film and exposed it to light. The negative was then projected onto Kodak Metallic Endura paper through a color mural enlarger and cooler filters to produce the multicolored print.
Part of Tim Lee’s practice involves envisioning himself reenacting key moments from iconic peoples’ lives. In the photograph Untitled (Stanley Kubrick, 1945) (2010), Lee re-creates a self-portrait by Stanley Kubrick from 1945. Kubrick shot the original photograph in the mirror when he was just beginning his career as a photojournalist.
A young settler girl, dressed in a bridal outfit for Purim, stands in a street in Hebron waiting, perhaps for her parents or other children to join her. In the background three soldiers scan the buildings and the rooftops for threatening presences. Turning her back to the soldiers, the little girl pays no attention to what surrounds her.
Kastura (2012) is an installation consisting of 24 black-and-white photographs of the Katsura Imperial Villa in Kyoto bequeathed by Kimura’s grandfather; free-standing structures on which they are hung; and ornamental plants. The photographs appear to have been taken in late 1950s soon after tours of the villa were first offered to the public. Then, as today, visitors were led by a guide and could only follow a designated route.
Untitled #242 is part of Houck’s Aggregates Series, which uses digital tools to manipulate chosen sets and pairs of colors, creating colorful index sheets, bathed in colors and lines. Houck transforms these simple outputs physically, folding, lighting, photographing, and re-printing them, only to fold, photograph, and re-print again. An MFA graduate from UCLA, John Houck works primarily in the medium of photography and specializes in still-life vignettes.
Xyza Cruz Bacani is a Filipina author and photographer who uses documentary-style photography to call attention to less visible, erased, and under-reported global events...
Claudia Andujar was born in Switzerland in 1931, and then moved to Oradea, on the border between Romania and Hungary, where her paternal family, of Jewish origin, lived...
Yosuke Takeda started from experimenting with darkroom photography production and he shifted over to digital photography, aware that photographic film and paper were becoming obsolete...
Born in 1977 in the city of Governador Valadares, Minas Gerais, Paulo Nazareth now lives as a global nomad...
Harit Srikhao perceives photography as a culturally determined medium...
Viktor Kochetov became engaged in photography in 1968 and was also a professional photographer in film and photo laboratories...
Photographer Zhang Kechun documents striking scenery that meditates on the significance of landscape in modern Chinese national identity...
Chantal Edie and Zacharie Ngnogue are a photography duo who channel their personal experiences into social commentaries...
Trevor Paglen’s work combines the knowledge-base of artist, geographer and activist...
Charlotte Moth has been constituting an image bank since 1999...
Gauri Gill is interested in the social contract of photography...
Diane Severin Nguyen collects found objects and organic matter to craft the images in her photographs and video works...
Leung Chi Wo tends to highlight in his art the boundaries between viewing and voyeurism, real and fictional, and art and the everyday...
Based on an instinctive feeling of unease with the convenience and automation of daily life, Lieko Shiga has developed an artistic approach that links questions about the nature of the photographic medium with fundamental questions about life and the means of expressing oneself...
Sue Williamson (b...
Bani Abidi’s practice deals heavily with political and cultural relations between India and Pakistan; she has a personal interest in this, as she lives and works in both New Delhi and Karachi...
Working across a wide range of materials and processes, Aramesh examines simultaneously the history of Western art and contemporary commentary on the politics and history of the Middle East, concocting a unique visual language to address the contemporary conditions of violence and bio-politics...
Applications Open for the 2024 New York Portfolio Review - The New York Times Lens | Applications Open for the 2024 New York Portfolio Review https://www.nytimes.com/2024/01/18/lens/applications-open-for-the-2024-new-york-portfolio-review.html Share full article Advertisement SKIP ADVERTISEMENT You have a preview view of this article while we are checking your access...
The big picture: Bert Hardy’s portrait of striking Chinese seamen in 1940s Liverpool | Photography | The Guardian Skip to main content Skip to navigation Skip to navigation A group of men in a Chinese hostel in Liverpool, May 1942...
Polar Bear Napping on an Iceberg Wins People's Choice Award Home / Photography / Photo Contest Charming Photo of Polar Bear Napping on an Iceberg Wins Wildlife Photographer of the Year People’s Choice Award By Jessica Stewart on February 8, 2024 “Ice Bed” by Nima Sarikhani, UK...
Sleeping Polar Bear Snuggling on Iceberg Wins Photo Award Skip to content "Ice Bed" (2023), digital photo (© Nima Sarikhani, Wildlife Photographer of the Year; all images courtesy the artist and Natural History Museum, London) In an era of immeasurable chaos caused by unsustainable human activity across the planet, it’s crucial to look within the natural world for order, hope, and to feel grounded as things spiral around us...
Barbara Cole's Painterly Wet Collodion Photography Home / Photography Photographer Uses 150-Year-Old Photo Technique To Create Painterly Vintage-Looking Portraits By Jessica Stewart on February 7, 2024 Fine art photographer Barbara Cole is known for her artistic underwater photography ...
Arthur Tress Sought the Shadow Side of Photography Skip to content Arthur Tress, "Boy with Root Hands, New York, New York" from the series The Dream Collector (1971) (all photos Ksenya Gurshtein/ Hyperallergic ) LOS ANGELES — The earliest recorded evidence of humans’ fascination with dreams dates to antiquity, when Heraclitus wrote, “When men dream, each has his own world...
Stunning Photos Of The River Thames | Londonist Gorgeous Shots Of The Thames In New Riverside Photography Book By M@ M@ Gorgeous Shots Of The Thames In New Riverside Photography Book Richmond Bridge A new photography book shows the bridges and riverbanks of the Thames in their full glory...
Astrophotographer Releases 400 Megapixel Photo of the Sun Home / Photography / Astrophotography 400-Megapixel Photo of the Sun Made From 100,000 Photos By Jessica Stewart on January 29, 2024 Astrophotographer Andrew McCarthy has outdone himself with his 400-megapixel image of the Sun...
The late self-taught street photographer Vivian Maier will have her first major New York exhibition Art market Museums & heritage Exhibitions Books Podcasts Columns Technology Adventures with Van Gogh Search Search Exhibitions preview The late self-taught street photographer Vivian Maier will have her first major New York exhibition The Manhattan branch of photography museum Fotografiska will put around 200 works by the reclusive savant on view in May 2024 Gabriella Angeleti 18 December 2023 Share Vivian Maier, Self-Portrait, New York, NY , 1954 Courtesy Fotografiska The late French American photographer Vivian Maier , who rose to fame posthumously after her archive was serendipitously rediscovered in the late 2000s, will have her first major exhibition in New York next year at Fotografiska...
Jeremy Grayson obituary | Photography | The Guardian Skip to main content Skip to navigation Skip to navigation Jeremy Grayson photographed Shirley Bassey, Sammy Davis Jr and Marlon Brando Jeremy Grayson photographed Shirley Bassey, Sammy Davis Jr and Marlon Brando Obituary Jeremy Grayson obituary My father, Jeremy Grayson, who has died aged 90, was a professional photographer who worked over the years for clients including the BBC, Radio Times, Talk of the Town and the London Palladium...
The big picture: Oli Kellett’s crossroads and possibilities | Photography | The Guardian Skip to main content Skip to navigation Skip to navigation Stockton St, San Francisco, 2017...
Two Mysterious Figures Appear in the Oldest Photo to Ever Be Developed Home / Photography / Portrait Photography World’s Oldest Known Photo to Ever Be Developed Reveals Two Mysterious Figures By Margherita Cole on December 15, 2023 Today, having our picture taken is a fast and easy process...
100 Days of Glorious Whale and Elephant Photography by Chris Fallows Home / Photography / Wildlife Photography Wildlife Photographer to Share 100 Images of Majestic Elephants and Whales in 2024 [Interview] By Jessica Stewart on December 15, 2023 Renowned South African wildlife photographer Chris Fallows is known for his artistic images that capture the spirit of the animal kingdom...
Talia Chetrit Treads the Line Between Style and Substance Skip to content Talia Chetrit, "Roman on Denis" (2022) (all images courtesy the artist, kaufmann repetto, Sies and Hoke, and Hannah Hoffman) HARTFORD, Conn...
2023 Environmental Photographer of the Year Contest Winners Home / Photography / Photo Contest Incredible Winners of the 2023 Environmental Photographer of the Year Highlight Our Planet’s Climate Struggles By Jessica Stewart on December 13, 2023 “Black Soldier Fly Farming (I)” by Maurizio di Pietro...
Guardian and Observer photographs of 2023 – own a fine art print | gallery | Art and design | The Guardian Skip to main content Guardian Print Shop Guardian and Observer photographs of 2023 – own a fine art print Fans watch Elton John’s set on the Pyramid stage at Glastonbury festival in Somerset on 25 June...
‘If I start thinking I hate making baubles that’s the time to retire’: Will Shakspeare’s craft – in pictures | Art and design | The Guardian Skip to main content The artisans ‘If I start thinking I hate making baubles that’s the time to retire’: Will Shakspeare’s craft – in pictures Will Shakspeare’s Christmas baubles...
The big picture: Elliott Erwitt’s lifelong love of dogs | Photography | The Guardian Skip to main content Skip to navigation Skip to navigation Paris, 1989...
Photographer Breaks the Record for Deepest Underwater Shoot Home / Photography Photographer Breaks the Guinness World Record (Again) for Deepest Underwater Portrait Shoot By Regina Sienra on December 10, 2023 Back in July, photographer Steve Haining and model Ciara Antoski broke the Guinness World Record for the deepest underwater photoshoot ...
Pérez Art Museum Miami acquires Colombian trans activist’s portrait at Nada Art market Museums & heritage Exhibitions Books Podcasts Columns Technology Adventures with Van Gogh Search Search Art Basel in Miami Beach 2023 news Pérez Art Museum Miami acquires Colombian trans activist’s portrait at Nada Photograph by Camila Falquez shows coffee picker Samantha Siagama Benjamin Sutton 7 December 2023 Share Samantha Siagama advocates for a group of trans women exiled from the Emberá Indigenous community Courtesy the artist and Hannah Traore Gallery The Pérez Art Museum Miami has acquired a work for its permanent collection from the New Art Dealers Alliance’s (Nada) Miami fair ...
People in the UK Can Be Prescribed Photography to Treat Mental Health Home / Science / Health People Can Be Prescribed “Photography” as a Mental Health Treatment in the UK By Margherita Cole on December 6, 2023 Photo: olhovyi_photographer/ Depositphotos Creative outlets like drawing and painting are great ways of exploring your emotions and relieving stress...
Elliott Erwitt, Photographer With a Sense of Humor, Dies at 95 Skip to content Photographer Elliott Erwitt (photo by Jemal Countess/Getty Images) Legendary black-and-white photographer Elliott Erwitt passed away in his Manhattan home on November 29 at the age of 95...
In her debut monograph, 'Madre', the photographer delves into realms of past and present to consider the feminine as a life force....
Capturing Bali’s Many Faces, Zissou Documents The Sacred And The Mundane Of A Fragile Island - IGNANT Name Zissou Words Anna Dorothea Ker Though he views photography as a medium for storytelling, Zissou’s images don’t insist on a narrative...
Tips for Taking Photos With Your Cellphone - The New York Times Travel | Travel Photography: How to Make the Most of Your Cellphone Camera https://www.nytimes.com/2023/08/16/travel/travel-photography-cellphones.html Share full article 100 Advertisement SKIP ADVERTISEMENT Travel Photography: How to Make the Most of Your Cellphone Camera Share full article 100 Credit.....
Modotti’s Diego Rivera Mural: Billionaires Club; Ministry of Education, Mexico D...
The Italian photographer Tina Modotti is known for her documentation of the mural movement in Mexico...
“In the 1980s I started using coloured paper backdrops, one of which was yellow...
“While taking the picture it was challenging to make the boys sit properly without moving...
“Other photographers used to send me negatives of cross-eyed people, asking me to retouch them...
“People often asked if they could pose with the Kodak advertisement where a full scale woman is featured with a camera offering Kodak rolls...
“These are negatives that were scratched because of a jealous husband from the Baqari family, who never let his wife out by herself...
“When you position your hand on someone’s shoulder, your shoulders become straight and horizontal...
“People often asked if they could pose with the Kodak advertisement where a full scale woman is featured with a camera offering Kodak rolls...
On New Year’s Eve in 1965, Lisette Carmi met and photographed a group of transgender people living and working on the Via del Campo in Genoa–the main street for prostitution in the city, located in the former Jewish ghetto...
“People often asked if they could pose with the Kodak advertisement where a full scale woman is featured with a camera offering Kodak rolls...
“The two men were relatives and both were in the Lebanese Army.” Hashem El Madani...
Comprised of fifty-one photographic postcards, Antin’s 100 Boots is an epic visual narrative in which 100 black rubber boots stand in for a fictional “hero” making a “trip” from California to New York City...
San Pedro is a seaside city, part of the Los Angeles Harbor, sitting on the edge of a channel...
Susan Sontag, the author of On Photography and Regarding the Pain of Others, was captured through Hujar’s now-iconic photograph in a relaxed yet pensive pose...
Au bord du Fleuve Niger (1976) offers a unique insight into the lives of the 1970s in Bamako...
Having a press card allowed Viktor Kochetov to photograph freely in public places, access to which was strictly regulated for amateurs...
In 1977, as an already-established artist best known for his films, Bruce Conner began to photograph punk rock shows at Mabuhay Gardens, a San Francisco club and music venue...
David Goldblatt’s “Boksburg series” is a telling portrait of the small town that became a notorious symbol of racism in South Africa...
According to Viktor Kochetov, Meeting with the awaited guest / Yellow Bows is the first hand-colored print he ever made...
In 1980, with the construction of highways in Indigenous territories, an epidemic was brought to the Yanomami region...
In 1980, with the construction of highways in Indigenous territories, an epidemic was brought to the Yanomami region...
In 1980, with the construction of highways in Indigenous territories, an epidemic was brought to the Yanomami region...
In 1980, with the construction of highways in Indigenous territories, an epidemic was brought to the Yanomami region...
La manzana de Adán (La Palmera, Santiago) by Paz Errázuriz is part of the celebrated series La manzana de Adán (Adam’s apple) that spans 5 years (1982-1987) of documenting the lives of transgender sex workers in La Jaula and La Palmera brothels in the Chilean cities of Talca and Santiago...
Catherine Opie’s candid photograph Cathy (bed Self-portrait) (1987) shows the artist atop a bed wearing a negligee and a dildo; the latter is attached to a whip that she holds in her teeth...
In this work, a woman sits on a couch with her shirt pulled up to expose her pierced nipples, which are connected by a chain...
Ponderosa Pine IV belongs to a series of large-scale photographs of trees taken by Graham and depicts a particular species that live in Northern California...
Ukraine-Russia / Volleyball by Viktor and Sergiy Kochetov features a concrete monument of women volleyball players before the railway station in the village of Vodyanoye, Kharkiv region...
Like many of Opie’s works, Mike and Sky presents female masculinity to defy a binary understanding of gender...
Although best known as a provocateur and portraitist, Opie also photographs landscapes, cityscapes, and architecture...
Tree on the Former Site of Camera Obscura (1996) belongs to a series of large-scale photographs of trees taken by Graham and depicts a particular species that lives in Northern California...
Collier Schorr’s prints upend conventions of portrait photography by challenging what it means to “document” a subject...
This early photographic work by Fre?de?ric Nauczyciel, titled Untitled (Boîte à prière, Istanbul, Novembre 2005) , features a young man in religious attire reading a religious text from inside a glass prayer box...
His series, The Golden State, harkens back to his early career and his photographic training...
“Maqe II” is at first glance a romantic image of three diaphanous angels hovering in the luminous sky over a South African township...
Carland’s series of large-format photographs Lesbian Beds (2002) depicts beds that have been recently vacated...
Bhanwari and Lichhma from the Balika Mela series by Gauri Gill explores human expression through the medium of photography, bringing questions of agency, the role of photography, and feminism together through its portraits of adolescent girls from rural Rajasthan, India...
In her 2003 series “Better Lives”, Sue Williamson explores stories of immigrants in search of a better life in a historically contentious South Africa...
In her 2003 series “Better Lives”, Sue Williamson explores stories of immigrants in search of a better life in a historically contentious South Africa...
A young settler girl, dressed in a bridal outfit for Purim, stands in a street in Hebron waiting, perhaps for her parents or other children to join her...
“Pasvang, Pollsmoor Maximum Security Prison” is the result of three months Subotzky spent inside the walls of Pollsmoor Prison, an overcrowded correctional facility largely controlled by gangs...
#17 Pink is a photogram, a photographic image produced without the use of a camera...
In the mid to late 70s David Haxton turned to photography, and similarly to his output in film, his photographs show reverberations of his perspective as a painter...
Chalis Katesi Ramaula is a series of 240 prints capturing Nagendra Gurung’s life, work, and colleagues from the construction sites where he has worked in Dubai and Saudi Arabia...
Welling employs simple materials like crumpled aluminum foil, wrinkled fabric and pastry dough and directly exposes them as photograms, playing with the image in the process of revealing it...
Like many of Pascal Shirley’s photographs, Oakland Girls aestheticizes a dingy rooftop and a cloudy sky...
Gypsy shows an ambivalent scene, in which broken blinds and its unsmiling subject are balanced with the stilllife plentitude of watermelon slices and the beautifully lit nudity of the sitter...
Fathers #18 and Fathers #27 is part of a series of photographs and videos made in recent years in Gaza...
Untitled is a black-and-white photograph of a wave just before it breaks as seen from the distance of an overlook...
Priola pays particular attention to otherwise unnoticed details in the cityscape, a quality that not only recurs throughout his oeuvre, but which also places his work in line with a strong tradition of California documentary photography...
The threshold in contemporary Pakistan between the security of private life and the increasingly violent and unpredictable public sphere is represented in Abidi’s 2009 series Karachi ...
The threshold in contemporary Pakistan between the security of private life and the increasingly violent and unpredictable public sphere is represented in Abidi’s 2009 series Karachi ...
Goicolea has made drawings based on a family album of relations that he did not know but who in one way or another contributed to his history and to the predicament in which he now finds himself as a Cuban in America...
The half-length portrait of Joe Shirley presents a man with a great presence, wearing several items that point to ancestral Native American culture...
Born in 1974, Kano, Nigeria, Otobong Nkanga lives and works in Antwerp, Belgium...
Braga’s video work Provisão (2009) opens with a still shot of a clearing in a forest, shoots of grass emerging from a muddy brown patch of seemingly dry and barren earth...
For Bettina Poutsttchi’s large-format, site-specific photographic work Echo (2009–10), the four exterior walls of the Temporäre Kunsthalle Berlin were covered with a digitally edited collage of archival images of the glass-and-steel facade of the Palast der Republik (Palace of the Republic), which had once been located nearby...
Vandy Rattana’s Bomb Ponds series was made following a transformative encounter with the craters left over from 2,756,941 tons of bombs dropped by U...
In Ante la imagen (Before the Image, 2009) Muñoz continues to explore the power of a photograph to live up to the memory of a specific person...
Yoneda’s Japanese House (2010) series of photographs depicts buildings constructed in Taiwan during the period of Japanese occupation, between 1895 and 1945...
Photojournalist with Two Cameras restages a portrait of a photojournalist from the background of an old photograph of protest published in South China Morning Post on January 10, 2010 under the headline “Return of the Radicals: Recent angry protests are nothing new.” The photojournalist in the photograph, probably from a protest of earlier decades, was capturing the scene of a protester’s arrest while wearing two cameras...
Office Lady with a Red Umbrella restages a figure from a 1980 postcard made from a photograph from 1950’s...
Yosuke Takeda gives the viewer brightly colored views, each of which he has searched out and patiently waited for...
Seven family members and a cat all squeezed into the small five-room house, where Motoyuki Daifu grew up in Yokohama...
For his series of digital collages Excerpt (Sealed)… Rhodes appropriated multiple images from mass media and then sprayed an X on top of their glass and frame...
Ha Tae-Bum’s “White” series, started in 2008, begins with photographic images from the mainstream media depicting sites of conflict or crisis...
Charlotte Moth asked the art critic Francesco Pedraglio to write a text in response to the Man Ray film “Les Mystères du Château de Dé”, the decor of which was the Villa Noailles, built by Mallet-Stevens...
Empire’s Borders II – Passage and Empire’s Borders II – Workers are from the three-channel film installation Empire’s Borders II – Western Enterprise, Inc...
Empire’s Borders II – Passage and Empire’s Borders II – Workers are from the three-channel film installation Empire’s Borders II – Western Enterprise, Inc...
The print Patient Admission, US Naval Hospital Ship Mercy, Vietnam (2010) features an Asian Buddhist monk and an American Navy Solider on board the Mercy ship –one of the two dedicated hospital ships of the United States Navy– sitting upright in their chairs and adopting the same posture...
In his series Tsugi no yoru e (Onto the next night) , 2010, Yamatani gives viewers access to the wild world of young rockers and skaters...
Black Curl (CMY/Five Magnet: Irvine, California, March 25, 2010, Fujicolor Cyrstal Archive Super Type C, EM No 165-021, 05910) is a visually compelling photogram...
Compositions such as Tree on Keystone (2011) become hyperreal versions of their real-world equivalents...
Composed of four images, the series Sleeping Elephant in the Axis of Yogyakarta (2011) explores the artist’s observation of how Javanese mythology and cosmology have marked the geography of Yogyakarta, the cultural centre of Indonesia...
Untitled (Women) (2011) presents a startlingly succinct history of violently romanticized femininity...
Yosuke Takeda gives the viewer brightly colored views, each of which he has searched out and patiently waited for...
In the early 20th century, the Hercules Engine Company was doing a brisk business producing customized, heavy-duty engines...
Redefining The Power (with Didi Fernandes) is a metaphor of how reflections on history and society during the Angolan Civil War (1975-2002) are largely ignored within the canon of history...
Zhang Kechun’s photographic series The Yellow River documents the effects of modernization along the eponymous Yellow River, the second longest in Asia...
Architectural details become abstracted renderings in Chris Wiley’s inkjet prints 11 and 20 (both 2012)...
Architectural details become abstracted renderings in Chris Wiley’s inkjet prints 11 and 20 (both 2012)...
Kastura (2012) is an installation consisting of 24 black-and-white photographs of the Katsura Imperial Villa in Kyoto bequeathed by Kimura’s grandfather; free-standing structures on which they are hung; and ornamental plants...
In 2011-12 the San Francisco-based collective Futurefarmers staged a 10-part series of conversations and collaborations with scientists, theorist, and philosophers inspired by Charles and Ray Eames’s film, Powers of Ten (1977)...
In Amantes (Lovers) Juan Carlos points his lens at his own environment, his underground (literally) studio in Havana...
The black-and-white photograph Men (055, 065) (2012) depicts two similarly built young men – young and slim, with dark tousled hair and a square jaw line – seated aside one another in identical outfits...
In her work, Maids Room (2012) which is part of a series, Daniela Ortiz undertakes an architectural analysis of the houses belonging to the upper class of Lima...
Zhang Kechun’s photographic series The Yellow River documents the effects of modernization along the eponymous Yellow River, the second longest in Asia...
It is with the eye of a sculptor that Charlotte Moth records modernist architecture and its copies which she encounters during her trips and residences...
On 15 September 1963 members of the Ku Klux Klan blew up the 16th Street Baptist Church in Birmingham Alabama up using dynamite...
Untitled #242 is part of Houck’s Aggregates Series, which uses digital tools to manipulate chosen sets and pairs of colors, creating colorful index sheets, bathed in colors and lines...
Phan Quang’s portrait series Re/cover grapples with a lesser-known history in Vietnam...
Shahab Fotouhi’s photographic series Establishing Shot; Interior, Night – Exterior, Day; without Antagonist and Extra consists of four C-prints that at first glance would appear to be travel posters for Iran, in that each features a beautifully shot image of an Iranian waterfall...
Houck’s Peg and John was made as part of a series of photographic works that capture objects from the artist’s childhood...
For the last few years, Che Onejoon has been focusing on the relationships between African countries and North Korea...
Baby Shoes, Never Worn is part of photographer John Houck’s series of restrained still-life photographs capturing objects from his childhood...
John Houck’s brown- , sienna- and golden-toned composition, Untitled #185, 65, 535 combinations of a 2×2 grid, 16 colors , features densely packed lines of color moving diagonally across the creased page...
Sarcastically titled to call attention to the problematic notions underlying colonialism, this photograph shows hundreds of Native Malaysians seated quietly behind one of their colonial oppressors...
John Houck’s multi-layered photographic compositions immortalize nostalgic objects from the artist’s childhood, manipulated in the studio and in post-production into unreal still-life arrangements...
In the Collage II (Marie) (2013), Shorr seems to have an ostensibly clear subject, a female subject identified in the work’s title as “Marie,” a slim but athletic woman with brown hair pictured reclining atop a brilliantly white sheet draped against a marbled tan-and-white backdrop...
Adrien Missika follows in the footsteps of the Brazilian landscape architect and artist Roberto Burle Marx (1909-1994), a designer of gardens, parks and promenades who introduced modern landscape architecture to Brazil...
Sam Contis’s photographs explore the relationship of bodies to landscape, and the shifting nature of gender identity and expression...
Sam Contis’s photographs explore the relationship of bodies to landscape, and the shifting nature of gender identity and expression...
Occupy HK 2014 is a series of 18 photographs that Xyza Cruz Bacani’s shot at the height of the Umbrella Movement in Hong Kong...
Occupy HK 2014 is a series of 18 photographs that Xyza Cruz Bacani’s shot at the height of the Umbrella Movement in Hong Kong...
Occupy HK 2014 is a series of 18 photographs that Xyza Cruz Bacani’s shot at the height of the Umbrella Movement in Hong Kong...
Occupy HK 2014 is a series of 18 photographs that Xyza Cruz Bacani’s shot at the height of the Umbrella Movement in Hong Kong...
Occupy HK 2014 is a series of 18 photographs that Xyza Cruz Bacani’s shot at the height of the Umbrella Movement in Hong Kong...
Yosuke Takeda gives the viewer brightly colored views, each of which he has searched out and patiently waited for...
In Stilleben mid Zierlauch ( Still Life with Aluminum) Annette Kelm utilizes visual juxtaposition to bring together a gridded aluminum backdrop, a pot with a vaguely indigenous pattern on it, and two purple dandelions...
In Hsu’s work, Colonia China (2014), the artist documents a Chinese cemetery of Costa Rica’s Limón Province, along the country’s Caribbean coast...
The series Funerals under Neon Lights by Tomoko Kikuchi focuses on how transgender people’s ritual became a vital part of funerals in rural China...
YUMA o la tierra de los amigos (YUMA, or the Land of Friends) by Carolina Caycedo is a large mural containing a series of satellite photographs mounted on acrylic...
Time they stopped (Forouhars’ house, Tehran) depicts the trace of a recently stolen wall clock...
Acts of Appearance is an ongoing series by Gauri Gill consisting of lush, large-scale color portraits of the residents of a village in Maharashtra, in Western India, which is known for making Adivasi masks...
Eileen Quinlan’s abstracted images, like Swipe , rely on the manipulation of photographic materials inside the studio itself, and reject the exterior world for complex interrogations of the medium....
For the works KAKERA, Bullet Train and KAKERA, Loving God Tatsuki Masaru traveled throughout Japan to visit museums holding kakera (which translates to “fragments”) of Jomon Period potteries –Japan’s pre-history 2,300-15,000 years ago...
The photographed plaster heads set against the idyllic landscapes of the south of England, subvert the process of image production and memory...
The photographed plaster heads set against the idyllic landscapes of the south of England, subvert the process of image production and memory...
Palo Enceba’o is a project by José Castrellón composed of three photographs, two drawings on metal, and a video work that creates a visual and cultural analogy between the events of January 9th, 1964 in Panama City and the game of palo encebado carried out in certain parts of Panama to celebrate the (US-backed) independence from Colombia...
Palo Enceba’o is a project by José Castrellón composed of three photographs, two drawings on metal, and a video work that creates a visual and cultural analogy between the events of January 9th, 1964 in Panama City and the game of palo encebado carried out in certain parts of Panama to celebrate the (US-backed) independence from Colombia...
Palo Enceba’o is a project by José Castrellón composed of three photographs, two drawings on metal, and a video work that creates a visual and cultural analogy between the events of January 9th, 1964 in Panama City and the game of palo encebado carried out in certain parts of Panama to celebrate the (US-backed) independence from Colombia...
Farah Al Qasimi’s approach to photography deviates from the norms and conventions of traditional figurative and portrait photography...
Wolfgang Tillmans initiated the ongoing series Faltenwurf in 1989, representing compositions of unused clothing, with special attention paid to the ways in which they drape and fold...
N°001 Djoubi et sa meute is part of a series of photographs by Laura Henno titled Ge Ouryao! ...
Bariga Nights is a photographic series set in the Bariga neighborhood in Lagos (Nigeria)...
Awol Erizku’s image Origin of Afro-Esotericism has compositional force and a rhythmic use of full-blast color...
Winfield St by Sadie Barnette depicts a seldom documented scene of men and boys in an intimate domestic setting...
Mercedes Dorame utilizes photography to investigate, recode, and connect with her Gabrielino-Tongva tribe culture, as well as to bring current Indigenous experiences to light...
To produce her photo and film works, Diane Severin Nguyen makes amalgam sculptures from found materials, both natural and synthetic...
Composed of three photographic panels, Three Times at Yamato Hotel by Luka Yuanyuan Yang is a part of the artist’s ongoing project Dalian Mirage , a seven act play in a theatre staged as the city of Dalian...
Xaviera Simmons often employs her own body and collected materials in the service of her photographs and performances...
Vision (Bump’n’Curl) by Dannielle Bowman is from a series of photographs titled What Had Happened ...
The Black Canyon Deep Semantic Image Segments by Trevor Paglen merges traditional American landscape photography (sometimes referred as ‘frontier photography’ for sites located in the American West) with artificial intelligence and other technological advances such as computer vision...
Half Dome Hough Transform by Trevor Paglen merges traditional American landscape photography (sometimes referred as ‘frontier photography’ for sites located in the American West) with artificial intelligence and other technological advances such as computer vision...
To produce her photo and film works, Diane Severin Nguyen makes amalgam sculptures from found materials, both natural and synthetic...
Au non de la liberté (Tiko drink Kumba drunk) is a photographic series by Zacharie Ngnogue and Chantal Edie that considers the correlation between those who hold power in Cameroon and how their actions affect the populations they rule in often compromising ways...
Au non de la liberté (Tiko drink Kumba drunk) is a photographic series by Zacharie Ngnogue and Chantal Edie that considers the correlation between those who hold power in Cameroon and how their actions affect the populations they rule in often compromising ways...
Zhang Kechun’s photographic series The Yellow River documents the effects of modernization along the eponymous Yellow River, the second longest in Asia...
Au non de la liberté (Tiko drink Kumba drunk) is a photographic series by Zacharie Ngnogue and Chantal Edie that considers the correlation between those who hold power in Cameroon and how their actions affect the populations they rule in often compromising ways...
Hand Study (Making in Whiteness) IIII by Carmen Winant is part of a series of five collages...
Lenora de Barros’s poetics are known for setting in motion an intimate relationship between image and the written word...