Naoya Hatakeyama’s series Rikuzentakata (2011) documents the devastating aftermath of the 2011 Tohoku earthquake and tsunami in Japan. Throughout the series of sixty C-prints, Hatakeyama’s photographs depict scenes of torn landscapes and leveled homes, demolished villages and massive piles of detritus pummeled beyond recognition. The images serve as records of disaster, seemingly driven by an intense need to bear witness to collective trauma. Hatakeyama’s photographs, however, emerged from a painful and personal grief: the series focuses on the near-destruction of the artist’s hometown, an event which resulted in both his mother’s death and the deaths of many friends and neighbors. Rikuzentakata bears the ethical weight and responsibility of photojournalism even as its genesis comes out of a deeply felt loss and the ambiguity of survivor’s guilt. Hatakeyama suggests that what’s lost can never be fully recovered, but that with time, those wounds can slowly heal and life can begin again.
Naoya Hatakeyama is one of Japan’s leading contemporary photographers. His work frequently explores the relationship between natural and built environments, and he is particularly invested in examining how urbanization produces violent effects in surrounding landscapes. In 2012, Hatakeyama was the subject of a mid-career retrospective at SFMOMA titled Naoya Hatakeyama: Natural Stories, an exhibition of large-scale photographs centered around themes of nature, destruction, and human will. His photographs have been acquired by many international collections such as the National Museum of Modern Art, Osaka; the National Museum of Modern Art, Tokyo; Tokyo Metropolitan Museum of Photography; the Museum of Fine Arts, Houston; Yale University Art Gallery, New Haven; the Swiss Foundation for Photography, Winterthur; la Maison Européenne de la Photographie, Paris; and the Victoria & Albert Museum, London.
Walking Through is one of a series of videos—sometimes humorous, often absurd—that record the artist’s performative interactions with objects in a particular site...
This artwork was part of a group of projects presented in the Japanese Pavilion at the Venice Biennale in 2013...
Filmed underwater, this is the third video in Nguyen-Hatsushiba’s “Memorial Project” series which began in 2001...
Poetry Light Stool evokes the spirit of Fluxus, the intermedia movement that encouraged artmaking to be simple, fun, and address everyday life...
Yoneda’s Japanese House (2010) series of photographs depicts buildings constructed in Taiwan during the period of Japanese occupation, between 1895 and 1945...
Walking Through is one of a series of videos—sometimes humorous, often absurd—that record the artist’s performative interactions with objects in a particular site...
Seven family members and a cat all squeezed into the small five-room house, where Motoyuki Daifu grew up in Yokohama...
Tanaka’s unique understanding of objects and materials is reflected in the four photographs that document his Process of Blowing Flour ...
Naoya Hatakeyama’s series Rikuzentakata (2011) documents the devastating aftermath of the 2011 Tohoku earthquake and tsunami in Japan...
Yoneda’s Japanese House (2010) series of photographs depicts buildings constructed in Taiwan during the period of Japanese occupation, between 1895 and 1945...
Walking Through is one of a series of videos—sometimes humorous, often absurd—that record the artist’s performative interactions with objects in a particular site...
Seven family members and a cat all squeezed into the small five-room house, where Motoyuki Daifu grew up in Yokohama...
Five Hundred Twenty-Four, a single-channel video installation by Lenka Clayton and Phillip Andrew Lewis, features singers from over twenty Cleveland-area choirs counting numbers in an iterative process: one person sings “one”, then two people sing “two”, and so forth, to 524...
In The Studio With Jakub Kubica: Between Minimalist Design And Sci-Fi Archeology - IGNANT Name Jakub Kubica Images Clemens Poloczek Words Marie-Louise Schmidlin With a portfolio that spans minimalist furniture, functional design objects, and futuristic artworks, the practice of Jakub Kubica meets at the intersection of various disciplines...
Weekly Picks: Indonesia (12 - 18 November 2018) | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia Weekly To Do November 12, 2018 Top Picks of Indonesia art events in Bali, Bandung and Jakarta from 12 – 18 November 2018 If you’re in Bali, swing by the exhibition “Efek Samping” part of the Futuwonder Project : Masa Subur ...
Naoya Hatakeyama’s series Rikuzentakata (2011) documents the devastating aftermath of the 2011 Tohoku earthquake and tsunami in Japan...
Naoya Hatakeyama’s series Rikuzentakata (2011) documents the devastating aftermath of the 2011 Tohoku earthquake and tsunami in Japan...
Naoya Hatakeyama’s series Rikuzentakata (2011) documents the devastating aftermath of the 2011 Tohoku earthquake and tsunami in Japan...
Naoya Hatakeyama’s series Rikuzentakata (2011) documents the devastating aftermath of the 2011 Tohoku earthquake and tsunami in Japan...
Nidhal Chamekh made the first drawings of the ongoing series Mémoire Promise in 2013...
Nidhal Chamekh made the first drawings of the ongoing series Mémoire Promise in 2013...
David Goldblatt’s “Boksburg series” is a telling portrait of the small town that became a notorious symbol of racism in South Africa...
escenario chacana by Claudia Martínez Garay is a sculptural work composed of a frame-like structure that contains a series of ceramic pieces...