Improvisación escrita para lectura a primera vista

2005 - Sculpture (Sculpture)

Abraham Cruzvillegas

location: Mexico
year born: 1968
gender: male
nationality: Mexican
home town: Mexico City, Mexico

Abraham Cruzvillegas is known for his intricate and elaborate sculptures and installations made from found and scavenged materials. He often fashions useful objects out of repurposed parts and urban detritus. Cruzvillegas is inspired by the resourcefulness he has witnessed in impoverished rural and urban areas, where people build houses and necessary objects out of recycled materials such as cars and bottles.


Colors:



Related works featuring themes of: » Contemporary Conceptualism, » Found Objects, » Mexico, » Neo-Conceptualism, » Mexican

Avenida Corona del Rosal
© » KADIST

Pablo Rasgado

2011

Pablo Rasgado’s paintings and installations serve as a visual record of contemporary urban human behavior...

Canned Laughter
© » KADIST

Yoshua Okón

2009

Canned Laughter was Okón’s response to an invitation from Ciudad Juárez , Mexico, where artists were asked to create works based on their experience of the city...

Vulnerabilia
© » KADIST

Jonathan Hernández

2008

In line with Hernández’s interest in catastrophe, Vulnerabilia (choques) is a collection of images of shipwrecks and Vulnerabilia (naufragios) collects scenes of car crashes...

Why fear the future?
© » KADIST

Carlos Amorales

2005

Produced on the occasion of an exhibition at ARTIUM of Alava, Basque Centre-Museum of Contemporary Art, this deck of cards is a selection of images from Carlos Amorales’s Liquid Archive...

Untitled
© » KADIST

Jedediah Caesar

2009

For Untitled, Caesar encased recycled objects such as scraps of plywood, paper or cloth in resin and then cut and reassembled the pieces into abstract forms...

Cemetery #1
© » KADIST

Gabriel Orozco

2002

Gabriel Orozco comments: “In the exhibition [Documenta 11, Kassel, 2002], I tried to connect with the photographs I took in Mali in July...

Sleeping Elephant in the Axis of Yogyakarta Series
© » KADIST

Wimo Ambala Bayang

2011

Composed of four images, the series Sleeping Elephant in the Axis of Yogyakarta (2011) explores the artist’s observation of how Javanese mythology and cosmology have marked the geography of Yogyakarta, the cultural centre of Indonesia...

Flutter
© » KADIST

Zarouhie Abdalian

2010

The first iteration of Flutter was specifically conceived for the Pro Arts Gallery space in Oakland in 2010, viewable from the public space of a sidewalk, and the version acquired by the Kadist Collection is an adaptation of it...

From Useless Wonder 04
© » KADIST

Carlos Amorales

2007

This work, a large oil painting on canvas, shows a moment from Amorales’s eight-minute two-channel video projection Useless Wonder (2006)...

Interrupted Passage
© » KADIST

Julio Cesar Morales

2008

The video Interrupted Passage presents a performance Morales staged in the former home of Mariano Guadalupe Vallejo, a mid-nineteenth-century Mexican general serving in California...

Los Mutantes
© » KADIST

Pedro Reyes

2012

Pedro Reyes’s Los Mutantes ( Mutants , 2012) is composed of 170 plates that combine characters from ancient and modern mythologies...

La Ligne du Temps
© » KADIST

Valeska Soares

2012

Relying on repetition and repurposed materials, Soares works to interrogate time—its measurement, its passing, and its meaning...

Borrando la Frontera
© » KADIST

Ana Teresa Fernández

2011

The artist writes about her work Borrando la Frontera, a performance done at Tijuana/San Diego border: “I visually erased the train rails that serve as a divider between the US and Mexico...

The Transparencies of the Non-Act
© » KADIST

Mario Garcia Torres

Mario Garcia Torres discovered the work of artist Oscar Neuestern in an article published in ARTnews in 1969...

America
© » KADIST

Minerva Cuevas

2006

During her research on primitive currencies and cultural cannibalism, Cuevas came across the Donald Duck comic book issue “The Stone Money Mystery,” where Donald goes on a quest to find missing museum objects...

Adaptando la Carta #1, #2, #3, #4, #5
© » KADIST

Fabiola Torres-Alzaga

2013

Fabiola Torres-Alzaga plays with magic, illusion, and sleight-of-hand, fabricating installations, drawings, and films that toy with our perceptions...

Perro en Tlalpan (Dog in Tlalpan)
© » KADIST

Gabriel Orozco

1992

Gabriel Orozco often documents found situations in the natural or urban landscape...

Roca Grafito (Graphite Rock)
© » KADIST

Mateo Lopez

2012

With Roca Carbon ( Charcoal Rock , 2012) and Roca Grafito ( Graphite Rock , 2012), López plays with our relationship to inert and unremarkable objects such as rocks...