18.41 x 15.88 x 12.7 cm
Fauna is a figurative sculpture by Auriea Harvey that is characteristic of the artist’s practice—both serious and somewhat whimsical. Making use of old and new technologies, the work is a self-portrait. The sculpture features a soft and gentle human face made of 3D printed composite, sprouting from a clutter of clay and other materials. With empty eye sockets and the ears of a lamb, the sculpture has a mythical sensibility. This diminutive work is part of Harvey’s ongoing series of sculptures that employ 3D scanning, sculpting, and printing techniques, coupled with hybrid combinations of natural and artificial materials, including found objects. The artist’s intention with this series is not to contrast, but to harmonize artificial and natural forms. The characters depicted in the series are modified and bestial self-portraits. The artist embodies characters who express aspects of her own nature; characters who live inside the digital worlds she creates; and mythologies she alters. In this way, digital and physical worlds meet alongside Harvey’s material narrative.
Committed to technique and the mastery of tools, for decades Auriea Harvey’s practice has included drawing, sculpting, and software coding. At once charming and challenging, Harvey’s broad interests in history, myth, and aesthetics are what define and drive her art. Since the 1980’s Harvey has maintained a drawing practice, then made a leap to Internet art in the late eighties by way of joining Hell.com, alongside a small group of international artists. Working outside of the commercial art world, with her new partner, Harvey moved on to making video games, work in extended reality, and more recently, NFTs.
Gilles Aillaud — Acquisitions récentes — Loevenbruck Gallery — Exhibition — Slash Paris Login Newsletter Twitter Facebook Gilles Aillaud — Acquisitions récentes — Loevenbruck Gallery — Exhibition — Slash Paris English Français Home Events Artists Venues Magazine Videos Back Gilles Aillaud — Acquisitions récentes Exhibition Painting Vue de l’exposition Gilles Aillaud...
In the exhibition Pink as a Cabbage / Green as an Onion / Blue as an Orange , Asli Çavusoglu pursues her work on color to delve into an investigation into alternative agricultural systems and natural dyes made with fruits, vegetables, and plants cultivated by the farming initiatives she has been in touch with...
The Big Review: Andy Warhol at the Hugh Lane Gallery, Dublin ★★★★☆ Art market Museums & heritage Exhibitions Books Podcasts Columns Technology Adventures with Van Gogh Search Search Exhibitions review The Big Review: Andy Warhol at the Hugh Lane Gallery, Dublin ★★★★☆ Andy Warhol the colourist stars in a stand-out exhibition that offers fresh perspectives on curating the world's most familiar artist Louis Jebb 8 December 2023 Share An installation shot of Andy Warhol Three Times Out at the Hugh Lane Gallery, Dublin, featuring screenprints from a 1972 Mao edition and a 1967 Marilyn (Marilyn Monroe) edition and Brillo Boxes ( 1968) in wood, paint and silkscreen ink © 2023 The Andy Warhol Foundation for the Visual Arts, Inc...
Dragon Ladies Don’t Weep: Brilliance Is Margaret Leng Tan | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia Articles Pia Johnson March 2, 2020 The following review is made possible through a Critical Residency programme supported by By Carolyn Oei (638 words, 5-minute read) Note: This review may contain some minor spoilers for Dragon Ladies Don’t Weep by Margaret Leng Tan...
Photographer Chen Ronghui is A Pivotal Figure in Chinese Art – ARTnews.com Skip to main content By Richard Vine Plus Icon Richard Vine Managing Editor, Art in America View All June 15, 2020 3:58pm View Gallery 6 Images Shanghai-based photographer Chen Ronghui’s principal theme—feeling displaced while still in place—resonates in unanticipated ways for today’s mid-pandemic viewers...
In Studies of Chinese New Villages II Gan Chin Lee’s realism appears in the format of a fieldwork notebook; capturing present-day surroundings while unpacking their historical memory...