174H x 105W centimeters
Empire’s Borders II – Passage and Empire’s Borders II – Workers are from the three-channel film installation Empire’s Borders II – Western Enterprise, Inc. (2010), which takes as its point of departure the political context of the 1950s and the Cold War, when American interests in Taiwan overlapped with the Chinese civil war. Cooperating with the Chinese Kuomintang, the American CIA established something called Western Enterprises, an agency whose main tasks included training an anti-Communist National Salvation Army (NSA) for a surprise attack on Communists in mainland China and establishing Taiwan as a base for anti-Communist operations in Southeast Asia. Narrated from the point of the view of the artist’s father, once a member of the NSA, the project interweaves personal experience with historical events. The restaged ruins of the old Western Enterprise base have a haunting atmosphere, silently recounting the complex history of Taiwanese-American relations in an era of global tensions and conflicts.
One of the most established artists working in Taiwan today, Chen Chieh-Jen creates highly politically charged works that are deeply rooted in his homeland, examining the modern history of Taiwan within the larger context of globalization. Through the visual language of video and photography, he explores collective memories, perceptions, and historical constructions that are closely related to the recent rise of neoliberalism. The work resists the existing “logic” of history writing by looking into past events in depth. It also imagines and proposes new forms of history with democratic potential—histories that counter official ideologies and are actually written by the people.
Los rastreadores is a two-channel video by Claudia Joskowicz narrating the story of a fictitious drug lord, Ernesto Suarez, whose character is based on the well-known Bolivian drug dealer, Roberto Suárez...
The primary interest in the trilogy is Joskowicz’s use of cinematic space, with long tracking shots that portray resistance to habitual viewing experiences of film and television...
The Tower of Babel is an installation of large-format photographs that forces the audience to occupy a central position through its monumental scale...
Bowers’ Radical Hospitality (2015) is a sculptural contradiction: its red and blue neon letters proclaim the words of the title, signaling openness and generosity, while the barbed wires that encircle the words give another message entirely...
Re: Looking marks a new phase in Wong’s work which connects his region’s history with other parts of the world...
The series Nightmare Wallpapers represents a shift if Chuen’s practice, allowing the artist to immerse himself in an “artistic pilgrimage of self healing” following the failure of the 2014 Umbrella Movement...
The first iteration of Flutter was specifically conceived for the Pro Arts Gallery space in Oakland in 2010, viewable from the public space of a sidewalk, and the version acquired by the Kadist Collection is an adaptation of it...
Untitled (Women) (2011) presents a startlingly succinct history of violently romanticized femininity...
Behind the simplicity and beauty of this untitled photograph of a brilliantly-colored flowerbed by Félix González-Torres are two remarkable stories of love, loss, and resilience...
Tino Sehgal’s This Exhibition requires an interpreter (in this particular piece, a gallery attendant) to faux faint each and every time a visitor enters into a given space...
A mesmerizing experience of a vaguely familiar yet remote world, History of Chemistry I follows a group of men as they wander from somewhere beyond the edge of the sea through a vast landscape to an abandoned steel factory...
The work Calendars is composed of 1001 images of deserted public areas in Singapore printed on pages of a calendar set from the year of 2020 until 2096...
Collectors’ Favorites is an episode of local cable program from the mid-1990s in which ordinary people were invited to present their personal collections—a concept that in many ways anticipates current reality TV shows and internet videos...
In the series Horizons (2010), Lipps uses appropriation to riff on Modernism’s fascination with abstract form...
Nicolas Paris studied architecture and worked as an elementary school teacher before he decided to become an artist...
The Tower of Babel is an installation of large-format photographs that forces the audience to occupy a central position through its monumental scale...
With a habit of reading eight to ten books at the same time, Chong paints his two-foot tall novel covers through referencing an extensive reading list (accessible on Facebook) he has kept since 2006...