Diversionist is part of the Cosplayers Series from 2004. In Cosplayers Cao Fei depicts the popularity among Asian youths of “cosplay” in which daily life is merged with images of video games and popular films. For many, this virtual reality is an outlet to “transcend” the paradox of a developing society in which the pleasures of consumption and depression of alienation go hand-in-hand. Cao Fei sensitively captures the new social consciousness and activism, beautifully translating them into photographic and video works.
Cao Fei is a celebrated multimedia artist known for works that focus on the interplay between real and fictional worlds. Working across photography, performance, video, and digital media, her practice vividly reflects the zeitgeist of the late twentieth century and the role that image production has played in shaping youth culture in a digital era. Influenced by an array of forms of global pop culture—from Cantonese Pop and Japanese anime to American hip-hop—a common thread in her practice is the merging of everyday life with new forms of technology as a means to unveil society’s unfulfilled desires. Her pivotal film Whose Utopia , for example, showcases assembly line workers in a factory in China as they act out their aspirations in a backdrop of industrial machinery. In another key body of work, RMB City, Fei created a virtual city through the platform Second Life —an online space that mimics ‘the real world’—as a vehicle to express ideas that relate to modernization, capitalism, and consumer culture. Through these constructed worlds, Fei presents a profound meditation on the boundaries between the real and the fantastic and the sense of alienation that drives new generations to increasingly experience the world behind the veneer of their Avatars. For Fei, the digital world is an expression of our human condition, and as such, an avenue to reflect on these emerging forms of social consciousness.
 
                                    
                                    After engaging primarily with video and photography for more than a decade, Chen turned to painting to explore the issue of urban change and memories—both personal and collective...
 
                                    
                                    A Portrait: Covering and Cleaning is an installation of six black-and-white video projections...
 
                                    
                                    Memorial for intersections #2 (2013) is a minimalist, black metallic structure that contains the brightly colored translucent circles, triangles, rectangles, and squares that originally were presented in Pica’s performance work A ? B ? C (2013)...
 
                                    
                                    Barry McGee’s Untitled is a collection of roughly fifty, framed photographs, paintings, and text pieces clustered together in corner...
 
                                    
                                    Although seemingly unadorned at first glance, Yang Xinguang’s sculptural work Phenomena (2009) employs minimalist aesthetics as a means of gesturing towards the various commonalities and conflicts between civilization and the natural world...
 
                                    
                                    While Untitled (Shuffle) presents the same formal characteristics as the rest of Berman’s verifax collages, this constellation of specific images inside the radio’s frames—the Star of David, Hebrew characters, biblical animals—have Jewish symbolism and attest to the artist’s lasting obsession with the kabala...
 
                                    
                                    Golden Bridge is part of “Golden Journey”, a series of site-specific performances and installations created during Lin’s residency at Kadist San Francisco...
 
                                    
                                    In the video installation A Gust of Wind , Zhang continues to explore notions of perspective and melds them seamlessly with a veiled but incisive social critique...
 
                                    
                                    After engaging primarily with video and photography for more than a decade, Chen turned to painting to explore the issue of urban change and memories—both personal and collective...
 
                                    
                                    The Crime of Art is an animation by Kota Ezawa that appropriates scenes from various popular Hollywood films featuring the theft of artworks: a Monet painting in The Thomas Crown Affair (1999), a Rembrandt in Entrapment (1999), a Cellini in How to Steal a Million (1966), and an emerald encrusted dagger in Topkapi (1964)...
 
                                    
                                    The lengthy titles in Chen Xiaoyun’s work often appear as colophons to his photographs that invite the viewer to a process of self realization through contemplating the distance between word and image...
 
                                    
                                    The central point of Vanishing Point is the most direct physiological reaction of the body to the environment...
 
                                    
                                    In Dilemma: Three Way Fork in the Road , Wang references Peking opera in a re-interpretation of traditional text...
 
                                    
                                    The Simpson Verdict is a three-minute animation by Kota Ezawa that portrays the reading of the verdict during the OJ Simpson trial, known as the “most publicized” criminal trial in history...