Converting is a piece about the Orang Laut, often called Sea Nomads, that inhabited the Riau archipelago. They were Christians and pagans that were often oppressed by the majority Muslims in the Riau community and were eventually forced to convert to Islam. Zai conveyed this history in Converting through the stark contrasts of red, white, black. Bound together by an island-like black earthy mass, white bubbles resembling clusters of embryonic cells or a sack of seeds marked with different religious symbols in blood red in the center, some with Christian crosses, some with Islamic crescents, with others remaining indecipherable or blank. The protective medium of beeswax forms a translucent layer on the painting’s surface, indexing the way nature ensured Riau’s survival of disasters caused by outside factors beyond their control.
Zai Kuning is one of Singapore’s leading avant-garde practitioners. He refuses to categorize his work, and his output crosses multiple disciplines including painting, drawing, sculpture, installation, film and video, experimental sound, and performance. His practice often examines the concept of the “tortured body,” and many of his pieces explore the relationship between somatic experiences and language. He founded the Metabolic Theater Laboratory (MTL) in 1996 to examine the relationship between physical movements and language in Southeast Asian rituals. After disbanding the MTL in 2001, he returned to individually defined practices such as solo performance, writing, sound, and research. His most recent work responds to histories of indigenous people in Singapore and Indonesia including the Orang Laut and Dapunta Hyang Jayenasa.
Pierre Leguillon features: “Diane Arbus: A Printed Retrospective, 1960-1971” December 6, 2008 – February 7, 2009 This first retrospective of the works of Diane Arbus (1923-1971) ever organized in France, brings together all the images commissioned to the New York photographer by the Anglo-Saxon press in the 1960s...
During her research on primitive currencies and cultural cannibalism, Cuevas came across the Donald Duck comic book issue “The Stone Money Mystery,” where Donald goes on a quest to find missing museum objects...
The Stedelijk x C& Editorial Fellowship Announces First Fellow Wanini Kimemiah | Contemporary And search for something search C& AMÉRICA LATINA EN FR MEMBERSHIP EN FR Editorial All Editorial Features Installation Views Inside the Library Interviews News Opinions Events All Events Art Fairs Conferences Exhibitions Festivals Performances Screenings Talks / Workshops C& Projects C& Artists’ Editions C& Commissions C& Center of Unfinished Business Show me your shelves! C& Education Mentoring Program Critical Writing Workshops Lectures / Seminars Membership Opportunities Print C& Audio Archive On Tour Places Explore IN CONVERSATION INSTALLATION VIEW WE GOT ISSUES DETOX LABORATORY OF SOLIDARITY CONSCIOUS CODES CURRICULUM OF CONNECTIONS LOVE ACTUALLY OVER THE RADAR BLACK CULTURES MATTER INSIDE THE LIBRARY LOOKING BACK Follow About Contact Newsletter Advertise Imprint Data protection Membership Contemporary And (C&) is funded by: Editorial All Editorial Features Installation Views Inside the Library Interviews News Opinions Events All Events Art Fairs Conferences Exhibitions Festivals Performances Screenings Talks / Workshops C& Projects C& Artists’ Editions C& Commissions C& Center of Unfinished Business Show me your shelves! C& Education Mentoring Program Critical Writing Workshops Lectures / Seminars Membership Opportunities Print C& Audio Archive On Tour Places Explore IN CONVERSATION INSTALLATION VIEW WE GOT ISSUES DETOX LABORATORY OF SOLIDARITY CONSCIOUS CODES CURRICULUM OF CONNECTIONS LOVE ACTUALLY OVER THE RADAR BLACK CULTURES MATTER INSIDE THE LIBRARY LOOKING BACK GO TO C& AMÉRICA LATINA About Contact Newsletter Advertise Imprint Data protection Membership News The Stedelijk x C& Editorial Fellowship Announces First Fellow Wanini Kimemiah We are thrilled to announce a new cooperation with Stedelijk Museum Amsterdam: an editorial fellowship...
This particular drawing, like many of Grotjahn’s works, presents a decentered single-point perspective...
The five works included in the Kadist Collection are representative of Pettibon’s complex drawings which are much more narrative than comics or cartoon...
Nagtzaam’s medium is drawing and his repertory of forms varies from abstract hard-edge and wall drawing to the reproduction of written material that he collects from art magazines...
Charles Lee at SF Camerawork: Black Cowboys and Their Horses | KQED Skip to Nav Skip to Main Skip to Footer The Do List SF Camerawork Show Honors the Relationship Between Black Cowboys and Their Horses Nia Coats Dec 13 Save Article Save Article Failed to save article Please try again Facebook Share-FB Twitter Share-Twitter Email Share-Email Copy Link Copy Link An installation view of Charles Lee's show 'sweat + dirt' at SF Camerawork...
The Class (2005) by Araya Rasdjarmrearnsook challenges the viewer’s personal sense of morality and tolerance by depicting a classroom from hell...
Postcards from the Desert Island is a remake of a 50s educational film Holiday from the rules in which four children interact with an omniscient narrator who teleports them to a tropical island where there are no rules...
Pierre Leguillon features: “Diane Arbus: A Printed Retrospective, 1960-1971” December 6, 2008 – February 7, 2009 This first retrospective of the works of Diane Arbus (1923-1971) ever organized in France, brings together all the images commissioned to the New York photographer by the Anglo-Saxon press in the 1960s...
Rotation presents the image of a crowd, a re-appropriation of 19th or beginning of 20th century photographs published in newspapers and magazines...