First Born

2019 - Sculpture (Sculpture)

33 x 22.9 x 22.9 cm

Rachel Rose


First Born by Rachel Rose is part of a series of works titled Borns which expands on the artist’s longstanding interest in the organic shape of eggs. For this sculpture made of rock and glass the artist has created a milky glass-blown shape, almost like fabric in its form, which is draped over a metallic rock in the shape of an egg. For the artist, the egg is an alchemical symbol that is representative of conception and birth. Alchemical literature, such as the Chymical Wedding of Christian Rosenkreutz (1616) by the German author Johannes Valentinus Andreae informed the artist’s choice of hybridizing elemental substances from the earth. Though the separate elements of this work may appear texturally and aesthetically discrete in their material composition, this sculpture is actually made from a single material—sand—in two different physical and temporal states. Both glass and rock are made of sand; the former is liquid sand and the latter is sand that has been compressed over thousands of years. The temporal relationship between materials in this series of sculptures positions the egg as an analogy for conception; a vessel from which creation derives.


Rachel Rose is a visual artist known for her video installations that merge moving images and sound within nuanced environments connecting them to broader subjects. Her work investigates subjects as diverse as cryogenics, the American Revolutionary War, modernist architecture, and the sensory experience of walking in outer space. For Rose, the current moment is one of shifting terrain: as technology advances, the world changes beneath and around us, leaving us struggling to keep up. Rose is interested in the rapidly changing conditions we live in, and the ways that language, technology, and images mediate the out-of-sync realities of organic life. Originally trained as a painter, Rose now works in several media, with film being her primary outlet. Her film works are remarkable for their fusion of images and sound, her dense filmic tapestries reflecting the deep, multivalent explorations that drive her.


Colors:



You Make Me Iliad
© » KADIST

Mary Reid Kelley

2010

Situated in German-occupied Belgium at the end of World War I, Y ou Make Me Iliad by Mary Reid Kelley focuses on the story of two...

Charles Baudelaire
© » KADIST

Mary Reid Kelley

2015

Kelley’s 2015 portrait of the poet Charles Baudelaire is one of a series of poets, rappers, and other thinkers who have influenced the artist’s ideas about beauty, creativity, and expression...

Mother Pig, Shushi Gallery, San Diego Performance
© » KADIST

Paul McCarthy

1983

McCarthy’s Mother Pig performance at Shushi Gallery in 1983 was the first time he used a set, a practice which came to characterize his later works...

The Syphilis of Sisyphus
© » KADIST

Mary Reid Kelley

2011

In the video The Syphilis of Sisyphus (2011), Reid Kelley transported her heroine to the French demimonde...

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A Minute Ago
© » KADIST

Rachel Rose

2014

A minute Ago starts with a hailstorm pelting down unexpectedly on a quiet beach in Siberia...

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Diaspora at Home
© » KADIST

KADIST, Paris and the Centre for Contemporary Art (CCA), Lagos, Nigeria are pleased to present Diaspora at Home, a group exhibition which provides an opportunity to engage in a variety of conversations on the issue of mobility within Africa...

Postcards from the Desert Island
© » KADIST

Adelita Husni-Bey

2011

Postcards from the Desert Island is a remake of a 50s educational film Holiday from the rules in which four children interact with an omniscient narrator who teleports them to a tropical island where there are no rules...

Fathers #18 and Fathers #27
© » KADIST

Taysir Batniji

2006

Fathers #18 and Fathers #27 is part of a series of photographs and videos made in recent years in Gaza...

Establishing Shot; Interior, Night - Exterior, Day; without Antagonist and Extra (Absefid Waterfall)
© » KADIST

Shahab Fotouhi

2013

Shahab Fotouhi’s photographic series Establishing Shot; Interior, Night – Exterior, Day; without Antagonist and Extra consists of four C-prints that at first glance would appear to be travel posters for Iran, in that each features a beautifully shot image of an Iranian waterfall...

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A Minute Ago
© » KADIST

Rachel Rose

2014

A minute Ago starts with a hailstorm pelting down unexpectedly on a quiet beach in Siberia...

Sitting Feeding Sleeping
© » KADIST

Rachel Rose

2013

In the 2013 video work, Sitting Feeding Sleeping , Rose combines footage taken of zoo animals living in captivity with screen images that flicker and flash before us...

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3FACE #3449
© » KADIST

Ian Cheng

2022

Ian Cheng’s project 3FACE is based on a model that is derived from both the artist’s extensive readings on psychology and cognition, and his own intuitive understanding of how people function...

Untitled (Map)
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Charles Avery

2011

Charles Avery has been constructing a narrative in his work since 2004...

Monteverdi Ici
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Laure Prouvost

2018

Monteverdi Ici by Laure Prouvost is a non-narrative video work that depicts the back of the artist’s naked body standing, with her back towards the camera in a field...

3FACE #3412
© » KADIST

Ian Cheng

2022

Ian Cheng’s project 3FACE is based on a model that is derived from both the artist’s extensive readings on psychology and cognition, and his own intuitive understanding of how people function...

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Ballerina
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Liu Yin

2010

Liu Yin brings the tension of a small but imminent catastrophe into the gallery with a raw egg balanced on the edge of a folding table....

font VII
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Catalina Ouyang

2021

font VII by Catalina Ouyang is part of an ongoing series of ‘fonts’, or sculptures, inspired by Catholic holy water vessels...

ART SG ANNOUNCES NEW SHAREHOLDER AND APPOINTMENT OF FAIR DIRECTOR
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Changi, Singapore, possibly 1970s
© » KADIST

Robert Zhao Renhui

2012

Changi, Singapore, possibly 1970s is from the series “As We Walked on Water” (2010-2012), which looks into Singapore’s history around the phenomenon of land reclamation...