Conceived as a large-scale mural-like projection, Color of History, Sweating Rocks is a neo-futuristic, hybrid film that combines cinematic language, collage, animation, and inventive forms to highlight the plight of the peoples of the Sahara—and refugees in general—who have been displaced by oil-mining.
Ranu Mukherjee is a multi-disciplinary artist whose practice includes hybrid films, works on paper, and collaborative projects. Her work focuses on processes of creolization, the figure of the nomad, speculative narratives, and the visual and political history of nineteenth-century Indian lithographs. Mukherjee’s work also generally refers to embodiment, ecology, science fiction, and the unknown to explore the narrative excess and material conditions brought on by global capitalism.
After engaging primarily with video and photography for more than a decade, Chen turned to painting to explore the issue of urban change and memories—both personal and collective...
After engaging primarily with video and photography for more than a decade, Chen turned to painting to explore the issue of urban change and memories—both personal and collective...
Hand Palm Echo 1 is a digital animation based on Christine Sun Kim’s staircase mural at The Drawing Center in New York (10 March – 22 May, 2022)...
Conrad Ruiz loves to paint subjects related to the “boy zone”: video games, weapons, games, science fiction, fantasy, and special effects...
After engaging primarily with video and photography for more than a decade, Chen turned to painting to explore the issue of urban change and memories—both personal and collective...
After engaging primarily with video and photography for more than a decade, Chen turned to painting to explore the issue of urban change and memories—both personal and collective...
These hand drawn maps are part of an ongoing series begun in 2008 in which Gupta asks ordinary people to sketch outlines of their home countries by memory...
SF IndieFest Is a Valentine to Movies and Movie Lovers | KQED Skip to Nav Skip to Main Skip to Footer upper waypoint The Do List SF IndieFest Is a Valentine to Movies and Movie Lovers Michael Fox Feb 8 Save Article Save Article Failed to save article Please try again Email Steve Zahn in the SF IndieFest opening night film, 'LaRoy,' playing Feb...
The Duty of Interpretation - 3 Quarks Daily Skip to content by Rebecca Baumgartner I’m currently reading The Hunchback of Notre-Dame in translation, and it’s got me thinking about how much we rely on translators to bring us literature from around the world, and how important it is to be able to trust what they tell us...
MUM , the acronym used to title a series of Rogan’s small interventions on found magazines, stands for “Magic Unity Might,” the name of a vintage trade magic publication...
While his works can function as abstract, they are very much rooted in physicality and the possibilities that are inherent in the materials themselves...
In the series Horizons (2010), Lipps uses appropriation to riff on Modernism’s fascination with abstract form...
Clarissa Tossin’s film Ch’u Mayaa responds to Frank Lloyd Wright’s Hollyhock House (constructed 1919–21) in Los Angeles, an example of Mayan Revival architecture...