Conceived as a large-scale mural-like projection, Color of History, Sweating Rocks is a neo-futuristic, hybrid film that combines cinematic language, collage, animation, and inventive forms to highlight the plight of the peoples of the Sahara—and refugees in general—who have been displaced by oil-mining.
Ranu Mukherjee is a multi-disciplinary artist whose practice includes hybrid films, works on paper, and collaborative projects. Her work focuses on processes of creolization, the figure of the nomad, speculative narratives, and the visual and political history of nineteenth-century Indian lithographs. Mukherjee’s work also generally refers to embodiment, ecology, science fiction, and the unknown to explore the narrative excess and material conditions brought on by global capitalism.
After engaging primarily with video and photography for more than a decade, Chen turned to painting to explore the issue of urban change and memories—both personal and collective...
After engaging primarily with video and photography for more than a decade, Chen turned to painting to explore the issue of urban change and memories—both personal and collective...
Untitled (Wheelchair Drawing) is a ten-foot photo transfer of the image of a wheelchair with burning embers in its seat...
Nugroho’s installations and performances have their roots in the shadow puppet rituals in Indonesia, particularly the Javanese Wayang tradition whose essence is in the representation of the shadows...
After engaging primarily with video and photography for more than a decade, Chen turned to painting to explore the issue of urban change and memories—both personal and collective...
After engaging primarily with video and photography for more than a decade, Chen turned to painting to explore the issue of urban change and memories—both personal and collective...
In Ante la imagen (Before the Image, 2009) Muñoz continues to explore the power of a photograph to live up to the memory of a specific person...
Art Basel in Miami Beach Diary: George Clinton is in the pink, Alex Israel chills out, and life models draw a (drawing) crowd Art market Museums & heritage Exhibitions Books Podcasts Columns Technology Adventures with Van Gogh Search Search Art Basel in Miami Beach 2023 blog Art Basel in Miami Beach Diary: George Clinton is in the pink, Alex Israel chills out, and life models draw a (drawing) crowd Plus: a million reasons to score at basketball, Hew Locke's golden opportunity, and your chance to win a koala The Art Newspaper 7 December 2023 Share Reasons to be cheerful: George Clinton in front of his work Evolutionary Directory: Which way do you want to be “what”? at Jeffrey Deitch’s stand...
Pratchaya Phinthong’s work has explored the mineral and karmic economies of Laos, a country that shares language, beliefs, and a long border with his own native region of Isaan (Northeast Thailand)...
MUM , the acronym used to title a series of Rogan’s small interventions on found magazines, stands for “Magic Unity Might,” the name of a vintage trade magic publication...
While his works can function as abstract, they are very much rooted in physicality and the possibilities that are inherent in the materials themselves...
Clarissa Tossin’s film Ch’u Mayaa responds to Frank Lloyd Wright’s Hollyhock House (constructed 1919–21) in Los Angeles, an example of Mayan Revival architecture...
In the series Horizons (2010), Lipps uses appropriation to riff on Modernism’s fascination with abstract form...