Colombia

2014 - Sculpture (Sculpture)

Nicolás Consuegra

location: Bogota, Colombia
year born: 1976
gender: male
nationality: Colombian

Consuegra’s Colombia is a mirror made in the shape of the artist’s home country—a silhouette that has an important resonance for the artist. Consuegra’s mirrored Colombia is similar to an earlier version, made to be show opposite a mirror of the United States. Whether reflecting his two homes within one another (Consuegra studied in the US and has made several works about this experience of living in exile from his homeland), or simply reflecting its surroundings, Colombia is a simple yet evocative work about the identity of a nation, and the things that we project—really and metaphorically—onto its form. Nicolás Consuegra explores the contradictions of modern visual culture through his photographs, sculptures, paintings, and installations. Much of his work deals with subtle differences between one thing and another, whether they are visual differences or semiotic shifts. He creates visual games specifically intended to engage with Modernism’s crisply defined aesthetics. Consuegra’s shrewd alterations expose the superficiality of our shared understanding of the mid-twentieth century, calling into question our perception of reality and temporality.


Nicolás Consuegra (b. 1976, lives in Bogotá) explores the contradictions of modern visual culture through his photographs, sculptures, paintings, and installations. Much of his work deals with subtle differences between one thing and another, whether they are visual differences or semiotic shifts.


Colors:



Other related works, blended automatically

Nadie sabe de la sed con que otro bebe (No one knows the thirst with which another drinks)
© » KADIST

Nicolás Consuegra

2012

A residency program in the blazing hot city of Honda, Colombia, inspired artist Nicolás Consuegra to consider the difficulty in understanding the needs of a distant community...

On Fire
© » KADIST

Runo Lagomarsino

2020

On Fire by Runo Lagomarsino comprises twenty pieces of parchment, each of which has had the contours and map of Brazil burned in stages...

Yo también soy humo (I am also smoke)
© » KADIST

Runo Lagomarsino

2020

Yo también soy humo (I am also smoke) is a 16mm film that has been digitized to video...

The Book Cover series
© » KADIST

Heman Chong

2009

With a habit of reading eight to ten books at the same time, Chong paints his two-foot tall novel covers through referencing an extensive reading list (accessible on Facebook) he has kept since 2006...

Untitled (Rolled up)
© » KADIST

Jonathan Monk

2003

Untitled (rolled up) , is an abstract portrait of Owen Monk, the artist’s father and features an aluminum ring of 56.6 cm in diameter measuring 1.77 cm in circumference, the size of his father...

New York Public Library Projects (NYPLP)
© » KADIST

Pak Sheung Chuen

2008

Pak created New York Public Library Projects (NYPLP) (2008) during a residency in New York, using public libraries as exhibition spaces and the books they house as raw materials...

Shadows V, Set of 3
© » KADIST

Charles Gaines

1980

To make his series Shadows (1980), Gaines subjected 20 potted plants to a uniform procedure...

The Breaks
© » KADIST

Juan Capistran

2002

The Breaks reflects Capistran’s interests in sampling and fusing different cultural, social, and historical sources...

War Footage
© » KADIST

Mauricio Ancalmo

2010

War Footage is a series of wall-mounted works composed of 16mm film leader, tightly bound to flag-shaped panels by the artist...

Primero Estaba el Mar
© » KADIST

Felipe Arturo

2012

Primero estaba el mar ( First Was the Sea , 2012) is a system of equivalences between syllables and silhouettes of waveforms cast in cement...

Untitled
© » KADIST

Gabriel Sierra

2010

Untitled consists of a small wooden sculpture that leans against a wall...

Swimming in Rivers of Glue
© » KADIST

Julieta Aranda

2016

The video Swimming in rivers of Glue is composed of various images of nature, exploring the themes of exploration of space and its colonization...

Retired pilar
© » KADIST

Jin Shan

2010

Retired Pillar represents the death and deterioration of legacy of colonial Shanghai...

Subject, Silver, Prism
© » KADIST

Brian Jungen

2011

There are several elements to Subject, Silver, Prism ...

Fordlândia Fieldwork
© » KADIST

Clarissa Tossin

2012

In Fordlândia Fieldwork (2012), Tossin documents the remains of Henry Ford’s rubber enterprise Fordlândia, built in 1928 in the Brazilian Amazon to export cultivated rubber for the booming automobile industry...

Frontier-Linear
© » KADIST

Doug Aitken

2009

The version of Frontier acquired by the Kadist Collection consists of a single-channel video, adapted from the monumental installation and performance that Aitken presented in Rome, by the Tiber River, in 2009...

Almohada
© » KADIST

Mateo Lopez

2011

Mateo Lopez uses paper as a medium to conjure personal experiences...

Roca Grafito (Graphite Rock)
© » KADIST

Mateo Lopez

2012

With Roca Carbon ( Charcoal Rock , 2012) and Roca Grafito ( Graphite Rock , 2012), López plays with our relationship to inert and unremarkable objects such as rocks...

Same Old Crowd
© » KADIST

Li Ran

2016

The four-channel video installation Same Old Crowd departs from the documentation of an unknown city and takes place in an ambiguous temporal and spatial frame...