Colombia

2014 - Sculpture (Sculpture)

Nicolás Consuegra

location: Bogota, Colombia
year born: 1976
gender: male
nationality: Colombian

Consuegra’s Colombia is a mirror made in the shape of the artist’s home country—a silhouette that has an important resonance for the artist. Consuegra’s mirrored Colombia is similar to an earlier version, made to be show opposite a mirror of the United States. Whether reflecting his two homes within one another (Consuegra studied in the US and has made several works about this experience of living in exile from his homeland), or simply reflecting its surroundings, Colombia is a simple yet evocative work about the identity of a nation, and the things that we project—really and metaphorically—onto its form. Nicolás Consuegra explores the contradictions of modern visual culture through his photographs, sculptures, paintings, and installations. Much of his work deals with subtle differences between one thing and another, whether they are visual differences or semiotic shifts. He creates visual games specifically intended to engage with Modernism’s crisply defined aesthetics. Consuegra’s shrewd alterations expose the superficiality of our shared understanding of the mid-twentieth century, calling into question our perception of reality and temporality.


Nicolás Consuegra (b. 1976, lives in Bogotá) explores the contradictions of modern visual culture through his photographs, sculptures, paintings, and installations. Much of his work deals with subtle differences between one thing and another, whether they are visual differences or semiotic shifts.


Colors:



Related works featuring themes of: » Appropriation Art, » Erased and Obscured, » Globalization, » Installation Art, » Colombian  
» see more

On Fire
© » KADIST

Runo Lagomarsino

2020

On Fire by Runo Lagomarsino comprises twenty pieces of parchment, each of which has had the contours and map of Brazil burned in stages...

Yo también soy humo (I am also smoke)
© » KADIST

Runo Lagomarsino

2020

Yo también soy humo (I am also smoke) is a 16mm film that has been digitized to video...

Juego de Banderas
© » KADIST

Antonio Caro

2016

Juego de Banderas (a play on words that loosely translates to both set of flags and game of flags) is a triptych of modified Colombian flags by Antonio Caro...

Other related works, blended automatically  
» see more

Nadie sabe de la sed con que otro bebe (No one knows the thirst with which another drinks)
© » KADIST

Nicolás Consuegra

2012

A residency program in the blazing hot city of Honda, Colombia, inspired artist Nicolás Consuegra to consider the difficulty in understanding the needs of a distant community...

On Fire
© » KADIST

Runo Lagomarsino

2020

On Fire by Runo Lagomarsino comprises twenty pieces of parchment, each of which has had the contours and map of Brazil burned in stages...

Yo también soy humo (I am also smoke)
© » KADIST

Runo Lagomarsino

2020

Yo también soy humo (I am also smoke) is a 16mm film that has been digitized to video...

Shadows V, Set of 3
© » KADIST

Charles Gaines

1980

To make his series Shadows (1980), Gaines subjected 20 potted plants to a uniform procedure...

Related works sharing similar palette  
» see more

Mary Weatherford Revisits a 1957 ARTnews Profile of Painter Joan Mitchell
© » ARTNEWS RETROSPECTIVE

Mary Weatherford Revisits an ARTnews Profile of Joan Mitchell – ARTnews.com Skip to main content By Alex Greenberger Plus Icon Alex Greenberger Senior Editor, ARTnews View All September 4, 2020 10:27am ©ARTnews In 1957, art critic Irving Sandler paid a visit to the studio of painter Joan Mitchell , an Abstract Expressionist known for her brushy images capturing nature...

Stone Deaf (Drawing)
© » KADIST

Milena Bonilla

2009

Milena Bonilla’s discursive practice explores connections among economics, territory, and politics through everyday interventions...

( )
© » KADIST

Kadist artist-in-residence Gabriel Sierra (Bogotá, Colombia) presents a new work, following the spirit of his recent projects thinking about the architectural body as an open question to the behavior of the human body...

Untitled (Figure no. 1)
© » KADIST

Oren Pinhassi

2020

Oren Pinhassi’s work examines the relationship between the human figure and the built environment...

Related works from the » 2010's created around » Bogota, Colombia  
» see more

Abece “K”
© » KADIST

Johanna Calle

2011

Johanna Calle’s Abece “K” (2011) is part of a series of drawings (compiled into an artist book called Abece ) based on the alphabet...

Metaphors of the presence or conversations at the speed of light
© » KADIST

Nicolás Paris

2012

Nicolas Paris studied architecture and worked as an elementary school teacher before he decided to become an artist...

Almohada
© » KADIST

Mateo Lopez

2011

Mateo Lopez uses paper as a medium to conjure personal experiences...

Casa de la cabeza (House of the head)
© » KADIST

Bernardo Ortiz

2011

Casa de la cabeza (2011) is a drawing of the words of the title, which translate literally into English as “house of the head.” Ortiz uses this humorous phrase to engage the idea of living in your head....

Other works by: » Nicolás Consuegra  
» see more

Nadie sabe de la sed con que otro bebe (No one knows the thirst with which another drinks)
© » KADIST

Nicolás Consuegra

2012

A residency program in the blazing hot city of Honda, Colombia, inspired artist Nicolás Consuegra to consider the difficulty in understanding the needs of a distant community...

Instituto de visión (Institution of Vision)
© » KADIST

Nicolás Consuegra

2008

In his project Instituto de Vision (2008), Consuegra investigates how modernism gave rise to many new technological forms of vision, most notably the camera, yet also resulted in the disappearance of outmoded forms of vision...

Foreigners Everywhere (Italian)
© » KADIST

Claire Fontaine

2006

Foreigners Everywhere is a series of neon signs in several different languages...

Gradation
© » KADIST

Arabella Campbell

2011

In Gradation (2011), nine raspberries lined up on a lichen-dotted rock progress from left to right, dark to light, plump and juicy to not-yet-ripe...

Black Imitates White
© » KADIST

Hank Willis Thomas

2012

Thomas’ lenticular text-based works require viewers to shift positions as they view them in order to fully absorb their content...

Intentionally Left Blanc
© » KADIST

Hank Willis Thomas

2012

Intentionally Left Blanc alludes to the technical process of its own (non)production; a procedure known as retro-reflective screen printing in which the image is only fully brought to life through its exposure to flash lighting...

Related works found in the same semantic group  
» see more

Esto No Es Agua / This Is Not Water
© » KADIST

Carolina Caycedo

2015

Carolina Caycedo’s practice conveys her very personal passion and relationship to water, as a powerful necessity and spiritual reminder...

Al final del arco iris
© » KADIST

Adriana Martínez

2015

Her work Al final del arcoiris (At the end of the rainbow, 2015) is a bundle of bills from Chile, Venezuela, Brazil, Colombia, Nicaragua, and Costa Rica, arranged by color to form a tight spiraling rainbow held close with a rubber band...

Medellín-New York
© » KADIST

Miguel Angel Rojas

2011

In his paper-based work, Medellin-New York , Rojas uses coca leaves and dollar bills to spell out the words of the two cities, tied together through the illicit exchange of materials used to make the word, gesturing towards the uncomfortable reality of the drug trafficking trade and the complicity of both America and Colombia within that economic system....

Message to the Extraterrestials
© » KADIST

Christoph Keller

2007

Message to the Extraterrestrials consists of a slide projector beaming images into the side of the telescope...