Canton Novelty

This research-based artwork acts as a memorial to early twentieth century European exploration of China...

Canned Laughter was Okón’s response to an invitation from Ciudad Juárez , Mexico, where artists were asked to create works based on their experience of the city...

In Kan Xuan’s four-channel video Island , a series of objects like nail clippers, hairbrush, toothpaste, and house decorations are shot in close-ups...

The Third Seal—They Are Already Old...

In the work Cinema , Fang Lu explores in a meticulous yet un-dramatic — almost casual — way of how “the self” in our today’s life is a controlled and staged construction of oneself...

This research-based artwork acts as a memorial to early twentieth century European exploration of China...

Canned Laughter was Okón’s response to an invitation from Ciudad Juárez , Mexico, where artists were asked to create works based on their experience of the city...

State Terrorism in the ultimate form of Pre-Raphaelite Brotherhood features a portrait of the artist wearing a zipped utilitarian jacket reminiscent of a worker’s uniform, with one arm behind his back as if forced to ingest a bundle of stick—a literal portrayal to the definition of fascism...

London's Smallest Art Gallery Is In a Phone Box | Londonist London's Smallest Art Gallery Is In A Phone Box Outside The British Museum By Will Noble Will Noble London's Smallest Art Gallery Is In A Phone Box Outside The British Museum Why not, well, call in at the city's diddiest art gallery...

The melting glaciers of Karakoram – in pictures | Art and design | The Guardian Skip to main content From the agencies The melting glaciers of Karakoram – in pictures A view of the Passu glacier in the Karakoram mountain range in the Gilgit-Baltistan region of Pakistan...

The Body Remembers: Kitt Johnson on "Stigma" at M1 CONTACT Contemporary Dance Festival 2019 | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia Articles "Stigma", photo by James Quah (left), Kitt Johnson, photo by Per Morten Abrahamsen (right) April 29, 2019 By Germaine Cheng (605 words, three-minute read) 2019 marks the 10th edition of the M1 CONTACT Contemporary Dance Festival , a humble endeavour by Kuik Swee Boon, artistic director of T...

Unlike many of his earlier films which often present poignant critiques of mass media and its deleterious effects on American culture, EASTER MORNING , Conner’s final video work before his death in 2008, constitutes a far more meditative filmic essay in which a limited amount of images turn into compelling, almost hypnotic visual experience...

In the work Cinema , Fang Lu explores in a meticulous yet un-dramatic — almost casual — way of how “the self” in our today’s life is a controlled and staged construction of oneself...

No World is an action-filled video work filmed inside an abandoned museum in the Songzhuang area outside Beijing...

A Year · Marx by Liu Ding consists of a piece of silk onto which a poem about Marx is printed using inkjet...

The four-channel video installation Same Old Crowd departs from the documentation of an unknown city and takes place in an ambiguous temporal and spatial frame...

In his video work Beyond Geography , Li dramatizes the role of the artist-as-imitator to the point of sheer parody...

Stand in the center of the gallery and make a slow rotation....

An expansive archive illustrates the role of women in shaping over a century of the country's political and public life....

The black-and-white projection, Araf by Didem Pekün, begins, as a lithe man stands high up in the middle of the grand, rebuilt 16th-century Ottoman bridge in Mostar, in Bosnia and Herzegovina...

The stained glass windows of Chloé Quenum’s Les Allégories evoke the sacred and describe the movement of a rooster in the form of patterns extracted from a wax fabric found in Benin...