Blindseye Arranger (Max)
2013 - Film & Video (Film & Video)
Brian Bress
Blindseye Arranger (Max) (2013) features a greyscale arrangement of rudimentary shapes layered atop one another like a dense cluster of wood block prints, the juxtaposition of sharp lines and acute angles creating an abstracted field of rectangular and triangulated forms composed as if in a cubist landscape. As the video progresses, however, a disembodied hand begins to move these forms, animating a pictorial frame that was previously still. The hand – ostensibly the “arranger” of the works title – functions as a metonym of the artist’s hand, quite literally bringing a motionless work to life. The hand in Blindseye Arranger , though, also signals a shift towards the performative, functioning as a reminder that all works of art are created by a maker’s “hand” and, in such, are never fully separate from the context in which they are made. Bress’s gesture towards interdisciplinarity in his work, by extension, signals an important moment in which questions of medium-specificity give way to more trenchant inquiries into notions of authorship and creative process.
Although originally trained in filmmaking and animation, Brian Bress explores the influence of pictorial traditions on contemporary media-based practices. His single-shot videos utilize painterly effects such as geometric abstraction to create visual compositions that blur presumed boundaries between contemporary media-based work and more traditional disciplines such as sculpture and painting. His work is deliberately processed-based and his videos, by extension, explore how visual motifs “evolve” over time through as a viewer engages with a given object or image. Animated figures and actors – such as disembodied hands – disrupt these seemingly still frames, repositioning these works in the context of film while also suggesting the presence of the artist’s hand. Bress’s videos may seem overtly indebted to creative lineages, and his images frequently border on the surreal. But in gesturing towards past works, his videos signal the emergence of creative practices enabled through technological advancements while also offering a meditation on a durational aesthetics privileged in media-based work.
Colors:
Related works sharing similar palette
© » KADIST
Hans-Peter Feldmann
The types of objects Feldmann is interested in collecting into serial photographic grids or artist’s books are often also found in three dimensional installations...
© » KADIST
Gauri Gill
2003Bhanwari and Lichhma from the Balika Mela series by Gauri Gill explores human expression through the medium of photography, bringing questions of agency, the role of photography, and feminism together through its portraits of adolescent girls from rural Rajasthan, India...
© » KADIST
Matt Mullican
2018Mullican’s Stick Figure Drawings depict characters reduced to their most basic graphic representation...
© » BROOKLYN STREET ART
buZ Blurr, One Telling of the “Origin Story” at Straat Museum Amsterdam | Brooklyn Street Art BROOKLYN STREET ART LOVES YOU MORE EVERY DAY In the shifting culturescapes of urban contemporary art, STRAAT Museum’s latest exhibition, “Moniker: An Origin Story,” emerges as a poignant narrative that bridges the transient heritage of hobo monikers with the vibrant pulse of today’s street art scene...
© » KADIST
Postponed: Curator Yina Jiménez Suriel in conversation with Natalia Brizuela, Professor of Film & Media and Spanish & Portuguese, Thursday, October 19, 2023, 5–6 pm The Center for Latin American and Caribbean Studies, University of California, Berkeley: 2334 Bowditch St, Berkeley, CA 94720 Curator Yina Jiménez Suriel will discuss her curatorial process and research project la historia de las montañas (the history of the mountains) , which examines emancipation, perceptual systems beyond the human, and the creation of new imaginaries outside/beyond Western structures...
© » SLASH PARIS
Robert Courtright — Recovered time — Dutko / Quai Voltaire Gallery — Exhibition — Slash Paris Login Newsletter Twitter Facebook Robert Courtright — Recovered time — Dutko / Quai Voltaire Gallery — Exhibition — Slash Paris English Français Home Events Artists Venues Magazine Videos Back Previous Next Robert Courtright — Recovered time Exhibition Collage, painting Robert Courtright Robert Courtright Recovered time Ends in 27 days: February 1 → March 9, 2024 Dutko Gallery is pleased to present, from February 1st to March 9th, 2024, the first retrospective exhibition on the American artist Robert Courtright (1926-2012) in Paris...
© » ARTS EQUATOR
ArtsEquator's Top 10 Picks at the Performing Arts Meeting 2019 | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia Articles José Maceda, Cassettes 100, 1971, Photo by Nathaniel Gutierrez, Courtesy of UP Center for Ethnomusicology and Ringo Bunoan January 10, 2019 Established in 1995, the Tokyo Performing Arts Market (TPAM) was created to be a platform to network Japanese artists with producers and funders...
© » KADIST
Mary Reid Kelley
2010Situated in German-occupied Belgium at the end of World War I, Y ou Make Me Iliad by Mary Reid Kelley focuses on the story of two...
© » THE GUARDIAN
Jeremy Grayson obituary | Photography | The Guardian Skip to main content Skip to navigation Skip to navigation Jeremy Grayson photographed Shirley Bassey, Sammy Davis Jr and Marlon Brando Jeremy Grayson photographed Shirley Bassey, Sammy Davis Jr and Marlon Brando Obituary Jeremy Grayson obituary My father, Jeremy Grayson, who has died aged 90, was a professional photographer who worked over the years for clients including the BBC, Radio Times, Talk of the Town and the London Palladium...
© » KADIST
Dineo Seshee Bopape
This dyptich installation is coming from a research/ installation Sa koša ke lerole (2016 – ongoing) started during the Montreal biennale (curated by Philippe Pirotte), then recently exhibited at Grahamstown National Arts Festival...
© » KADIST
Ha Tae-Bum
2010Ha Tae-Bum’s “White” series, started in 2008, begins with photographic images from the mainstream media depicting sites of conflict or crisis...
© » KADIST
Uriel Orlow
2016The series The Memory of Trees is specifically about trees, and what trees have witnessed in South Africa: for example, trees that were used as locations for slave trading, or trees that was during the anti-Apartheid struggle as a kind of identifier for a safe house for activists who were fleeing from security forces...
© » KADIST
A.K. Burns
2016In a 2002 Pentagon press conference, former Secretary of Defense Donald Rumsfeld addressed a question about Iraq’s alleged weapons of mass destruction with an unforgettable evasion: there are known knowns, known unknowns, and unknown unknowns, the latter being the most precarious...
© » KADIST
Mary Reid Kelley
2015Kelley’s 2015 portrait of the poet Charles Baudelaire is one of a series of poets, rappers, and other thinkers who have influenced the artist’s ideas about beauty, creativity, and expression...