In Ante la imagen (Before the Image, 2009) Muñoz continues to explore the power of a photograph to live up to the memory of a specific person. Since a photograph is fixed, it cannot encapsulate the spirit of someone who is gone. Muñoz etched onto the surface of a mirror an appropriated historical image, a daguerreotype from 1839. The viewer sees themselves as well as the subject, the chemist Robert Cornelius. The image is always changing, decaying, in a metaphor for life.
Óscar Muñoz is regarded as one of Colombia’s most important artists, recognized for creating an outstanding body of work over the past three decades in a country troubled by civil war and drug-related violence. He is also the cofounder of Lugar a Dudas (Room for Doubt), a vital art space for activating critical thinking and providing cultural exchange in Cali, Colombia. He is not formally trained in photography, but likes the medium for its capacity to illustrate the transformations of unstable materials such as charcoal, sugar, coffee, and breath. Muñoz is concerned with presence and absence, forgetting and remembering, and acts of engraving and impression. The physicality of the impression is a metaphor for the moment when a memory becomes fixed in the mind. Produced in the context of Colombia, in a culture of disappearance, his work is a profound metaphor for the human experience of life and death.
Nicolas Paris studied architecture and worked as an elementary school teacher before he decided to become an artist...
Primero estaba el mar ( First Was the Sea , 2012) is a system of equivalences between syllables and silhouettes of waveforms cast in cement...
After engaging primarily with video and photography for more than a decade, Chen turned to painting to explore the issue of urban change and memories—both personal and collective...
In 2012, former Guatemalan President José Efran Ros Montt was charged with genocide and crimes against humanity; Regina José Galindo’s video Tierra is a chilling reimagining of the atrocities recounted during his trial...
Casa de la cabeza (2011) is a drawing of the words of the title, which translate literally into English as “house of the head.” Ortiz uses this humorous phrase to engage the idea of living in your head....
The first iteration of Flutter was specifically conceived for the Pro Arts Gallery space in Oakland in 2010, viewable from the public space of a sidewalk, and the version acquired by the Kadist Collection is an adaptation of it...
Johanna Calle’s Abece “K” (2011) is part of a series of drawings (compiled into an artist book called Abece ) based on the alphabet...
The primary interest in the trilogy is Joskowicz’s use of cinematic space, with long tracking shots that portray resistance to habitual viewing experiences of film and television...
Hill of Poisonous Trees (three men) (2008) exemplifies the artist’s signature photo-weaving technique, in which he collects diverse found photographs—portraits of anonymous people, stills from blockbuster films, or journalistic images—cuts them into strips, and weaves them into new composition...
Mario Garcia Torres imagines cinematic devices to replay stories occasionally forgotten by Conceptual art...
A residency program in the blazing hot city of Honda, Colombia, inspired artist Nicolás Consuegra to consider the difficulty in understanding the needs of a distant community...
Juego de Banderas (a play on words that loosely translates to both set of flags and game of flags) is a triptych of modified Colombian flags by Antonio Caro...
Destilaciones ( Distillations , 2014) is an installation composed of a group of ceramic pots, presented on the floor and within a steel structure...
Defined as entropy, the second law of thermodynamics proposes that energy is more easily dispersed than it is concentrated...
The primary interest in the trilogy is Joskowicz’s use of cinematic space, with long tracking shots that portray resistance to habitual viewing experiences of film and television...