In Ante la imagen (Before the Image, 2009) Muñoz continues to explore the power of a photograph to live up to the memory of a specific person. Since a photograph is fixed, it cannot encapsulate the spirit of someone who is gone. Muñoz etched onto the surface of a mirror an appropriated historical image, a daguerreotype from 1839. The viewer sees themselves as well as the subject, the chemist Robert Cornelius. The image is always changing, decaying, in a metaphor for life.
Óscar Muñoz is regarded as one of Colombia’s most important artists, recognized for creating an outstanding body of work over the past three decades in a country troubled by civil war and drug-related violence. He is also the cofounder of Lugar a Dudas (Room for Doubt), a vital art space for activating critical thinking and providing cultural exchange in Cali, Colombia. He is not formally trained in photography, but likes the medium for its capacity to illustrate the transformations of unstable materials such as charcoal, sugar, coffee, and breath. Muñoz is concerned with presence and absence, forgetting and remembering, and acts of engraving and impression. The physicality of the impression is a metaphor for the moment when a memory becomes fixed in the mind. Produced in the context of Colombia, in a culture of disappearance, his work is a profound metaphor for the human experience of life and death.
Nicolas Paris studied architecture and worked as an elementary school teacher before he decided to become an artist...
Primero estaba el mar ( First Was the Sea , 2012) is a system of equivalences between syllables and silhouettes of waveforms cast in cement...
The American War , which takes its title from the Vietnamese term for what Americans call the Vietnam War, has toured the United States extensively with the goal of presenting a Vietnamese perspective of that history...
Consuegra’s Colombia is a mirror made in the shape of the artist’s home country—a silhouette that has an important resonance for the artist...
Behind the simplicity and beauty of this untitled photograph of a brilliantly-colored flowerbed by Félix González-Torres are two remarkable stories of love, loss, and resilience...
Mario Garcia Torres discovered the work of artist Oscar Neuestern in an article published in ARTnews in 1969...
Conceived as a large-scale mural-like projection, Color of History, Sweating Rocks is a neo-futuristic, hybrid film that combines cinematic language, collage, animation, and inventive forms to highlight the plight of the peoples of the Sahara—and refugees in general—who have been displaced by oil-mining....
The work Calendars is composed of 1001 images of deserted public areas in Singapore printed on pages of a calendar set from the year of 2020 until 2096...
Milena Bonilla’s discursive practice explores connections among economics, territory, and politics through everyday interventions...
Defined as entropy, the second law of thermodynamics proposes that energy is more easily dispersed than it is concentrated...
Destilaciones ( Distillations , 2014) is an installation composed of a group of ceramic pots, presented on the floor and within a steel structure...
Mario Garcia Torres imagines cinematic devices to replay stories occasionally forgotten by Conceptual art...
In his project Instituto de Vision (2008), Consuegra investigates how modernism gave rise to many new technological forms of vision, most notably the camera, yet also resulted in the disappearance of outmoded forms of vision...
Casa de la cabeza (2011) is a drawing of the words of the title, which translate literally into English as “house of the head.” Ortiz uses this humorous phrase to engage the idea of living in your head....
Memory: Record/Erase is a stop-motion animation by Nalini Malani based on ‘The Job,’ a short story by celebrated German poet and playwright Bertolt Brecht...
Made in cast bronze, Two Eyes Two Mouths provokes a strong sense of fleshiness as if manipulated by the hand of the artist pushing her fingers into wet clay or plaster to create gouges that represent eyes, mouths and the female reproductive organ...
In 2012, former Guatemalan President José Efran Ros Montt was charged with genocide and crimes against humanity; Regina José Galindo’s video Tierra is a chilling reimagining of the atrocities recounted during his trial...