America
2006 - Drawing & Print (Drawing & Print)
Minerva Cuevas
During her research on primitive currencies and cultural cannibalism, Cuevas came across the Donald Duck comic book issue “The Stone Money Mystery,” where Donald goes on a quest to find missing museum objects. Cuevas’s America (2006) is a wall painting of a comic Donald Duck wallowing in a heap of gold coins, alluding to Mexico’s postrevolutionary mural tradition. The mural’s background is one of the earliest illustrations of flora and fauna in the American continent, juxtaposed with a reference to America as having bountiful natural resources available to be exploited, and the historical use of comics as ideological tools. The piece also recalls the politics of the Mexican muralists Diego Rivera, David Alfaro Siqueiros, and José Clemente Orozco filtered through contemporary narratives of identity, otherness, and power. Driven first by multiculturalism in the United States, then by globalization worldwide, this Disney reference also refers to the notorious book How to Read Donald Duck: Imperialist Ideology in the Disney Comic , originally published during the Chilean revolution as Para Leer al Pato Donald before it was banned and burned. Writing from exile in 1975, the authors signed the preface to the English edition as follows: “Mr. Disney, we are returning your Duck. Feathers plucked and well-roasted. Look inside, you can see the handwriting on the wall, our hands still writing on the wall: Donald, Go Home!”
Minerva Cuevas’s socially engaged practice encompasses a range of strategies and mediums, including film, installation, performance, and site-specific public intervention. Cuevas aims to provide insight into the complex economic and political structures of the social realm, offering playful possibilities for their subversion. Often manifesting as small but poignant interruptions into the everyday realm, Cuevas’s modest acts infiltrate and disrupt economic and social systems, drawing attention to the aesthetics of popular imagery such as corporate branding, political symbols and slogans, and even comic books.
Colors:
Related works of genres: » mexican contemporary artists
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Mario Garcia Torres
2005Mario Garcia Torres films a game of Charades among professional actors guessing the former North Korean dictator’s favorite Hollywood films...
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Mario Garcia Torres
2004Mario Garcia Torres imagines cinematic devices to replay stories occasionally forgotten by Conceptual art...
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Carlos Amorales
2007This work, a large oil painting on canvas, shows a moment from Amorales’s eight-minute two-channel video projection Useless Wonder (2006)...
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Erick Beltran
2010In his posters, prints, and installations, Erick Beltrán employs the language and tools of graphic design, linguistics, typography, and variations in alphabetical forms across cultures; he is specifically interested in how language and meaning form structures that can be misconstrued as universal...
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Pablo Rasgado
2011Pablo Rasgado’s paintings and installations serve as a visual record of contemporary urban human behavior...
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Carlos Amorales
2007This work, a large oil painting on canvas, shows a moment from Amorales’s eight-minute two-channel video projection Useless Wonder (2006)...
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Pedro Reyes
2012Pedro Reyes’s Los Mutantes ( Mutants , 2012) is composed of 170 plates that combine characters from ancient and modern mythologies...
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Erick Beltran
2010In his posters, prints, and installations, Erick Beltrán employs the language and tools of graphic design, linguistics, typography, and variations in alphabetical forms across cultures; he is specifically interested in how language and meaning form structures that can be misconstrued as universal...
© » KADIST
Pablo Rasgado
2011Pablo Rasgado’s paintings and installations serve as a visual record of contemporary urban human behavior...
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Gabriel Orozco
1994Charco portátil congelado (Frozen Portable Puddle, 1994) is a photographic record of an installation of the same name that Gabriel Orozco made at Witte de With Center for Contemporary Art in Rotterdam for the group exhibition WATT (1994)...
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Charles Lee at SF Camerawork: Black Cowboys and Their Horses | KQED Skip to Nav Skip to Main Skip to Footer The Do List SF Camerawork Show Honors the Relationship Between Black Cowboys and Their Horses Nia Coats Dec 13 Save Article Save Article Failed to save article Please try again Facebook Share-FB Twitter Share-Twitter Email Share-Email Copy Link Copy Link An installation view of Charles Lee's show 'sweat + dirt' at SF Camerawork...
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Weekly Picks: Singapore (15 – 21 April 2019) | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia Weekly To Do April 15, 2019 Plunge: Esplanade’s The Studios 2019 by Arts Republic & Centre 42 , 21 April 5pm, library@esplanade If you’ve caught any shows from Esplanade’s The Studios 2019 season and can’t wait to talk about them, come join us at this special edition of Plunge! Co-hosted by reviewers from Arts Republic and Centre 42’s Citizens’ Reviews programme, this session welcomes theatre enthusiasts to gather and share their post-show musings in a casual setting...
Related works from the » 2000's created around » Mexico City, Mexico
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Mario Garcia Torres
2005Mario Garcia Torres films a game of Charades among professional actors guessing the former North Korean dictator’s favorite Hollywood films...
© » KADIST
Mario Garcia Torres
2004Mario Garcia Torres imagines cinematic devices to replay stories occasionally forgotten by Conceptual art...
Related artist(s) to: Minerva Cuevas » Berlin Biennale, » Christodoulos Panayiotou, » Danh Vo, » Francis Alÿs, » Franz West, » Jimmie Durham, » John Baldessari, » John Smith, » Lawrence Weiner, » Michael Stevenson
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John Baldessari
1997In One Must , an image of a pair of scissors, accompanied by the words of work’s title, poses an ominous question about the relationship between the image and the text...
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Kristen Morgin
2008Donald of Doom Tank (2008) is a replica of a vintage metal toy with Donald Duck’s image one side and a soldier on the other...
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Pedro Reyes
2012Pedro Reyes’s Los Mutantes ( Mutants , 2012) is composed of 170 plates that combine characters from ancient and modern mythologies...
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Giant Rubber Duck artist on why size matters – ‘instead of us looking at it, it is now looking at us’ – and his miniatures on show in Seoul | South China Morning Post Advertisement Advertisement Art + FOLLOW Get more with my NEWS A personalised news feed of stories that matter to you Learn more Dutch artist and “Rubber Duck” creator Florentijn Hofman in Hong Kong in June 23 for the return of his giant inflatable artwork to Victoria Harbour, this time with a twin...
