Adam Smith

2008 - Installation (Installation)

Pedro Reyes

location: Mexico City, Mexico
year born: 1972
gender: male
nationality: Mexican
home town: Mexico City, Mexico

Pedro Reyes’s works traverse the worlds of art, film, architecture, design, social criticism, and pedagogy. Educated as an architect, Reyes draws on this training to engage with utopian aspirations and the ongoing legacy of Modernism, often focusing on issues of scale and space while questioning pressing social issues through the incitement of individual or collective interaction. Although only a few of his works are directly located within the practice of building, almost all involve some kind of construction, whether they are objects, models, interiors, or social spaces. Reyes also makes use of strategies developed for communication or education, as well as everyday humor, to engage his audiences. Many of his works either allow large-scale public engagement or suggest a possible use: weapons turned to shovels, multilevel parks in old modernist buildings, and small spherical rooms. Like many avant-garde thinkers of the past, Reyes constructs new forms of architecture necessary for new ways of life.


Colors:



Related works featuring themes of: » Social Action, » Mexico, » Violence, » Political, » Contemporary Conceptualism, » Sound Art, » Antiquity as Subject, » Chance, » Contemporary Diy, » Mexican

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© » KADIST

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© » KADIST

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© » KADIST

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© » KADIST

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From the series Las Mariposas Eternas (the Eternal Butterflies)
© » KADIST

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© » KADIST

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© » KADIST

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One Minute To Act A Title: Kim Jong Il Favorite Movies
© » KADIST

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© » KADIST

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© » KADIST

Harrell Fletcher

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Adaptando la Carta #1, #2, #3, #4, #5
© » KADIST

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¿Quién medirá el espacio, quién me dirá el momento?, 1 (columna alfarero)
© » KADIST

Mariana Castillo Deball

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Taking archaeology as her departure point to examine the trajectories of replicated and displaced objects, “Who will measure the space, who will tell me the time?” was produced in Oaxaca for her exhibition of the same title at the Contemporary Museum of Oaxaca (MACO) in 2015...

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© » KADIST

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Untitled (Ticket Roll)
© » KADIST

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Lightning
© » KADIST

Paul Kos

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Parked on the shoulder of a single lane highway running through a desert landscape, Marlene looks over her shoulder from inside the car at a fierce storm looming over a distant horizon...

Undocumented Intervention
© » KADIST

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