Adam Smith

2008 - Installation (Installation)

Pedro Reyes

location: Mexico City, Mexico
year born: 1972
gender: male
nationality: Mexican
home town: Mexico City, Mexico

Pedro Reyes’s works traverse the worlds of art, film, architecture, design, social criticism, and pedagogy. Educated as an architect, Reyes draws on this training to engage with utopian aspirations and the ongoing legacy of Modernism, often focusing on issues of scale and space while questioning pressing social issues through the incitement of individual or collective interaction. Although only a few of his works are directly located within the practice of building, almost all involve some kind of construction, whether they are objects, models, interiors, or social spaces. Reyes also makes use of strategies developed for communication or education, as well as everyday humor, to engage his audiences. Many of his works either allow large-scale public engagement or suggest a possible use: weapons turned to shovels, multilevel parks in old modernist buildings, and small spherical rooms. Like many avant-garde thinkers of the past, Reyes constructs new forms of architecture necessary for new ways of life.


Colors:



Related works featuring themes of: » Social Action, » Mexico, » Violence, » Political, » Contemporary Conceptualism, » Sound Art, » Antiquity as Subject, » Chance, » Contemporary Diy, » Mexican

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© » KADIST

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© » KADIST

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© » KADIST

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© » KADIST

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Cemetery #1
© » KADIST

Gabriel Orozco

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Gabriel Orozco comments: “In the exhibition [Documenta 11, Kassel, 2002], I tried to connect with the photographs I took in Mali in July...

Untitled (Set of Six Drawings)
© » KADIST

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© » KADIST

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Taking archaeology as her departure point to examine the trajectories of replicated and displaced objects, “Who will measure the space, who will tell me the time?” was produced in Oaxaca for her exhibition of the same title at the Contemporary Museum of Oaxaca (MACO) in 2015...

The Individual Is a Mirage
© » KADIST

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In his posters, prints, and installations, Erick Beltrán employs the language and tools of graphic design, linguistics, typography, and variations in alphabetical forms across cultures; he is specifically interested in how language and meaning form structures that can be misconstrued as universal...

Sirens
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Paul Kos

1977

Taking its title from the eponymous mythological creature—famously featured as sea nymphs in Homer’s Odyssey...

Sound of Ice Melting
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Paul Kos

1970

Sound of Ice Melting is based on the ancient Zen Buddhist koan about the sound of one hand clapping...

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Mario Garcia Torres imagines cinematic devices to replay stories occasionally forgotten by Conceptual art...

100 Boots
© » KADIST

Eleanor Antin

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Undocumented Intervention
© » KADIST

Julio Cesar Morales

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Julio Cesar Morales’s watercolor drawings, Undocumented Intervention , show a variety of surprising hiding places assumed by people trying to cross into the United States without documentation...

The Transparencies of the Non-Act
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