In the video installation A Gust of Wind , Zhang continues to explore notions of perspective and melds them seamlessly with a veiled but incisive social critique. His ultimate goal is to reveal the ways in which social image is constructed and to cast doubt on the ephemeral vision of a middle-class utopia offered by mass media.
Zhang Peili is generally recognized as the first Chinese artist to use video as a primary medium. A leading figure of the Chinese avant-garde movement and a founding member of the artist collective “Pond Society” in the 1980s, he has developed a highly respected international career. Zhang’s earlier works experimented with the aesthetics of boredom and looked at themes of technological, social, and political control. His more recent work interrogates viewing conventions, perceptions of time, and notions of progress through the remixing and editing of found footage. Zhang has been a mentor to many younger Asian artists working with new media.
Golden Bridge is part of “Golden Journey”, a series of site-specific performances and installations created during Lin’s residency at Kadist San Francisco...
The central point of Vanishing Point is the most direct physiological reaction of the body to the environment...
State Terrorism in the ultimate form of Pre-Raphaelite Brotherhood features a portrait of the artist wearing a zipped utilitarian jacket reminiscent of a worker’s uniform, with one arm behind his back as if forced to ingest a bundle of stick—a literal portrayal to the definition of fascism...
The Tower of Babel is an installation of large-format photographs that forces the audience to occupy a central position through its monumental scale...
The lengthy titles in Chen Xiaoyun’s work often appear as colophons to his photographs that invite the viewer to a process of self realization through contemplating the distance between word and image...
A Portrait: Covering and Cleaning is an installation of six black-and-white video projections...
Pak created New York Public Library Projects (NYPLP) (2008) during a residency in New York, using public libraries as exhibition spaces and the books they house as raw materials...
Although seemingly unadorned at first glance, Yang Xinguang’s sculptural work Phenomena (2009) employs minimalist aesthetics as a means of gesturing towards the various commonalities and conflicts between civilization and the natural world...
Empire’s Borders II – Passage and Empire’s Borders II – Workers are from the three-channel film installation Empire’s Borders II – Western Enterprise, Inc...
Peasant Sensation Passing Through Flesh – 3 consists of a massage chair fixed to a wall...
Untitled (San Francisco) was made in Idaho in 1984 and was facetiously dedicated to Henry Hopkins, the then director of the San Francisco Museum of Art who added “modern” to its name...
After engaging primarily with video and photography for more than a decade, Chen turned to painting to explore the issue of urban change and memories—both personal and collective...
The Tower of Babel is an installation of large-format photographs that forces the audience to occupy a central position through its monumental scale...
In his evocative Landscape Paintings, McMillian uses second-hand bedsheets, sourced from thrift shops, as his starting point...