Sun’s animated film 21 Ke (21 Grams) is based on the 1907 research by the American physician Dr. Duncan MacDougall who claimed the measured weight of the human soul to be twenty-one grams. Sun used this episode—which was not fully recognized by the scientific community—as a point of departure for his depiction of a dystopian world in which the narration of history and notion of time are interrupted. Because each frame was drawn by hand with crayon, it took Sun and his animation studio team a few years to complete this thirty-minute film of a surreal journey through mysterious cities, plagues of mosquitoes, broken statues, cawing ravens, waving flags, and flooded graveyards. Here, an ever-present man in a top hat makes obscure, cryptic references in scenarios that include the national anthem, factories belching soot into the threatening sky, and soaring planes dropping leaflets to earth. Rather than encouraging specific interpretations, 21 Ke is a visual commentary that asks essential questions of human existence: Who we are? What have we done? Where are we heading?
Sun Xun creates videos and animation films from his meticulous, highly detailed, and often monochromatic, hand drawings executed in ink, oil, and crayon. Drawing on the ideas of thinkers like Karl Marx, Theodor Adorno, and Max Horkheimer, Sun investigates revolution, existence, mythologies of society, the notion of time, and the construction and narration of history. Often in a style of magical realism, Sun’s works are full of metaphors and indirect visual associations that beg to be deciphered.
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In the flash animation SpringValle_ber_girls , Petra Cortright collages together surreal scenes out of unnaturally idyllic desktop screensavers with equally unreal computer-generated women that pop in and out of the landscape...
The Tower of Babel is an installation of large-format photographs that forces the audience to occupy a central position through its monumental scale...
Empire’s Borders II – Passage and Empire’s Borders II – Workers are from the three-channel film installation Empire’s Borders II – Western Enterprise, Inc...
The image of rusted nails, nuts and bolts as shrapnel sandwiched between a fried Chicken burger highlights the contrast between decadence and destruction...
Though the title might suggest an Adonis, Jeffry Mitchell’s The Swimmer (2012) is a squat, jolly man with a protuberant belly...
The Tower of Babel is an installation of large-format photographs that forces the audience to occupy a central position through its monumental scale...
In the video installation A Gust of Wind , Zhang continues to explore notions of perspective and melds them seamlessly with a veiled but incisive social critique...
Empire’s Borders II – Passage and Empire’s Borders II – Workers are from the three-channel film installation Empire’s Borders II – Western Enterprise, Inc...
A Portrait: Covering and Cleaning is an installation of six black-and-white video projections...
State Terrorism in the ultimate form of Pre-Raphaelite Brotherhood features a portrait of the artist wearing a zipped utilitarian jacket reminiscent of a worker’s uniform, with one arm behind his back as if forced to ingest a bundle of stick—a literal portrayal to the definition of fascism...