21 Ke (21 Grams)

2010 - Film & Video (Film & Video)

Sun Xun

location: Hangzhou, China
year born: 1980
gender: male
nationality: Chinese
home town: Fuxin, Liaoning Provence, China

Sun’s animated film 21 Ke (21 Grams) is based on the 1907 research by the American physician Dr. Duncan MacDougall who claimed the measured weight of the human soul to be twenty-one grams. Sun used this episode—which was not fully recognized by the scientific community—as a point of departure for his depiction of a dystopian world in which the narration of history and notion of time are interrupted. Because each frame was drawn by hand with crayon, it took Sun and his animation studio team a few years to complete this thirty-minute film of a surreal journey through mysterious cities, plagues of mosquitoes, broken statues, cawing ravens, waving flags, and flooded graveyards. Here, an ever-present man in a top hat makes obscure, cryptic references in scenarios that include the national anthem, factories belching soot into the threatening sky, and soaring planes dropping leaflets to earth. Rather than encouraging specific interpretations, 21 Ke is a visual commentary that asks essential questions of human existence: Who we are? What have we done? Where are we heading?


Sun Xun creates videos and animation films from his meticulous, highly detailed, and often monochromatic, hand drawings executed in ink, oil, and crayon. Drawing on the ideas of thinkers like Karl Marx, Theodor Adorno, and Max Horkheimer, Sun investigates revolution, existence, mythologies of society, the notion of time, and the construction and narration of history. Often in a style of magical realism, Sun’s works are full of metaphors and indirect visual associations that beg to be deciphered.


Colors:



Related works featuring themes of: » Animals, » Animation, » China, » Collective History, » Chinese

Collective Memories: Beijing Hotel
© » KADIST

Chen Shaoxiong

2007

After engaging primarily with video and photography for more than a decade, Chen turned to painting to explore the issue of urban change and memories—both personal and collective...

RMB City: A Second Life City Planning 04
© » KADIST

Cao Fei

2007

Since 2007, Cao Fei has radically focused her work on Second Life, an online space that virtually mimics “the real world” and includes everything from the expression of ideas to economic investment...

Regard Eating Every Single Time as a Formal Declaration, My Stomach is Sexy out of Anger
© » KADIST

Xiaoyun Chen

2006

The image of rusted nails, nuts and bolts as shrapnel sandwiched between a fried Chicken burger highlights the contrast between decadence and destruction...

Made in Heaven
© » KADIST

Mark Leckey

2004

In Made In Heaven , we are face to face with a sculptural apparition, a divine visitation in the artist’s studio...

A Slap in Wuhan
© » KADIST

Li Liao

2010

A Slap in Wuhan documents Li Liao’s performance in Wuhan, China on January 8, 2011...

ONE MILLION (Japanese Yen)
© » KADIST

Kwan Sheung Chi

2012

Kwan Sheung Chi’s work One Million is a video work depicting the counting of bills...

State Terrorism in Ultimate Form of PreRaphaelite Brotherhood
© » KADIST

Xiaoyun Chen

2006

State Terrorism in the ultimate form of Pre-Raphaelite Brotherhood features a portrait of the artist wearing a zipped utilitarian jacket reminiscent of a worker’s uniform, with one arm behind his back as if forced to ingest a bundle of stick—a literal portrayal to the definition of fascism...

Same Old Crowd
© » KADIST

Li Ran

2016

The four-channel video installation Same Old Crowd departs from the documentation of an unknown city and takes place in an ambiguous temporal and spatial frame...

La Town
© » KADIST

Cao Fei

2014

Cao Fei’s video La Town, 2014 depicts a mythical metropolis that has been destroyed by unknown forces...

Beyond Geography
© » KADIST

Li Ran

2012

In his video work Beyond Geography , Li dramatizes the role of the artist-as-imitator to the point of sheer parody...

5
© » KADIST

Jiang Zhi

2012

5 is a three channel video about the dualities of death and resurrection, reminiscence and fantasy, chronological and retrospective narration...

Unregistered City series #1 #2 #7
© » KADIST

Jiang Pengyi

2008

Unregistered City is a series of eight photographs depicting different scenes of a vacant, apparently post-apocalyptic city: Some are covered by dust and others are submerged by water...

Tremble
© » KADIST

Jiang Zhi

2009

In the video installation Tremble, Jiang projected the life-size images of seven naked men and women onto seven individual screens...

Vanishing Point
© » KADIST

Xiaoyun Chen

2014

The central point of Vanishing Point is the most direct physiological reaction of the body to the environment...

A Little Bit More Virtual Than Reality, A Little Bit Warmer than Craziness, A Little Bit Whiter Than Darkness, A Little Bit Longer than A heavy Sigh
© » KADIST

Xiaoyun Chen

2012

The lengthy titles in Chen Xiaoyun’s work often appear as colophons to his photographs that invite the viewer to a process of self realization through contemplating the distance between word and image...

The Result of 1000 Pieces
© » KADIST

Lin Yilin

1994

All his artworks utilize the use of body – the artist’s own body and that of others...

The Carpenter
© » KADIST

Jeffry Mitchell

2012

Poised with tool in hand, Jeffry Mitchell’s The Carpenter (2012) reaches forward, toward his workbench...

Empire's Borders II-Workers
© » KADIST

Chen Chieh-Jen

2010

Empire’s Borders II – Passage and Empire’s Borders II – Workers are from the three-channel film installation Empire’s Borders II – Western Enterprise, Inc...

Nightmare-Wallpaper (No.DCCC901-16#8): An-Angel-in-Conversation-with-a-Young-Lady
© » KADIST

Pak Sheung Chuen

2017

The series Nightmare Wallpapers represents a shift if Chuen’s practice, allowing the artist to immerse himself in an “artistic pilgrimage of self healing” following the failure of the 2014 Umbrella Movement...