Conrad Ruiz loves to paint subjects related to the “boy zone”: video games, weapons, games, science fiction, fantasy, and special effects. He also often works at a very large scale to emphasize a connection to the tradition of history painting. Blockbuster (2011) was, at the time of its creation, the largest watercolor painting he had ever made.
It may take a minute to recognize the background of New Fall Lineup – the colors are tweaked into a world of cartoon and candy, and it is covered by leaping energetic figures and flying squirrels. One realizes, though, that the image is of the World Trade Center exploding into flame, creating a strange contrast with the painting’s colors and the other images. The combination is peculiar because the role the explosion serves here is non-specific.
The Class (2005) by Araya Rasdjarmrearnsook challenges the viewer’s personal sense of morality and tolerance by depicting a classroom from hell. In the video, a woman, dressed in black with a white over shirt, stands in front of a long blackboard. The classroom’s rear walls and floor are covered in taut white fabric, given the room the sinister appearance of a sanitarium or a crime scene.
Sun Xun’s lushly illustrated, dynamic short film Mythological Time is a dreamy chronicle of rapacious industrial development, the mythical qualities of state propaganda, and the constancy of change, as experienced by an unnamed coal mining town. While it is not named in the film itself, the town at the center of Mythological Time is a re-imagined incarnation of Sun’s hometown of Fuxin, in the northern Chinese province of Liaoning. Sandwiched between North Korea and Inner Mongolia, Fuxin is a poor coal-mining region that used to contain one of China’s largest open-pit mines and has historically been the site of significant conflict, thanks to its rich mineral resources.
Sun’s animated film 21 Ke (21 Grams) is based on the 1907 research by the American physician Dr. Duncan MacDougall who claimed the measured weight of the human soul to be twenty-one grams. Sun used this episode—which was not fully recognized by the scientific community—as a point of departure for his depiction of a dystopian world in which the narration of history and notion of time are interrupted. Because each frame was drawn by hand with crayon, it took Sun and his animation studio team a few years to complete this thirty-minute film of a surreal journey through mysterious cities, plagues of mosquitoes, broken statues, cawing ravens, waving flags, and flooded graveyards.
Poised with tool in hand, Jeffry Mitchell’s The Carpenter (2012) reaches forward, toward his workbench. It is difficult to tell whether the work represents just any carpenter or Christ, the most famous member of the profession and the subject of innumerable parables and artworks. His stilted pose is not too Messianic; drips of ochre glaze render his handiwork and hammer equally soft.
In Man and Pet (2012), two benign ceramic figures smile sweetly upward. The man wraps his small companion in a hug, his arms extending in round arcs all the way to his feet. Though the expressions are strikingly similar—suggestive of Rockwellian Americana—the pet seems somewhat more genial and familiarly fuzzy than its owner, whose saurian pupils lend his face a reptilian air that belies his warm grin.
Though the title might suggest an Adonis, Jeffry Mitchell’s The Swimmer (2012) is a squat, jolly man with a protuberant belly. The stocky figure lets his arm drop to his side, towel dripping on the ground. Mitchell’s umber-toned glaze makes everything look earthy and wet, primordial and warm.
Vallance’s Rocket is a vibrant picture in which masses of color and collage coalesce into a central vehicle, yet the whole surface seems lit with the roar of space travel. This varied use of media has enabled the artist to bring all of the life, energy, and objects he works with into a single image.
“There is a tapestry of sounds around us.” – Tania Candiani Tania Candiani has long been interested in Acoustic Ecology: the study of relationships between humans and our environment mediated through sound. A poetic text by Candiani narrated by writer and MacArthur fellow Josh Kun is featured in this three-channel video, For the Animals. The artist carried out visual research for the project: scanning, sampling and borrowing from books, vintage videos and images of material that informed her process.
Perawesi / Estómago de animal / Stomach of animal by Sheroanawe Hakihiiwe exemplify his most abstract work, where he choses particular elements of a living organism to create his renditions. During the process of depuration of forms he develops a series of translations whose inception is the daily life and culture of his community, deep in the Amazon rainforest. The works reveal structures rather than shapes, organization rather than form, exposing a way of seeing where nature and culture are not mutually exclusive but manifesting simultaneously.
In the 2013 video work, Sitting Feeding Sleeping , Rose combines footage taken of zoo animals living in captivity with screen images that flicker and flash before us. In the narration, Rose talks about forms of life that are suspended and simulated—artificial intelligence and cryogenically frozen bodies, zoo animals and counterfeit ecologies. Through this montage of different types of footage and text, Rose poses us between the natural and the artificial, and speaks to the very strange moment of life in a world that is seemingly caught between the two, existing in a hybrid (though not necessarily symbiotic) moment of radical change.
While Untitled (Shuffle) presents the same formal characteristics as the rest of Berman’s verifax collages, this constellation of specific images inside the radio’s frames—the Star of David, Hebrew characters, biblical animals—have Jewish symbolism and attest to the artist’s lasting obsession with the kabala. The piece’s sub-title, “Shuffle,” suggests the presence of chance and randomness in any given organization of elements.
Strongly influenced by history and memory, Goddy Leye’s paintings are based primarily on stories and mythologies. Containing ideas, emotions, and sensibilities, signs and symbols occupy an important place in Leye’s work, though he has to retrieve them from an interrupted history. The painting Animal was made in reference to an important precolonial kingdom, Bamun.
Rojas’s two pieces in the Kadist Collection— Untitled (four-legged…) and Untitled (Bird’s Eyes) —are representative of her pictorial style which uses bold colorful blocks of paint and female and animal characters. While Untitled (Bird’s Eyes) does not depict any actual women, it nevertheless alludes to gender roles and the power of the female gaze. Apparently playful, this scene of two animals has an ominous quality: A bird and a hedgehog confront at each other and the bird appears to be poking, even eating the hedgehog’s eye.
Rojas’s two pieces in the Kadist Collection— Untitled (four-legged…) and Untitled (Bird’s Eyes) —are representative of her pictorial style which uses bold colorful blocks of paint and female and animal characters. While Untitled (Bird’s Eyes) does not depict any actual women, it nevertheless alludes to gender roles and the power of the female gaze. Apparently playful, this scene of two animals has an ominous quality: A bird and a hedgehog confront at each other and the bird appears to be poking, even eating the hedgehog’s eye.
Ana Vaz describes her film É Noite na América (It is Night in America) as an eco-terror tale, freely inspired by A cosmopolitics of animals by Brazilian philosopher Juliana Fausto; in which she investigates the political life of non-human beings and questions the modern idea of the exceptionality of the human species. In parallel to the feature film version, Vaz created a three-channel installation format meant to be displayed in contemporary art spaces. This edition includes three complementary video works that expand on the conceptual frameworks of the film.
Drawing & Print (Drawing & Print)
Hama Goro works with a traditional method called the Bogolan technique, which is inspired by a method used in Mali to color clothes. The ingredients of the various colors originate from natural products such as clay, leaves and bark. The colors had a symbolic significance and were used during ritual ceremonies.
A Portrait: Covering and Cleaning is an installation of six black-and-white video projections. Each video depicts a portrait with features changing continuously and quickly into different persons, animals and symbols. Driven by the evolving contents of the screen itself, this piece showcases the form and material of Qiu Anxiong’s working method, which relies on precisely planned storyboard sketches drawn in pen on A4 paper.
Charwai Tsai’s photograph documents her Hermit Crab Project installation upon the construction site of gallery Sora in Tokyo. Tsai placed live hermit crabs and shells in a sandy enclosure at the site, writing fragments of The One China policy and the Taiwanese Independence statements on each shell. As the hermit crabs moved and swapped shells, they formed new connections between the statements.
In Kids , Song Ta has made reports to the information desk at the Guangzhou Zoo in order for missing children announcements to be broadcast throughout the zoo. Instead, the names of members of the Standing Committee of the Communist Party of Guangdong Province were called in place of these fictitious children. Song Ta facetiously subverts the status of these powerful men, later jailed for corruption, to that of children and zoo animals, whilst constructing a narrative that closely mimics and reflects upon political reality in China.
Pedro Reyes’s Los Mutantes ( Mutants , 2012) is composed of 170 plates that combine characters from ancient and modern mythologies. As in a periodic table, animals and objects are combined with humans (male or female), providing a rational framework for the irrational products of human imagination. A Cartesian matrix such as this must follow certain rules.
The film Demos by Danaya Chulphuthiphong draws parallels between zoo animals and humans through an assemblage of footage and images collected from various news and science websites. The soundtrack, made in collaboration with filmmaker, artist, and musician Pathompon “Mont” Tesprateep, was also sourced online and includes recordings of sounds produced in outer space, underwater, the deep jungle, as well by drones and laser beams. The film begins with the watchful eye of a semi-submerged crocodile, then shifts into an industrial scene of cranes swinging building materials across the sky.
Más vale pájaro en mano que cien volando (A bird in the hand is worth more than two in the bush) is part of a larger series of pieces developed by Sergio Rojas Chaves in Honduras in 2018 that engages with tourism and in particular amateur-ornithologists that overrun the country in pursuit of the nation’s extreme diversity of bird species. The works include a performance in which artist Sergio Rojas Chaves, dressed like a bird, observes the ornithologists as if they too are birds, another work features an audio recording of amateur ornithologists imitating bird sounds in the jungle of Honduras. This series of photographs was taken during an amateur-ornithologist research trip.
Through a seemingly haphazard layering of glass and porcelain, Dérive is part of a larger installation series that address borders and displacement. Sheets of glass and porcelain, two transformational materials of alchemy, are stacked loosely in the shape of melting glaciers that places humans, animals, and nature in the same ecosystem. Migrations of one population into another and the subsequent displacement is emphasized in sharp, jagged edges of the transparent glass—phantasmagoric dreams of a distant place—the migration of not simply physical bodies but also that of political opinions and thoughts.
In “And so it is” shows the image of a faceless man before a microphone, ready to deliver an important message. The viewer is faced with the familiar image of political power seen in our homes on the television, yet this time located in a whimsical abstract landscape. The speaker appears as a shadow in front of a crowd that is responding to him by holding bubbles containing images of animals and plants.
The photographic quality of the film Baobab is not only the result of a highly sophisticated use of black and white and light, but also of the way in which each tree is characterized as an individual, creating in the end a series of portraits. The monumental and unnatural aspect of the baobabs turns them into strange and anthropomorphic personalities. Adding to the descriptive aspect of the film, the sound is a recording of the environment, of sounds made by animals, and participates in this peaceful contemplation.
For over five months, Zhou situated himself in an underdeveloped village surrounded by the high skyscrapers of Guangzhou to produce South Stone . Interweaving footage of a village’s landscape, residents, and animals with his seemingly absurd interventions with the place, South Stone indicates the equally incoherent social reality. Fluctuating between documentary and fiction, the film catalyzes alternative connections in time, and the emergence of imaginative spaces.
Susan Sontag, the author of On Photography and Regarding the Pain of Others, was captured through Hujar’s now-iconic photograph in a relaxed yet pensive pose. A friend and supporter of his work as well as his subject, Sontag wrote the introduction for Hujar’s only book published during his lifetime: Portraits in Life and Death.
The photograph Proxy II (Beetles) by Robert Zhao Renhui belongs to a series, titled Christmas Island, Naturally, that focuses on the ecology of Christmas Island; a remote volcanic land formation in the Indian Ocean. Since the first settlements in the late 19th century, the ecosystems of Christmas Island have undergone devastating alterations. After nearly 150 years of human settlement, a number of invasive species have been unwittingly introduced to the island.
Gan Chin Lee is a Malaysian artist of Chinese descent known across Southeast Asia for his realist paintings that painstakingly register the ethnic and religious complexities of Malaysia...
Gregory Halpern is an acclaimed American photographer whose practice is predicated on wandering...
Robert Zhao Renhui’s multimedia practice questions fact-based presentations of ecological conservation and reveals the manner in which documentary, journalistic, and scientific reports sensationalize nature in order to elicit viewer sympathy...
Embarking from myriad audio-visual narratives, Chia-Wei Hsu pursues imaginative interrogations of cultural contact and colonization in Asia, oftentimes amalgamating his primary narratives with non-human actors including technologies, animals, gods, environments, traditions, and material objects...
The Seattle-based sculptor Jeffry Mitchell creates cartoonlike creatures from low-fire earthenware...
Conrad Ruiz makes watercolor paintings of fantastic scenes...
Ana Vaz is an artist and filmmaker whose works speculate on the relationships between self and other, and myth and history, through a cosmology of signs, references, and perspectives...
Sheroanawe Hakihiiwe is a Yanomami artist who lives and works in Upper Orinoco, at the Venezuelan side of the Amazon rainforest...
Based in San Francisco, Audra Knutson is known for her delicate and intricate works that depict elements from nature as well as scenes and objects from the everyday...
Spanning painting, drawing, and sculpture, Troy Chew’s practice reflects on the legacy of the African diaspora through the lens of urban culture...
Trevor Yeung’s (b...
Working with both still and moving images, Danaya Chulphuthiphong is an activist and filmmaker whose work sheds light on social realities in Thailand...
Before American photographer Peter Hujar passed away from AIDS in 1987, he was a part of a group of New York-based artists, writers, and musicians who defined the downtown scene in the 1970s...
Brazilian artist Luiz Roque’s production consists largely of short duration open-ended cinematic narratives, in which he places mysterious characters (either gender-fluid dancers, famous drag queens, animals, landmark modernist buildings or historical artworks) creating dreamlike and sci-fi atmospheres...
Santiago Yahuarcani belongs to the Aimen+ (White Heron) clan of the Uitoto people of the northern Amazon...
Khvay Samnang’s work critically examines the interlocking nature of ritual and politics, the humanitarian and ecological impacts of globalization, colonialism and migration, and the cultural-material histories of exchange that have shaped the Southeast Asia region...
Rachel Rose is a visual artist known for her video installations that merge moving images and sound within nuanced environments connecting them to broader subjects...
Song Ta engages various mediums, including video art, installation, drawing, sculpture, photography, and calligraphy in his practice...
In the late 1990s, Nathalie Djurberg started to work with Super 8 film, then video, staging plasticine models or puppets...
Hama Goro started his career in 1987, after studying at the National Art Institute of Bamako (INA), where he received his degree in drawing and visual arts...
Costa Rican artist Christian Salablanca Díaz has developed a body of work around the phenomenon and experience of violence and the ways in which it generates, determines, and conditions history, society, and politics...
Sergio Rojas Chaves’s work focuses on contemporary depictions of animals and of plants and affective approaches to biology...
Artist Zhou Tao has a diverse and varied practice, and notably, he denies the existence of any singular or real narrative or space...
The Book of Genesis , which is thought to have been written around the 5th century B...
Artist Spent 3 Years Drawing Map of the World with 1,600 Animals Home / Drawing / Illustration Artist Spent Three Years Drawing Map of the World with 1,642 Animals By Margherita Cole on February 11, 2024 Do you know which species of animals are indigenous to your area? Artist Anton Thomas has created a pictorial map that is both educational and stunning to look at...
A Baby Penguin Boom is Just as Cute as You Hoped | KQED Skip to Nav Skip to Main Skip to Footer upper waypoint Arts & Culture A Baby Penguin Boom at the Academy of Sciences is Just as Cute as You Hoped Sarah Hotchkiss Feb 9 Save Article Save Article Failed to save article Please try again Email African penguin chicks Alice and Nelson...
The 2024 Puppy Bowl: Team Fluff, Team Ruff Go Head-to-Head | KQED Skip to Nav Skip to Main Skip to Footer upper waypoint The Do List The 20th Annual Puppy Bowl Pits Team Fluff Against Team Ruff — and Everyone Wins Mark Kennedy, Associated Press Feb 7 Save Article Save Article Failed to save article Please try again Email Some of the adorable participants in this year's Puppy Bowl...
Photographer Endures Icy Temps to Photograph Arctic Animals Home / Photography / Wildlife Photography Photographer Endures Icy Temperatures to Photograph Beautiful Arctic Animals By Jessica Stewart on February 7, 2024 Photographer Konsta Punkka was just a teenager when he transformed his passion into a full-time career...
Watercolor Artist Creates Beautiful Large-Scale Flower Paintings Home / Painting / Watercolor Painting Larger-Than-Life Floral Watercolor Paintings Capture the Colorful Beauty of Nature By Sarah Currier on February 7, 2024 Artist Janet Pulcho is best known for her larger-than-life watercolor paintings of flowers and plants...
How animals suffer for Buddhists to earn spiritual points – in Cambodia ‘life release’ rituals decimate birds | South China Morning Post How animals suffer for Buddhists to earn spiritual points – in Cambodia ‘life release’ rituals decimate birds Religion The Buddhist practice of releasing animals for spiritual merit is widespread in Cambodia, but it kills or injures millions of birds...
Wild About Babies In Paternoster Square | Londonist Giant Gorilla In Paternoster Square.....
Abigail Lane — Doing Time — Semiose Gallery — Exhibition — Slash Paris Login Newsletter Twitter Facebook Abigail Lane — Doing Time — Semiose Gallery — Exhibition — Slash Paris English Français Home Events Artists Venues Magazine Videos Back Previous Next Abigail Lane — Doing Time Exhibition Installation Abigail Lane, Black bird, Doing Time Abigail Lane Doing Time Ends in 27 days: January 13 → March 9, 2024 The series Doing Time, exhibited in Semiose’s Project Room, is made up of embroidered birds set in boxes closed off by bars...
RSPCA Young Photographer awards 2023 – in pictures | Art and design | The Guardian Skip to main content RSPCA Young Photographer awards 2023 – in pictures The overall winner was a turkey called Frederick photographed by Jamie Smart...
Taking three years from start to finish, Anton Thomas ’s meticulously detailed map takes us on a zoological journey around the globe...
100 Days of Glorious Whale and Elephant Photography by Chris Fallows Home / Photography / Wildlife Photography Wildlife Photographer to Share 100 Images of Majestic Elephants and Whales in 2024 [Interview] By Jessica Stewart on December 15, 2023 Renowned South African wildlife photographer Chris Fallows is known for his artistic images that capture the spirit of the animal kingdom...
In Animals from the streets , photographer Ashraful Arefin takes a moment to greet the furry creatures that join the hustle and bustle of the city...
As we approach the end of 2023, we’re revisiting some of the top stories we wrote about this year...
What’s With Those Hilarious Medieval Portrayals of Animals? Skip to content Unknown artist, “Snail” (c...
Giant Rubber Duck artist on why size matters – ‘instead of us looking at it, it is now looking at us’ – and his miniatures on show in Seoul | South China Morning Post Advertisement Advertisement Art + FOLLOW Get more with my NEWS A personalised news feed of stories that matter to you Learn more Dutch artist and “Rubber Duck” creator Florentijn Hofman in Hong Kong in June 23 for the return of his giant inflatable artwork to Victoria Harbour, this time with a twin...
Art Basel serves up a croc of gold with its reptile-themed art Art market Museums & heritage Exhibitions Books Podcasts Columns Technology Adventures with Van Gogh Search Search Art Basel in Miami Beach 2023 news Art Basel serves up a croc of gold with its reptile-themed art Mind your step: in true Floridian style, a number of works at this year’s fair take crocodiles or alligators as their subjects Alexander Morrison 8 December 2023 Share Florian Krewer, winding (2023) © Liliana Mora Florian Krewer, winding (2023), Michael Werner Gallery The New York-based artist Florian Krewer uses animal motifs to “convey emotions he could not physically put into people”, says Michael Werner Gallery’s Birte Kleemann...
A legendary rivalry dukes it out one more time in Dog & Rabbit ’s animation, “ The Beatles Vs The Stones .” As iconic album covers from both rock groups come to life, the character from Voodoo Lounge rides a yellow submarine while Keith Richards, Paul McCartney, Mick Jagger, and Ringo Starr have a food fight...
The real digital nomads: how, on the Mongolian steppe, mobile internet is helping save nomadic traditions | South China Morning Post The real digital nomads: how, on the Mongolian steppe, mobile internet is helping save nomadic traditions Books and literature On the Mongolian steppe, nomads are embracing digitalisation to stay connected and do business without sacrificing the best of their traditional way of life Johan Nylander + FOLLOW Published: 7:15am, 9 Dec, 2023 Why you can trust SCMP Out in the wilds of the Mongolian steppe, nomadic herders are embracing the information age...
Animals — Galerie Loevenbruck — Exposition — Slash Paris Connexion Newsletter Twitter Facebook Animals — Galerie Loevenbruck — Exposition — Slash Paris Français English Accueil Événements Artistes Lieux Magazine Vidéos Retour Animals Exposition Techniques mixtes Vue de l’exposition Animals, galerie Loevenbruck, Paris © Photo Fabrice Gousset, courtesy Loevenbruck, Paris Animals Encore environ un mois : 17 novembre 2023 → 20 janvier 2024 « Animals » est une exposition collective qui rassemble des œuvres d’art de différentes cultures et époques, toutes explorant le thème de la figure animale...
Animals — Loevenbruck Gallery — Exhibition — Slash Paris Login Newsletter Twitter Facebook Animals — Loevenbruck Gallery — Exhibition — Slash Paris English Français Home Events Artists Venues Magazine Videos Back Animals Exhibition Mixed media Vue de l’exposition Animals, galerie Loevenbruck, Paris © Photo Fabrice Gousset, courtesy Loevenbruck, Paris Animals Ends in about 1 month: November 17, 2023 → January 20, 2024 Animals is a collective exhibition that brings together artworks from different cultures and periods, all exploring the theme of the animal figure...
Gilles Aillaud — Acquisitions récentes — Loevenbruck Gallery — Exhibition — Slash Paris Login Newsletter Twitter Facebook Gilles Aillaud — Acquisitions récentes — Loevenbruck Gallery — Exhibition — Slash Paris English Français Home Events Artists Venues Magazine Videos Back Gilles Aillaud — Acquisitions récentes Exhibition Painting Vue de l’exposition Gilles Aillaud...
BOMB Magazine | Sigrid Nunez Necessary (Required) Cookies that the site cannot function properly without...
Held in a small, mountainous village, this festival has it all: snakes, charmers, religion, science...
Negative Ecology - Photographs by Tamaki Yoshida | Essay by Marigold Warner | LensCulture Feature Negative Ecology A visit to Hokkaido triggered Tamaki Yoshida to think deeper about the relationship between humanity and the natural world—a process that resulted in these kaleidoscopic images...
Animalograms: Photograms of Animals Made in the Wild - Photographs and text by Zana Briski | LensCulture Feature Animalograms: Photograms of Animals Made in the Wild To create these amazing life-size photograms of animals in the wild, photographer Zana Briski waits patiently for an animal to pass by on moonless nights in places where she has installed huge sheets of light-sensitive photographic paper...
Outi Pieski | Tate St Ives Discover visual artist Outi Pieski’s exploration of identity, culture and environment Outi Pieski is a Sámi visual artist based in Ohcejohka (Utsjoki), Finland...
Reconsidering the Commandments with Wild Rice’s Animal Farm (2022) | ArtsEquator Skip to content In Wild Rice’s restaging of Animal Farm, Rebecca G finds a production that leavens the darker aspects of the text by drawing out the absurdities of the narrative...
Imperial Creatures: Singapore beyond 'great men' history | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia Articles Courtesy of NUS Press August 11, 2020 Singapore’s bicentennial year in 2019 sparked great discussion and debate about the legacies of imperialism and colonialism, which continues till today, in step with larger conversations happening globally around decolonisation, indigeneity and civil rights...
Creature comforts: "Creatures of Near Kingdoms" | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia Articles Zedeck Siew / Tumblr April 1, 2020 By Kathy Rowland (650 words, 4-minute read) Zedeck Siew’s Creatures of Near Kingdoms is fashioned as a bestiary, detailing the appearance, characteristics, and habitats of 50 animals and 25 plants...
While Untitled (Shuffle) presents the same formal characteristics as the rest of Berman’s verifax collages, this constellation of specific images inside the radio’s frames—the Star of David, Hebrew characters, biblical animals—have Jewish symbolism and attest to the artist’s lasting obsession with the kabala...
Susan Sontag, the author of On Photography and Regarding the Pain of Others, was captured through Hujar’s now-iconic photograph in a relaxed yet pensive pose...
Vallance’s Rocket is a vibrant picture in which masses of color and collage coalesce into a central vehicle, yet the whole surface seems lit with the roar of space travel...
Towhead n’Ganga, enclosed in darkness, lorded over by the sexualized folded high priestless form reflects many of Kelley’s works, in both its compositional and semantic qualities...
The photographic quality of the film Baobab is not only the result of a highly sophisticated use of black and white and light, but also of the way in which each tree is characterized as an individual, creating in the end a series of portraits...
Apparently Djurberg’s mother made a puppet theater and traveled around Göteborg performing during her childhood...
The Class (2005) by Araya Rasdjarmrearnsook challenges the viewer’s personal sense of morality and tolerance by depicting a classroom from hell...
Rojas’s two pieces in the Kadist Collection— Untitled (four-legged…) and Untitled (Bird’s Eyes) —are representative of her pictorial style which uses bold colorful blocks of paint and female and animal characters...
Hako (2006) depicts a mysterious and dystopic landscape where the world becomes flat: distance between different spaces, depth of field and three-dimensional perceptions are canceled...
Strongly influenced by history and memory, Goddy Leye’s paintings are based primarily on stories and mythologies...
Rojas’s two pieces in the Kadist Collection— Untitled (four-legged…) and Untitled (Bird’s Eyes) —are representative of her pictorial style which uses bold colorful blocks of paint and female and animal characters...
Charwai Tsai’s photograph documents her Hermit Crab Project installation upon the construction site of gallery Sora in Tokyo...
It may take a minute to recognize the background of New Fall Lineup – the colors are tweaked into a world of cartoon and candy, and it is covered by leaping energetic figures and flying squirrels...
Braga’s video work Provisão (2009) opens with a still shot of a clearing in a forest, shoots of grass emerging from a muddy brown patch of seemingly dry and barren earth...
Drawing & Print
Audra Knutson’s work, The Death , is a hand-pulled linocut print inspired by Rainer Maria Rilke’s novel The Notebooks of Malte Laurids Brigge ...
Drawing & Print
Audra Knutson’s work The Oblivion was carved and printed in conjunction with the print The Death ...
Conrad Ruiz loves to paint subjects related to the “boy zone”: video games, weapons, games, science fiction, fantasy, and special effects...
A Portrait: Covering and Cleaning is an installation of six black-and-white video projections...
Drawing & Print
Natasha Wheat’s Kerosene Triptych (2011) is composed of three images, one each from the digital files of the Library of Congress, the Smithsonian Institution, and the Field Museum tropical research archive...
Poised with tool in hand, Jeffry Mitchell’s The Carpenter (2012) reaches forward, toward his workbench...
Though the title might suggest an Adonis, Jeffry Mitchell’s The Swimmer (2012) is a squat, jolly man with a protuberant belly...
Pedro Reyes’s Los Mutantes ( Mutants , 2012) is composed of 170 plates that combine characters from ancient and modern mythologies...
Changi, Singapore, possibly 1970s is from the series “As We Walked on Water” (2010-2012), which looks into Singapore’s history around the phenomenon of land reclamation...
Dominique Zinkpè’s works with a wide range of materials, from jute to used cars to “hôhô” figures, which come from the Cult of Twins in southern Benin as a voodoo religion symbole of fertility...
Bath Time by Sharif Waked is a short video based on the tragi-comic outcome of the Israeli Blockade and the wars in Gaza...
Expedition #46 is a work from the series “The Glacier Study Group,” which consists of artists, scientists, activists, and enthusiasts of glacial and polar activity in the Artic Circle to conduct scientific investigation, data collection, and glacier sampling...
Interested in the collection of object and their potential to evoke various emotional reactions in the audience, Bopape’s “Why do you call me when you know I can’t answer the phone” is an invitation into the limitless netherworld of the unsaid and unspoken...
Marshal Tie Jia (Turtle Island) explores the history of a tiny island off of the coast of Matsu in the Taiwan Strait that has been instrumental in the geopolitical relationships between China, Taiwan, and Japan...
In the 2013 video work, Sitting Feeding Sleeping , Rose combines footage taken of zoo animals living in captivity with screen images that flicker and flash before us...
Part of a series of videos called LIFE, where Shay Arik videos that re-enact iconic journalistic photographs...
Created during Zhao Renhui’s residency at Kadist SF in 2014, the photographic grid features a selection of some 6,000 members from single family of flies –hoverfly– identified over the last 25 years by Sacramento-based Dr...
Created during Zhao Renhui’s residency at Kadist SF in 2014, Zhao Renhui began observing and cataloguing insects inspired by the scientific impulse towards exhaustive taxonomy of Sacramento-based Dr...
“We both died at the same moment” is a humorous observation of anthropomorphism, the attribution of human emotions to nature and animals...
In “And so it is” shows the image of a faceless man before a microphone, ready to deliver an important message...
In Akira Takayama’s work Happy Island – The Messianic Banquet of the Righteous , five video screens perpendicular to the floor feature footage of cows grazing and resting in the rolling hills of a farmland...
The film Demos by Danaya Chulphuthiphong draws parallels between zoo animals and humans through an assemblage of footage and images collected from various news and science websites...
The photograph Proxy II (Beetles) by Robert Zhao Renhui belongs to a series, titled Christmas Island, Naturally, that focuses on the ecology of Christmas Island; a remote volcanic land formation in the Indian Ocean...
La libertad is a “greca” film, a meander film, with no beginning nor end, weaving together fragments of daily life at the Navarro´s, counting threads and time, wondering and wandering around words as emancipation, labor, and freedom (la libertad), the word that most appeared in our conversations...
Gregory Halpern spent five years shooting ZZYZX , and another year editing the results, from an estimated thousand rolls of film, about half of which were shot in the final year after his Guggenheim Fellowship enabled him to live in California...
Gregory Halpern spent five years shooting ZZYZX , and another year editing the results, from an estimated thousand rolls of film, about half of which were shot in the final year after his Guggenheim Fellowship enabled him to live in California...
Gregory Halpern spent five years shooting ZZYZX , and another year editing the results, from an estimated thousand rolls of film, about half of which were shot in the final year after his Guggenheim Fellowship enabled him to live in California...
Gregory Halpern spent five years shooting ZZYZX , and another year editing the results, from an estimated thousand rolls of film, about half of which were shot in the final year after his Guggenheim Fellowship enabled him to live in California...
Gregory Halpern spent five years shooting ZZYZX , and another year editing the results, from an estimated thousand rolls of film, about half of which were shot in the final year after his Guggenheim Fellowship enabled him to live in California...
Gregory Halpern spent five years shooting ZZYZX , and another year editing the results, from an estimated thousand rolls of film, about half of which were shot in the final year after his Guggenheim Fellowship enabled him to live in California...
Gregory Halpern spent five years shooting ZZYZX , and another year editing the results, from an estimated thousand rolls of film, about half of which were shot in the final year after his Guggenheim Fellowship enabled him to live in California...
Gregory Halpern spent five years shooting ZZYZX , and another year editing the results, from an estimated thousand rolls of film, about half of which were shot in the final year after his Guggenheim Fellowship enabled him to live in California...
Gregory Halpern spent five years shooting ZZYZX , and another year editing the results, from an estimated thousand rolls of film, about half of which were shot in the final year after his Guggenheim Fellowship enabled him to live in California...
Gregory Halpern spent five years shooting ZZYZX , and another year editing the results, from an estimated thousand rolls of film, about half of which were shot in the final year after his Guggenheim Fellowship enabled him to live in California...
The final work in the Marshal Tie Jia series (of which Turtle Island is in the KADIST collection), Spirit Writing features the Marshal in conversation with Chia-Wei Hsu, by way of a ritual involving the Marshal’s divination chair...
As a discipline born at the same time as colonialism, archeology is struggling to rid itself of this sad context...
Originally commissioned for documenta 14, Khvay Samnang’s two-channel video work Preah Kunlong (The way of the spirit) takes land politics, resource extraction and Indigenous Cambodian resistance as its primary concern...
Drawing & Print
The series Castigos del caucho by Santiago Yahuarcani originates in the oral memory transmitted by the artist’s grandfather, who was a survivor of the Putumayo genocide where thousands of Indigenous people were annihilated and enslaved to extract rubber from the Amazon forest between 1879 and 1912...
Más vale pájaro en mano que cien volando (A bird in the hand is worth more than two in the bush) is part of a larger series of pieces developed by Sergio Rojas Chaves in Honduras in 2018 that engages with tourism and in particular amateur-ornithologists that overrun the country in pursuit of the nation’s extreme diversity of bird species...
Advanced Technology
RE-ANIMATED by Jakob Kudsk Steensen revolves around the haunting sound of the Kauai’O’o, a bird that became extinct in the year of Steensen’s birth...
Gary-Ross Pastrana’s video installation Rewilding consists of three large-scale projections placed across the exhibition space...
Perawesi / Estómago de animal / Stomach of animal by Sheroanawe Hakihiiwe exemplify his most abstract work, where he choses particular elements of a living organism to create his renditions...
Drawing & Print
In Studies of Chinese New Villages II Gan Chin Lee’s realism appears in the format of a fieldwork notebook; capturing present-day surroundings while unpacking their historical memory...
Drawing & Print
In Studies of Chinese New Villages II Gan Chin Lee’s realism appears in the format of a fieldwork notebook; capturing present-day surroundings while unpacking their historical memory...
As he investigates the forms that slavery took through different events that occurred during the sixteenth century in the Huasteca region of Mexico, Noé Martínez tells, in a non-linear narrative, the history of human trafficking in Relación de tráfico de personas 1525-1533 I (Study of Trafficking of Persons 1525–1533 I) ...
Drawing & Print
In Studies of Chinese New Villages II Gan Chin Lee’s realism appears in the format of a fieldwork notebook; capturing present-day surroundings while unpacking their historical memory...
Drawing & Print
In Studies of Chinese New Villages II Gan Chin Lee’s realism appears in the format of a fieldwork notebook; capturing present-day surroundings while unpacking their historical memory...
Drawing & Print
In Studies of Chinese New Villages II Gan Chin Lee’s realism appears in the format of a fieldwork notebook; capturing present-day surroundings while unpacking their historical memory...
Wateoma husipe / Larvas de oruga / Caterpillar larvae by Sheroanawe Hakihiiwe exemplify his most abstract work, where he choses particular elements of a living organism to create his renditions...
Drawing & Print
In Studies of Chinese New Villages II Gan Chin Lee’s realism appears in the format of a fieldwork notebook; capturing present-day surroundings while unpacking their historical memory...
Drawing & Print
In Studies of Chinese New Villages II Gan Chin Lee’s realism appears in the format of a fieldwork notebook; capturing present-day surroundings while unpacking their historical memory...
Drawing & Print
In Studies of Chinese New Villages II Gan Chin Lee’s realism appears in the format of a fieldwork notebook; capturing present-day surroundings while unpacking their historical memory...
Drawing & Print
In Studies of Chinese New Villages II Gan Chin Lee’s realism appears in the format of a fieldwork notebook; capturing present-day surroundings while unpacking their historical memory...
Drawing & Print
In Studies of Chinese New Villages II Gan Chin Lee’s realism appears in the format of a fieldwork notebook; capturing present-day surroundings while unpacking their historical memory...
Drawing & Print
In Studies of Chinese New Villages II Gan Chin Lee’s realism appears in the format of a fieldwork notebook; capturing present-day surroundings while unpacking their historical memory...
Stones and Elephants by Chia-Wei Hsu derives from the Malay literary classic The Hikayat Abdullah ...
In Luiz Roque’s short film Zero we follow a dog moving alone onboard an aircraft that flies over a vast desert...
“There is a tapestry of sounds around us.” – Tania Candiani Tania Candiani has long been interested in Acoustic Ecology: the study of relationships between humans and our environment mediated through sound...
Paloma Contreras Lomas has frequently used animals as metaphors in her work...
Noémie Goudal’s short film, Below the Deep South , is based on the work of palaeoclimatologist James Bendle who, while drilling in Antarctica, discovered coal beneath the ice...
Hueso de culebra (Snake Bone) arises from the stories that the artist’s grandmother used to tell him as a child about her father’s medical and spiritual practices in the southern part of Costa Rica, close to the border with Panama...
Ana Vaz describes her film É Noite na América (It is Night in America) as an eco-terror tale, freely inspired by A cosmopolitics of animals by Brazilian philosopher Juliana Fausto; in which she investigates the political life of non-human beings and questions the modern idea of the exceptionality of the human species...