Untitled (San Francisco) was made in Idaho in 1984 and was facetiously dedicated to Henry Hopkins, the then director of the San Francisco Museum of Art who added “modern” to its name. Assembled from the remnants and found objects from a hotel room, including a collage, shelf and small lamp, this playful piece—a satirical shrine of sorts—echoes the decidedly un-modern spirit of San Francisco’s bohemian culture. Kienholz’s works, with their critical and anti-establishment content, are often linked to the 1960s Funk Art movement in the Bay Area.
Known for his installations and assemblages, Edward Kienholz was part of a generation of important artists—including Robert Irwin, Ed Moses, Craig Kauffman, and John Altoon—who established and exhibited at Ferus Gallery in Los Angeles in the 1950s. The booming art scene around Ferus gave visibility and credibility to West Coast contemporary art. Highly critical of modernism, Kienholz’s theatrical assemblages of found objects and decaying detritus often refer to current events and social issues.
The five works included in the Kadist Collection are representative of Pettibon’s complex drawings which are much more narrative than comics or cartoon...
Timelapse Captures How the Sun Looks During Solar Storms Home / Photography / Astrophotography Breathtaking Timelapse Captures How the Sun Looks During Intense Solar Storms By Regina Sienra on December 3, 2023 Ver esta publicación en Instagram Una publicación compartida por Miguel Claro Astrophotography (@miguel_claro) Solar storms are one of the most fascinating astronomical events...
Antoni Tàpies — Les Armes d’Éros — Galerie Lelong & Co — Exposition — Slash Paris Connexion Newsletter Twitter Facebook Antoni Tàpies — Les Armes d’Éros — Galerie Lelong & Co — Exposition — Slash Paris Français English Accueil Événements Artistes Lieux Magazine Vidéos Retour Antoni Tàpies — Les Armes d’Éros Exposition Peinture Antoni Tàpies, Gran triangle, 1990 Peinture et vernis sur toile — 285,5 × 390,5 cm Courtesy galerie Lelong & Co...
Weekly Southeast Asia Radar: The relevance of "Soi Cowboy"; Malaysia's Zen Cho wins Hugo Award | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia ArtsEquator Radar Illustration by Jared Downing | Frontier August 20, 2019 ArtsEquator’s Southeast Asia Radar features articles and posts about arts and culture in Southeast Asia, drawn from local and regional websites and publications – aggregated content from outside sources, so we are exposed to a multitude of voices in the region...
Daniel Boyd’s work WTEIA3 is part of a series of paintings that reference the stick charts used by indigenous communities on the Marshall Islands...
Mapping Asian Arts Media: Key Findings (Singapore, Malaysia and Cambodia) | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia Articles March 5, 2021 By Kathy Rowland What is the state of the arts media landscape in Southeast Asia? Based on global trends, the answer seemed evident: the landscape has shrunk, and its impact on the arts ecosystem is a growing concern amongst arts writers, artists and policy makers...
A string of new exhibitions shows that textile art is finally being taken seriously Art market Museums & heritage Exhibitions Books Podcasts Columns Technology Adventures with Van Gogh Search Search Comment A string of new exhibitions shows that textile art is finally being taken seriously The historical association of textiles with gender, sexuality and identity norms make them ripe for subversion and reimagining Ben Luke 9 February 2024 Share Solange Pessoa’s Hammock (part of 4 Hammocks , 1999-2003) at the Barbican Courtesy of Rubell Museum, Miami and Washington, DC...
Peinture, poésie, architecture… Les beaux livres d’art sélectionnés par « Le Monde » nav_close_menu Offrir Le Monde Article réservé aux abonnés Peinture 1 « Poésies d’Emily Dickinson illustrées par la peinture moderniste américaine » « Fille endormie » (1926-1927), de Yun Gee, exposée au Hirshhorn Museum and Sculpture Garden de Washington...
Martin Creed | The Dick Institute Experience the work of one of this country’s most ingenious, audacious and surprising artists at the Dick Institute ARTIST ROOMS Martin Creed presents highlights from the British artist’s thirty-year career...
Rojas’s two pieces in the Kadist Collection— Untitled (four-legged…) and Untitled (Bird’s Eyes) —are representative of her pictorial style which uses bold colorful blocks of paint and female and animal characters...