The video animation Falling Head 2 , hand-painted by Diego Marcon in 2015, consists of a close-up of a head caught on the threshold between sleep and wakefulness or maybe from wakefulness to sleep. The film is projected as a ten-second loop where the first and last frames coincide. Working mainly in video and film, Marcon is familiar with the consequences of eyestrain. In 2015 he found himself confronted with an overwhelming quantity of visual information which left him feeling drained and confused. He was inundated by both viral online videos of the Paris attacks and the refugee crisis, compounded by viewers’ emotional responses to these events on social media as well as by the sprawling video-art archive of Careof in Milan that he was working at. In order to disconnect from the constant stream of images, and to find a non-documentary approach to picture visual stress, Marcon turned to animation. Falling Head was the last piece in which the artist adopted the laborious, old-school technique of ‘direct cinema’, painting images frame by frame directly onto a16mm clear leader creating almost 2,000 miniatures. Using liquid fabric inks and black markers to form a base, he then scratched the colored surface with a needle to let the light pierce through. Through the protagonist of this film, a lonely teenager, trapped in doubt and indeterminacy, and who we find in other works of the same series, Marcon portraits a range of emotions that have become more and more prevalent since 2015: overwhelmed by images, struck by social media, and exhausted by impotence towards a political situation that is suspended between the tragic and the grotesque
Diego Marcon uses film, video and installation to investigate the ontology of the moving image, focusing on the relationship between reality and representation. This theoretical approach is used to address more popular forms of image such as horror, slapstick comedy and cartoons. Exaggerating and multiplying the tropes of these genres, his work takes on an uncanny dimension. He addresses historical realities, memory and politics, drawing on analogue film archives which provide him with a basis for a study on the construction of emotions. His characters are often young and melancholy and inhabit the worlds that he creates through the synthesis of old techniques with more recent digital technologies.
"Asian Festivals Exchange" at M1 Contact Contemporary Dance Festival 2018 | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia Articles Bernie Ng K(-A-)O by Kenji Shinohe August 23, 2018 By Bernice Lee (1300 words, five-minute read) “Asian Festivals Exchange” puts together works selected from two East Asian festivals — Yokohama Dance Collection and Seoul Dance Collection — two works performed by T...
Weekly Picks: Singapore (17 - 23 September 2018) | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia Weekly To Do September 17, 2018 The Golden Record 2.0 , NUS Arts Festival 2018, 21 – 22 September 2018, University Cultural Centre Theatre At the NUS Arts Festival 2017 was staged part one of The Golden Record, inspired by the 40th anniversary of the 1977 NASA launch of Voyager I and II, the interstellar crafts that carried two ‘Golden Records’ deep into space...
Masterpieces from Britain’s prestigious National Gallery to go on show at Hong Kong’s Palace Museum for first time from Wednesday | South China Morning Post Advertisement Advertisement Hong Kong culture + FOLLOW Get more with my NEWS A personalised news feed of stories that matter to you Learn more Vincent van Gogh’s “Long Grass with Butterflies”, painted in 1890, is one of the artworks from a British National Gallery tour on show at the city’s Palace Museum from Wednesday...
Proyecciones Espacio Odeón (Bogotá, Colombia) y Museo La Tertulia (Cali, Colombia) ¿Cómo enfrentamos la incertidumbre de estos tiempos? ¿Puede el juego, los sueños, o incluso las alucinaciones ayudarnos a imaginar otras posibles trayectorias? ¿Qué tipo de prácticas nos permiten relacionarnos con los territorios que habitamos? Tomando como punto de partida el potencial de lo inquietante en medio de una amenaza invisible, Sigo esperando es una serie de proyecciones en las fachadas del Espacio Odeón (Bogotá) y del Museo La Tertulia (Cali)...
Inquiring Minds Want to Know: ‘How Does Santa Go Down the Chimney?’ | KQED Skip to Nav Skip to Main Skip to Footer The Do List Inquiring Minds Want to Know: ‘How Does Santa Go Down the Chimney?’ Listen Samantha Balaban Dec 4 Save Article Save Article Failed to save article Please try again Facebook Share-FB Twitter Share-Twitter Email Share-Email Copy Link Copy Link ‘How Does Santa Go Down the Chimney?’ (Text © 2023 by Mac Barnett...
Jorge de León most well-known work was a radical gesture, and one of his earliest artworks: in his 2000 performance, The Circle, de León sewed his own mouth closed as a protest against the silencing of citizens in the face of social corruption...
‘If I start thinking I hate making baubles that’s the time to retire’: Will Shakspeare’s craft – in pictures | Art and design | The Guardian Skip to main content The artisans ‘If I start thinking I hate making baubles that’s the time to retire’: Will Shakspeare’s craft – in pictures Will Shakspeare’s Christmas baubles...
In Tapitapultas (2012), Donna Conlon and Jonathan Harker comment on mass consumerism and pollution by way of a game they invented...
This painting is the direct result of the artist’s research into her roots...
In 2015, while in residence at the Jatiwangi Art Factory (JaF) located in the village of Jatisura in Jatiwangi, West Java, Indonesia, Togar initiated the Jatiwangi Cup in which the artist, together with communities in the area, established an annual bodybuilding contest...
Replying to DRASH’s invitation to take part in a DVD edition including various interviews of curators – broadcasted during the exhibition “Curating Degree Zero Archive” (June 16 – July 8, 2007 – Point Ephémère, Paris), Le Bureau / proposes the film of the exhibition 1972 , which will be shot at the Kadist Art Foundation in Paris...
Explain Me with Andy Adams of FlakPhoto: From Idyllic Photos to The Surveillance State About AFC Board AFC Editions Donate Art F City Explain Me with Andy Adams of FlakPhoto: From Idyllic Photos to The Surveillance State by Paddy Johnson and William Powhida on November 2, 2020 Explain Me + Podcast Tweet Image by Andy Adams...
Year of the Dragon 2024: it’s not just Chinese who revere the mythical beasts – 4 other cultures that celebrate them | South China Morning Post Advertisement Advertisement Chinese culture + FOLLOW Get more with my NEWS A personalised news feed of stories that matter to you Learn more Detail from the Yellow Dragon robe worn by emperors of China’s Qing dynasty...