46.7 x 31.5 cm
In 2007 Lubaina Himid began a series of works she later called Negative Positives: The Guardian Archive (2007-2017). What started out as a one-year project, in the year celebrating the bicentenary of the abolition of slavery in the UK, continued for a decade. Taking a page or a spread of The Guardian (the most liberal newspaper in the UK and her newspaper of choice), Himid sought to expose the unconscious bias manifested in a paper that prides itself on its non-discriminatory policies. In these excerpts, Himid paints over certain elements of the page and on occasion adds words in order to draw attention to racialized content. What Himid’s project highlights is that through unconscious, or sometimes conscious, juxtapositions the newspaper contributes not only to racial stereotyping by association, but shows a stark lack of awareness to the possibilities of such issues. In fact, one of the reasons why Himid has continued the series for a decade is that in the first year she only found one image of a black person in The Guardian. Himid’s work critically engages with the newspaper’s seemingly ‘harmless’ editorializations, exposing their blindness to the potential layers of visual meaning. In the work depicting Venus Williams, Himid paints over the bottom third of the page with a pattern redolent of African designs. The headline, implying the tennis player as difficult or perverse, is coupled with a photograph portraying her as a wild woman. Around the outside of the sheet Himid paints tennis balls on a green ground, suggesting perhaps the green sward of Wimbledon, the last surviving lawn tennis grand slam tournament. The golden sheen of these painted globes perhaps restores the “luster” to the internationally renowned athlete that the Guardian states she lacks.
Lubaina Himid came to prominence in the early 1980s shortly after leaving art school. She was one of the first artists to be involved in the Black Arts movement in the UK and continues to create activist art that engages with issues of Black identity in a multicultural society whose institutions continue to display conscious and unconscious forms of discrimination. Trained in theater design and cultural history she brings her knowledge of theater and theatricality to her paintings, which narrate stories about marginalized and silenced histories. Humid asserts that her work is intended to valorize the historical and current contributions Black people have made in European society and culture.
Sofía Córdova’s film dawn_chorusiii: the fruit they don’t have here / coro_del_albaiii: la fruta que no tienen aquí weaves together six California migration stories that resist dominant social narratives that flatten the experience of migrants...
5901 NW 2nd Ave., Miami, FL 33127 (Botanica) is a series of paintings that artist Eddie Arroyo created over an extended period of time, depicting the same site as it appeared from 2016 to 2018...
Weekly Picks: Indonesia (22 - 28 April 2019) | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia Weekly To Do April 22, 2019 Top Picks of Indonesia art events in Solo, Bandung, and Jakarta from 22-28 April 2019 One way to spread values in life is through the media of films...
Golia’s Untitled 3 is an installation in which a mechanical device is programmed to shoot clay pigeons that are thrown up in front of a white wall...
For The Reverse Sessions , the artist reversed the order in which instruments are usually created, taking the sounds of a collection of ethnic musical instruments from The Dahlem Museum as the starting point...
Plane is an inflatable sculpture in the shape of an aeroplane made from numerous pieces of plastic bags assembled by an iron...
Chris Cyrille — Récitatif — L’ahah Griset — Performance — Slash Paris Connexion Newsletter Twitter Facebook Chris Cyrille — Récitatif — L’ahah Griset — Performance — Slash Paris Français English Accueil Événements Artistes Lieux Magazine Vidéos Retour Précédent Suivant Chris Cyrille — Récitatif Performance Performance, poésie À venir Portrait de Chris Cyrille Chris Cyrille Récitatif Dans environ un mois : Vendredi 22 mars 2024 à 19:00 Chris Cyrille Lecture performée de “Récitatif” Le 22.03.24 à 19h L’ahah #Griset 4 cité Griset, 75011 Paris Les tableaux de Bernard Gaube sont hantés par la question de l’oralité...
Kim Tschang-Yeul — Disparitions — Galerie Almine Rech, Matignon — Exposition — Slash Paris Connexion Newsletter Twitter Facebook Kim Tschang-Yeul — Disparitions — Galerie Almine Rech, Matignon — Exposition — Slash Paris Français English Accueil Événements Artistes Lieux Magazine Vidéos Retour Kim Tschang-Yeul — Disparitions Exposition Peinture Vue de l’exposition Kim Tschang-Yeul, Disparitions à la galerie Almine Rech, Paris Courtesy of the artist & Galerie Almine Rech, Paris Kim Tschang-Yeul Disparitions Encore 11 jours : 18 novembre → 22 décembre 2023 C’est à la lumière du crépuscule, en aspergeant d’eau l’une de ses toiles, que la goutte s’est révélée à Kim Tschang-Yeul, alors âgé de 42 ans...
Nugroho’s installations and performances have their roots in the shadow puppet rituals in Indonesia, particularly the Javanese Wayang tradition whose essence is in the representation of the shadows...
Collectors Buy the Aura: Syd Krochmalny’s works at The Opening Gallery advertise donate post your art opening recent articles cities contact about article index podcast main December 2023 "The Best Art In The World" "The Best Art In The World" December 2023 Collectors Buy the Aura: Syd Krochmalny’s works at The Opening Gallery Syd Krochmalny, I Speak the Languages of the Stones, 2017...
L’effeuillage des effacements (The Stripping of Erasures) 2016, presents a piles of posters gathered in decreasing chronological order from 2015 to 2400 B...