Swimming in Rivers of Glue

2016 - Film & Video (Film & Video)

9 min 57 sec

Julieta Aranda

location: Mexico City, Mexico
year born: 1975
gender: female
nationality: Mexican
home town: Mexico City, Mexico

The video Swimming in rivers of Glue is composed of various images of nature, exploring the themes of exploration of space and its colonization. The images show the diversity of forms of life on earth. These forms are associated with texts that relay a form of propaganda. Interviews are conducted, and often refer to the most urgent issues concerning humanity. The interviews are the revealers of fear and anxiety that contaminate the entire film. The video has the effectiveness of a propaganda film while opening us to irrational and poetic images, as can still be the theme of the conquest of space. Like all Aranda’s works, the purpose of this video is related to our experience of space that has been diverted to be thought of as a means of subjugation and control.


Julieta Aranda is a contemporary artist whose explorations traverse installation, video, and print media. Aranda has a special interest in the creation and manipulation of artistic exchange and the subversion of traditional notions of commerce through art making. She is currently based in Berlin and New York City. She holds a degree from Columbia University and is the Editor of e-Flux. For many years, Aranda has been interested in design and architecture. She observes the ways through which planning of public space; architecture and design are often thought of and employed as a way to control the body. These city-planning devices establish physical frontiers that respond to the fences of information and knowledge in our age of hyper-connectivity. These themes have lead the artist to take an interest in the notions of time, circulation and imagination by examining social interactions and the role that the circulation of objects plays in the cycle of production and consumption. She seeks, by highlighting its arbitrary dimension, alternatives to the experience of time.


Colors:



Related works sharing similar palette

Evenings of water and dense forest
© » KADIST

Noara Quintana

2019

The series Belle Époque of the Tropics by Noara Quintana has as its background the history of the rubber industrialization in North of Brazil...

Stowe
© » KADIST

James Welling

2006

Welling employs simple materials like crumpled aluminum foil, wrinkled fabric and pastry dough and directly exposes them as photograms, playing with the image in the process of revealing it...

FIELD MEETING Take 4: Thinking Practice
© » ACAW

FIELD MEETING Take 4: Thinking Practice | Ibraaz Contemporary Visual Culture in North Africa and the Middle East Home Platform Essays Interviews Projects Channel Reviews Publications News About Sign up Quick search Go Author Keyword Search archive Title Platform 010: Where to Now? Shifting Regional Dynamics and Cultural Production in North Africa and the Middle East 009: What are the genealogies of performance art in North Africa and the Middle East? 008: How do we productively map the historical and contemporary relationships that exist between North Africa, the Middle East and the Global South? 007: What is the future of arts infrastructures and audiences across North Africa and the Middle East? 006: What role can the archive play in developing and sustaining a critical and culturally located art history? 005: How has a globalised cultural economy affected the production of contemporary visual culture in North Africa and the Middle East? 004: With the benefit of hindsight, what role does new media play in artistic practices, activism, and as an agent for social change in the Middle East and North Africa today? 003: Can Artistic Practices Negotiate the Demands of Cultural Institutions, Public Space, and Civil Society? 002: What relationship does visual culture have to the world we live in? 001: What do we need to know about the MENA region today? Published between and Publications FIELD MEETING Take 4: Thinking Practice Online Programme 010_05 / 28 October 2016 Tags Curatorial Practice Conference Chapters in this series Introduction Curatorial Narrative Speaker Biographies + Synopses Programme / Schedule Closing Remarks Responses Video documentation Day 1 Video documentation Day 2 Most Viewed The Global South Conflicting Narratives and the Invention of Geographies Fernando Resende Global Art Forum 8 1972-1982 Spaceship Sheraton and the Making of Doha's Masterplans Ibraaz The North of the South and the West of the East A Provocation to the Question Walter D...

Extrastellar Evaluations III: Entropy: 25800
© » KADIST

Yin-Ju Chen

2018

Extrastellar Evaluations is a multimedia installation produced during Yin-Ju Chen’s residency at Kadist San Francisco in the spring of 2016...

The New Breed Of Art Collector Who Is Happy To Spend Millions Online - via Forbes
© » LARRY'S LIST

The record price paid online for a painting has increased tenfold this year, and with a series of eye-catching art fairs and auctions over the next couple of months, it could be broken yet again....

Artsy Insider: How the Next Generation of Collectors Is Buying Art - via Artsy
© » LARRY'S LIST

This week, Artsy Insider shares key insights from “Art Collecting 2021: An Artsy Report.”...

Mandacura
© » KADIST

biarritzzz

2015

biarritzzz is interested in how the development of the internet, and experimentation in the virtual world happens simultaneously with the experimentation in the material world of the human species; and how these developments reflect the precariousness of life within neoliberalism...

Bringing you the best of Berlin Fashion Week AW24
© » DAZED DIGITAL

Bringing you the best of Berlin Fashion Week AW24 Womenswear | Dazed ⬅️ Left Arrow *️⃣ Asterisk ⭐ Star Option Sliders ✉️ Mail Exit Fashion Feature From Sia Arnika and SF 1 OG, to Shayne Oliver’s Anonymous Club, here’s everything that went down at the German city’s fashion fair 10 February 2024 Text Elliot Hoste Berlin Fashion Week AW24 35 It might have been founded 17 years ago, but Berlin Fashion Week is a relative newborn in comparison to its Big Four siblings...

Hank Willis Thomas: Evidence of Things Not Seen
© » KADIST

Exhibition dates: February 24 – April 9 Opening: February 24, 6-9pm Hours: Weds – Sat, 2-7pm or by appointment Borrowing its title from James Baldwin’s 1985 essay on the Atlanta Child Murders of 1979-81, Evidence of Things Not Seen , this solo exhibition amplifies notions of presence and absence, sound and silence, and visibility and invisibility in the work of Hank Willis Thomas ...

Prophecies for the Second Machine Age
© » KADIST

Prophecies for the Second Machine Age An Online Video Exhibition curated by Erika Balsom...

The Otherworldly Dresses of Seiran Tsuno
© » HIGH FRUCTOSE

Seiran Tsuno's ghostly dresses rest above the bearer and recontextualize the human body...

Cloth as Land at JMKAC Presents Textiles as a Wellspring of Hmong Indigeneity
© » HYPERALLERGIC

“Cloth as Land” at JMKAC Presents Textiles as a Wellspring of Hmong Indigeneity Skip to content Ger Xiong/Ntxawg Xyooj, “I sat closely and watched it crumble and unraveled and crumbled and unraveled and...” (2023), Coca-Cola can and embroidery thread (image courtesy the artist) HMong* indigeneity is complicated by centuries of political conflicts, displacement, erasure, and disorientation in HMong homelands of China and Southeast Asia...

Artists Participating in the Whitney Biennial 2024: Even Better Than the Real Thing, NYC
© » ARTEFUSE

Artists Participating in the Whitney Biennial 2024: Even Better Than the Real Thing, NYC - ArteFuse Seventy-one visionary artists and collectives will participate in the eighty-first installment of the Whitney Biennial, opening March 20, 2024...

10 / Febrero / 2019
© » KADIST

Teresa Burga

2019

In her new series titled Ninas Peruanas Cusquenas , Teresa Burga depicts young indigenous women from Peru’s Andean region, dressed in traditional garments...

Walking Alongside “BITTEN: return to our roots”
© » ARTS EQUATOR

Walking Alongside “BITTEN: return to our roots” | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia Articles Asrari Nasir of Paradise Pictures December 19, 2018 By Teo Xiao Ting (1,420 words, seven-minute read) Taking a right turn towards Camp Kilo Charcoal Lounge (formerly Sam Tat Building) at Kampong Bugis, I spot a crew member sweeping the rainwater from the late afternoon downpour clear from the path that I will later walk on...

Collina Strada is over fragile femininity
© » DAZED DIGITAL

Collina Strada AW24 | Dazed ⬅️ Left Arrow *️⃣ Asterisk ⭐ Star Option Sliders ✉️ Mail Exit 01 33...

“Peter and the Starcatcher”: An Invitation to Suspend Disbelief
© » ARTS EQUATOR

“Peter and the Starcatcher”: An Invitation to Suspend Disbelief Thinking and Talking about Arts and Culture in Southeast Asia Articles October 22, 2018 By Casidhe Ng (1,100 words, six-minute read) The final show of Pangdemonium’s 2018 season, Peter and the Starcatcher is this year’s equivalent of Fun Home or RENT , an exuberant and expensive production intent on ending their year with a bang...

Growing up Everywhere and Nowhere in “Peter and the Starcatcher”
© » ARTS EQUATOR

Growing up Everywhere and Nowhere in “Peter and the Starcatcher” | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia Articles Bernie Ng October 22, 2018 By Teo Xiao Ting (1,300 words, seven-minute read) What does it mean to be a child? Specifically, what does it mean to be growing up, to be young, in this milieu? While set in the sepia of 1885, Peter and the Starcatcher by Pangdemonium asks questions that still resonate now, opening up to an extended session of make-believe to present the origin story of a Boy who detests all “grown-ups.” The story comes dusted in “starstuff,” a coveted substance that literally came from the stars, and has the magic to grant wishes...

Prey Veng (Bomb Ponds series)
© » KADIST

Vandy Rattana

2009

Vandy Rattana’s Bomb Ponds series was made following a transformative encounter with the craters left over from 2,756,941 tons of bombs dropped by U...