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theme: space.n.03



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© » KADIST

Nina Könnemann

Film & Video (Film & Video)

For many years, Nina Könnemann has placed a camera before a billboard situated in the suburb Neukoln in Berlin. The silent film that exposes the both banal and paradoxical passages of time and space of the passers by highlights the transformation of public space. The surface of exhibition—the billboard—becomes a wall behind which the fascination of the artwork concentrates.

XXX…I walk along carefully, very carefully, as if I were on ice that might crack at any moment.
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Jiri Kovanda

Photography (Photography)

Kovanda’s ‘discreet’ actions (leaving a discussion in a rush, bumping into passers-by in the street, making a pile of rubbish and scattering it, looking at the sun until tears come…) are always documented according to the same format: a piece of A4 paper, a concise typewritten text, and sometimes a photograph taken by someone else. This action, walking abnormally slowly, questions the place of the individual within the space of a city with regards to social habits. Kovanda places himself slightly outside the regulated rhythm of the city walking.

City Golf
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Gao Mingyan

Film & Video (Film & Video)

In City Golf (2008) the artist Gao Mingyan films himself playing 18 “holes” of golf throughout the mega-city of Shanghai. For each hole, Gao traveled to significant places from his memory – his first school, his childhood playground, and his former date hangouts – and proceeded to play a makeshift round of golf at each location. In revisiting locales from his youth, Gao attempts to forge a linear connection between all the important places that comprise a life’s experience, his performative “passing” through each location poetically referencing his own passage through time.

Les formes du repos #3
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Raphaël Zarka

Photography (Photography)

This photograph seems to be awaiting meaning, it more or less evokes known elements without really identifying with them completely: a motorway interchange, a bridge, an electric pylon… In fact this is the end of the tracks of the Aérotrain, a wheelless monorail invented by Jean Bertin in the 1970s, which acts like ‘a fossil of movement on landscape scale’, as explained by the artist. This fragmentary place is meant to activate physical movement. It also activates the spectator’s imagination.

Perspective
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Anna Molska

Film & Video (Film & Video)

Perspective was filmed during a residence in northern Poland. The film is preceded by a series of photographs made ? ?in her studio.

Eridanus
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David Horvitz

Installation (Installation)

The title of the work Eridanus refers to the constellation of the river of ancient Athens that meanders across in the night sky. The constellation is visible uniquely from the Southern Hemisphere. The artist evokes a story from the past, where with the installation of modern street lamps, has resulted in the residents of Paris being disturbed by the difficulty of seeing the stars in the sky as a result of light pollution.

Our love is like the Flowers, the Rain, the Sea and the Hours
© » KADIST

Martin Boyce

Installation (Installation)

In the installation Our Love is like the Flowers, the Rain, the Sea and the Hours, Martin Boyce uses common elements from public gardens – trees, benches, trashbins– in a game which describes at once a social space and an abstract dream space. The trees, unique sources of light in the exhibition space, produce their own environment. These sculptures, as if extracted from a set, are enough to suggest an atmosphere, a landscape, or a movie.

After the Archive Collections Room
© » KADIST

Andrew Grassie

Painting (Painting)

In 2008, Grassie was invited by the Whitechapel Gallery to document the transformation of some of its spaces. The artist chose to depict the space before and after, thus creating the series titled “After the Archive Collections Room.” This group of paintings displays a space locked into time with its scaffolding and broom exposed, depicted just before an exhibition on a collection of archives.

Walking Through
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Koki Tanaka

Film & Video (Film & Video)

Walking Through is one of a series of videos—sometimes humorous, often absurd—that record the artist’s performative interactions with objects in a particular site. Here, Tanaka has spread out various objects he collected throughout the city of Guangzhou. By fiddling with a window frame, water buckets, plastic bags, cardboard, soda bottles, and many other things, Tanaka creates fragile, temporary sculptures.

Espectacular cortina
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Pia Camil

Sculpture (Sculpture)

Camil has made numerous paintings and photographs of halted projects along Mexico’s highways (she calls them “highway follies”), and of abandoned billboards that look like theater curtains dramatizing failed capitalist strategies. (Espectacular, the colloquial Spanish term for “billboard,” also translates more literally as “spectacle,” and of course recalls Guy Debord’s famous 1967 book The Society of the Spectacle .) In Mexico, the urban landscape has been taken over by billboards; they are totally integrated into the landscape.

Swimming in Rivers of Glue
© » KADIST

Julieta Aranda

Film & Video (Film & Video)

The video Swimming in rivers of Glue is composed of various images of nature, exploring the themes of exploration of space and its colonization. The images show the diversity of forms of life on earth. These forms are associated with texts that relay a form of propaganda.

Jiri Kovanda

Pia Camil

Koki Tanaka

Martin Boyce

Julieta Aranda

Gao Mingyan

Gao Mingyan produces video based-works that examine the political and epistemological violence of our contemporary moment...

Anna Molska

Anna Molska uses video performance to explore the effect of artistic culture on the production of art...

David Horvitz

Although the practice plays a central role in the work of David Horvitz, his work is at the opposite of fine art objects...

Andrew Grassie

© » KADIST

about 128 months ago (10/09/2013)

© » KADIST

about 140 months ago (10/31/2012)