Epiphany…learnt through hardship
2012 - Installation (Installation)
Figure: 20.00 x 20.00 x 20.00 cm, Cube: 100.00 x 40.00 x 40.00 cm
Ryan Gander
Epiphany…learnt through hardship is composed of a bronze sculpture depicting the model of the little dancer of Degas, in the pose of a female nude photographed by Edward Weston (Nude, 1936) accompanied by a blue cube. The work refers to the positive occupations of space and the absence of form and structure, to the relationship between the visible and the invisible, to memory, and to the relationship we have to images and to our history. The work refers to childhood, biography and learning to question how meaning is made and how history is remembered and performed. The installation of the piece on the floor of the exhibition space rouses a physical sense of being-in-space to which we are often unconscious; we move into the earth as we approach the work.
Ryan Gander’s practice explores what-ifs, questioning the structural limits and rules of society and being. His work, which ranges from installations, sculptures and photographs, to performative lectures, publications, inventions and intervention, looks at the production of art and culture, to enquire into the processes through which art is perceived and valued. The spirit of his practice centers on development, education, and storytelling, hoping to evoke immediate and honest engagements by the viewer with his narratives. Gander is a collector. His studio is filled with found images, personal images, printed documents and newspaper clippings.
Colors:
Related works sharing similar palette
© » ART & OBJECT
The Top Selling Art at Auction in 2023 | Art & Object Skip to main content Subscribe to our free e-letter! Webform Your Email Address Role Art Collector/Enthusiast Artist Art World Professional Academic Country USA Afghanistan Albania Algeria American Samoa Andorra Angola Anguilla Antarctica Antigua & Barbuda Argentina Armenia Aruba Ascension Island Australia Austria Azerbaijan Bahamas Bahrain Bangladesh Barbados Belarus Belgium Belize Benin Bermuda Bhutan Bolivia Bosnia & Herzegovina Botswana Bouvet Island Brazil British Indian Ocean Territory British Virgin Islands Brunei Bulgaria Burkina Faso Burundi Cambodia Cameroon Canada Canary Islands Cape Verde Caribbean Netherlands Cayman Islands Central African Republic Ceuta & Melilla Chad Chile China Christmas Island Clipperton Island Cocos (Keeling) Islands Colombia Comoros Congo - Brazzaville Congo - Kinshasa Cook Islands Costa Rica Croatia Cuba Curaçao Cyprus Czechia Côte d’Ivoire Denmark Diego Garcia Djibouti Dominica Dominican Republic Ecuador Egypt El Salvador Equatorial Guinea Eritrea Estonia Eswatini Ethiopia Falkland Islands Faroe Islands Fiji Finland France French Guiana French Polynesia French Southern Territories Gabon Gambia Georgia Germany Ghana Gibraltar Greece Greenland Grenada Guadeloupe Guam Guatemala Guernsey Guinea Guinea-Bissau Guyana Haiti Heard & McDonald Islands Honduras Hong Kong SAR China Hungary Iceland India Indonesia Iran Iraq Ireland Isle of Man Israel Italy Jamaica Japan Jersey Jordan Kazakhstan Kenya Kiribati Kosovo Kuwait Kyrgyzstan Laos Latvia Lebanon Lesotho Liberia Libya Liechtenstein Lithuania Luxembourg Macao SAR China Madagascar Malawi Malaysia Maldives Mali Malta Marshall Islands Martinique Mauritania Mauritius Mayotte Mexico Micronesia Moldova Monaco Mongolia Montenegro Montserrat Morocco Mozambique Myanmar (Burma) Namibia Nauru Nepal Netherlands Netherlands Antilles New Caledonia New Zealand Nicaragua Niger Nigeria Niue Norfolk Island Northern Mariana Islands North Korea North Macedonia Norway Oman Outlying Oceania Pakistan Palau Palestinian Territories Panama Papua New Guinea Paraguay Peru Philippines Pitcairn Islands Poland Portugal Puerto Rico Qatar Romania Russia Rwanda Réunion Samoa San Marino Saudi Arabia Senegal Serbia Seychelles Sierra Leone Singapore Sint Maarten Slovakia Slovenia Solomon Islands Somalia South Africa South Georgia & South Sandwich Islands South Korea South Sudan Spain Sri Lanka St...
© » KADIST
Sofia Crespo
2023This short looped-video NFT Invertebrate Interactions by Sofia Crespo aims to capture generated impressions of diatoms...
© » ARTS EQUATOR
Monsters' Ink: A Fiend’s Diary & Heather | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia Articles Tuckys Photography December 2, 2019 By Nabilah Said (1,500 words, 7-minute read) Spoiler Alert: The following contains major spoilers for the shows A Fiend’s Diary and Heather...
© » LONDONIST
Vintage London Palladium Programmes | Londonist In Pictures: Vintage London Palladium Programmes By Robert Opie Robert Opie In Pictures: Vintage London Palladium Programmes Robert Opie, collector and author of numerous works on British nostalgia and ephemera — and founder of London's Museum of Brands — has shared his collection of vintage programmes from the London Palladium with us...
© » KADIST
Nora Schultz
2013Halfway between a painting and an installation City Sound of Rug gathers found images, synthetic foam, painted metal plates, and prints placed on the floor...
© » ARTS EQUATOR
Weekly Picks: Malaysia (26 Nov – 2 Dec 2018) | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia Weekly To Do November 26, 2018 Symposium – How Easily Modernism Could Be Disturbed , at ILHAM Gallery, 1 Dec, 10am–6:30pm A symposium in conjunction with the Latiff Mohidin: Pago Pago (1960–1969) exhibition in the gallery...
© » KADIST
Frida Orupabo
2018The archival images used by Frida Orupabo in her collages trace stereotyped representations of race, gender, sexuality and violence...
© » KADIST
Bontaro Dokuyama
2015In Over There, Bontaro Dokuyama conducted a series of workshops with various people who had been forced to relocate in temporary housing after the Fukushima accident...
© » HYPERALLERGIC
Cityscapes, Landscapes, and Figure Paintings by Mitchell Johnson on View in Menlo Park Skip to content Mitchell Johnson, “Brooklyn Bridge (Martha)” (2023), oil on canvas, 24 x 36 inches Flea Street restaurant in Menlo Park, California, presents an exhibition of paintings by Bay Area artist Mitchell Johnson ...
© » KADIST
Sable Elyse Smith
2020Sable Elyse Smith’s Pivot III resembles playground equipment uselessly reconfigured...
© » KADIST
Joanna Piotrowska
2015This selection of photographs taken between 2014 and 2019 focus on Piotrowska’s long-term preoccupation with issues of domesticity and containment...
