Entre chien et loup
2015 - Installation (Installation)
170 x 150 cm
Gaëlle Choisne
Entre Chien et Loup is an installation incorporating a variety of media: rubber, discs, feathers and confetti that the artist weaves, sews and glues together. Influenced by Mike Kelley’s Memory Ware series, the artist creates an object-memory from found materials. The found objects used recall the artist’s mother – it is somehow her portrait, her cape-. Choisne’s mother was born in Haiti and migrated to France with her husband. She landed in Cherbourg, Brittany where she became “the foreigner” by her country of origin and her skin color. The work too is a tribute to the artist Sun Ra, his costumes and the Afrofuturism movement of which he is an emblematic figure. In this work, Choisne presents her mother as a figure of Afrofuturism. The expression Entre Chien et Loup refers to the moment when in dim light, one can no longer distinguish between a dog and a wolf. Here, in references to the figures that populate the installation -the artist’s mother and Sun Ra- they become indistinguishable.
Gaelle Choisne’s artistic practice is an address to the world’s disorder. Without any pessimism or catastrophism, it mirrors the complexity of contemporary times trough multiple medias and burgeoning installations. Sculptures, images and referential systems are imbricatedhere and merge in opulent environments, inhabited by the gestures of the artist. Between occult fables and objective sciences, from the Caribbean to European literary traditions, she navigates through imaginaries as composite as the techniques which give them shape: casting, firing, printout, suspension, collage, torsion, extraction. The artist’sinterest in the work process is often left apparent in installations-sculptures-images whose fringes are always experimental. As if, lost in apermanent gestation, her work could not obtain a permanent status in regard to its arrangement, form and reproducibility. Thus, itspertinence is to be found in this discontinuous transformation, this systematic reversing of media, techniques and surfaces. This practice of becoming, in which meaning can arise only through perpetual movement, operates through palpation and seems always agitated,marked by an organic energy. One could say that the hand, which always fiddles, displaces and modifies plays a kind of drag, a falselynaïve craftsmanship. (Text by Thomas Conchou)
Colors:
Related works sharing similar palette
© » KQED
How the Remixed American ‘Cowboy’ Became the Breakout Star of 2023 | KQED Skip to Nav Skip to Main Skip to Footer NPR How the Remixed American ‘Cowboy’ Became the Breakout Star of 2023 Brittany Luse Dec 13 Save Article Save Article Failed to save article Please try again Facebook Share-FB Twitter Share-Twitter Email Share-Email Copy Link Copy Link Beyoncé donned a cowboy hat for the limited edition cover of ‘Renaissance.’ (Parkwood Entertainment/ Columbia Records) When it came to some of the most urgent and enduring pop culture of 2023, the cowboy was center stage...
© » KADIST
Du Zhenjun
2010The Tower of Babel is an installation of large-format photographs that forces the audience to occupy a central position through its monumental scale...
© » ARTS EQUATOR
Ombak Potehi’s "Kisah Pulau Pinang: The Penang Story": A Slice of Malayan History | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia Articles John K August 30, 2018 By Akanksha Raja (620 words, four-minute read) Ombak Potehi is Ombak Ombak Art Studio’s glove puppet theatre group established in 2015, consisting of young people – all under 30 – producing and performing puppet theatre, having been trained by experts from Penang’s Beng Geok Hong Puppet Troupe...
© » ART & OBJECT
The Louvre Raises Funds to Keep Chardin Painting in France | Art & Object Skip to main content Subscribe to our free e-letter! Webform Your Email Address Role Art Collector/Enthusiast Artist Art World Professional Academic Country USA Afghanistan Albania Algeria American Samoa Andorra Angola Anguilla Antarctica Antigua & Barbuda Argentina Armenia Aruba Ascension Island Australia Austria Azerbaijan Bahamas Bahrain Bangladesh Barbados Belarus Belgium Belize Benin Bermuda Bhutan Bolivia Bosnia & Herzegovina Botswana Bouvet Island Brazil British Indian Ocean Territory British Virgin Islands Brunei Bulgaria Burkina Faso Burundi Cambodia Cameroon Canada Canary Islands Cape Verde Caribbean Netherlands Cayman Islands Central African Republic Ceuta & Melilla Chad Chile China Christmas Island Clipperton Island Cocos (Keeling) Islands Colombia Comoros Congo - Brazzaville Congo - Kinshasa Cook Islands Costa Rica Croatia Cuba Curaçao Cyprus Czechia Côte d’Ivoire Denmark Diego Garcia Djibouti Dominica Dominican Republic Ecuador Egypt El Salvador Equatorial Guinea Eritrea Estonia Eswatini Ethiopia Falkland Islands Faroe Islands Fiji Finland France French Guiana French Polynesia French Southern Territories Gabon Gambia Georgia Germany Ghana Gibraltar Greece Greenland Grenada Guadeloupe Guam Guatemala Guernsey Guinea Guinea-Bissau Guyana Haiti Heard & McDonald Islands Honduras Hong Kong SAR China Hungary Iceland India Indonesia Iran Iraq Ireland Isle of Man Israel Italy Jamaica Japan Jersey Jordan Kazakhstan Kenya Kiribati Kosovo Kuwait Kyrgyzstan Laos Latvia Lebanon Lesotho Liberia Libya Liechtenstein Lithuania Luxembourg Macao SAR China Madagascar Malawi Malaysia Maldives Mali Malta Marshall Islands Martinique Mauritania Mauritius Mayotte Mexico Micronesia Moldova Monaco Mongolia Montenegro Montserrat Morocco Mozambique Myanmar (Burma) Namibia Nauru Nepal Netherlands Netherlands Antilles New Caledonia New Zealand Nicaragua Niger Nigeria Niue Norfolk Island Northern Mariana Islands North Korea North Macedonia Norway Oman Outlying Oceania Pakistan Palau Palestinian Territories Panama Papua New Guinea Paraguay Peru Philippines Pitcairn Islands Poland Portugal Puerto Rico Qatar Romania Russia Rwanda Réunion Samoa San Marino Saudi Arabia Senegal Serbia Seychelles Sierra Leone Singapore Sint Maarten Slovakia Slovenia Solomon Islands Somalia South Africa South Georgia & South Sandwich Islands South Korea South Sudan Spain Sri Lanka St...
© » KADIST
Prabhakar Pachpute
2017Prabhakar Pachpute was born in 1986 and raised in Chandrapur (Maharashtra), India, a place known as ‘The City of Black Gold’, where his family has worked for three generations in one of the oldest mines in the country...
© » HIGH FRUCTOSE
Brian Tolle's startling sculptures are said to be a dialogue between "history and context." His ability to manipulate what appear to be the most stubborn of structures is more than just a clever use of materials such as styrofoam and urethane (as is th case in the top piece, "Eureka.") Tolle forces us to consider our own relationship with the materials around us....
© » KADIST
Shimabuku
2006For the two-channel work Asking the Repentistas – Peneira & Sonhador – to remix my octopus works Shimabuku asked two Brazilian street singers to compose a ballad about his previous works with octopi (in which he created traditional Japanese ceramic vessels to catch octopi, with a fisherman who took him on his boat to test them out as we can see on one of the channel)...
© » ARTS EQUATOR
Plastic Kingdom: art exhibition questions Cambodia’s rampant waste problem (via SEA Globe) | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia Articles November 28, 2018 An new art exhibition in Phnom Penh featuring works by Cambodian and foreign artists will raise questions about plastic use and recycling, through woodcarvings, illustrations and even a motorbike...
© » KADIST
Anthony Discenza
2010A Viewing (The Effect) by Anthony Discenza is a continuous voiceover loop intended for presentation in a dedicated, light-and-acoustically controlled space...
© » KADIST
Sara Eliassen
2014Sara Eliassen’s video work A Blank Slate (2014) employs cinematic effect to investigate the relationships between subjectivity, gaze, and memory...