4:43 minutes
David is a five-minute pseudo music video that features an upbeat melodic soundtrack with a duet by the artist Guan Xiao and frequent collaborator (and KADIST collection) artist Yu Honglei. Three screens display a collection of home videos filmed and uploaded by tourists at the Galleria dell’Accademia in Florence capturing Michelangelo’s eponymous masterpiece. The mass popularity and commodification of this artwork is further exaggerated with the numerous forms that we encounter and consume the image or likeness of the sculpture in our daily lives. The artist and Yu cheekily sing about the empty obsession toward this work and how its ubiquitous presence has rendered its true value and significance meaningless and neutral. Guan’s satirical statement on this particular Renaissance icon is twofold. It is a testament to how the influence of the consumption of images has propagated a cycle of overproduced “useless” (poor quality) material and neutralized the spectator’s ability to marvel at the extraordinary. This indifference especially resonates in today’s social media culture where a “like” is but a fleeting and empty sentiment. In addition, Guan’s choice of subject intentionally references what is dominantly considered to be a work of art in its most perfected form. This speaks to the artist’s frustration towards classification—which circles back to her interest in altering perception—and being categorized according to a Western standard.
Guan Xiao is known for her videos composed primarily of found images and videos and her sculptures that explore the logic by which things relate to one another. Her practice addresses ideas of permanence, transformations, and perception Since the beginning of her practice, she began collecting material from various sources including YouTube, DVDs, home video libraries and other footage archives in addition to producing her own original content. Her sculptures often reference forms of the old—mimicking relic-like characteristics and totemic shapes—juxtaposed within a contemporary configuration. For example, The Documentary: Geocentric Puncture (2012) positioned fake artifacts against professional photography studio sets. In a similar way with her videos, Guan initiates a rereading of existing material by presenting a new visual language that is stripped of context and resists pre-conceived associations. Conceding equal importance to objects, people and phenomena, Guan Xiao’s videos often explore how our experience of browsing the Internet shapes our vision of the world and our own – always in transformation – identities.
Royal College of Art announces Pokémon Scholars for 2023 - FAD Magazine Skip to content By Mark Westall • 11 December 2023 Share — Royal College of Art announces Pokémon Scholars for 2023- The Royal College of Art (RCA) and Pokémon with You Foundation today announced the winners of the sixth Pokémon Scholarship : MA Sculpture student Betty C Fan and MA/MSc Innovation Design Engineering student Lucie Legrandois...
Thomas’ lenticular text-based works require viewers to shift positions as they view them in order to fully absorb their content...
Porter notre part de la nuit — MAC VAL Musée d'art contemporain du Val-de-Marne — Exposition — Slash Paris Connexion Newsletter Twitter Facebook Porter notre part de la nuit — MAC VAL Musée d'art contemporain du Val-de-Marne — Exposition — Slash Paris Français English Accueil Événements Artistes Lieux Magazine Vidéos Retour Précédent Suivant Porter notre part de la nuit Exposition Techniques mixtes Thu-Van Tran, Novel Without a Title #2, série Novel Without a Title , 2019 Bronze, patine chimique et rehauts colorés — 20 × 167 × 20 cm Collection MAC VAL — Musée d’art contemporain du Val-de-Marne — Acquis avec la participation du FRAM Île-de-France...
Silenced Voices, Unacceptable Humor, Distasteful Desires: The Censorship of Gender and Sexuality in the Philippines | ArtsEquator Skip to content Katrina Stuart Santiago demonstrates how recent incidents of artistic censorship in the Philippines have focused on the silencing of female and LGBTQIA+ voices...
Proyecciones Espacio Odeón (Bogotá, Colombia) y Museo La Tertulia (Cali, Colombia) ¿Cómo enfrentamos la incertidumbre de estos tiempos? ¿Puede el juego, los sueños, o incluso las alucinaciones ayudarnos a imaginar otras posibles trayectorias? ¿Qué tipo de prácticas nos permiten relacionarnos con los territorios que habitamos? Tomando como punto de partida el potencial de lo inquietante en medio de una amenaza invisible, Sigo esperando es una serie de proyecciones en las fachadas del Espacio Odeón (Bogotá) y del Museo La Tertulia (Cali)...
Porter notre part de la nuit — MAC VAL Musée d'art contemporain du Val-de-Marne — Exhibition — Slash Paris Login Newsletter Twitter Facebook Porter notre part de la nuit — MAC VAL Musée d'art contemporain du Val-de-Marne — Exhibition — Slash Paris English Français Home Events Artists Venues Magazine Videos Back Previous Next Porter notre part de la nuit Exhibition Mixed media Thu-Van Tran, Novel Without a Title #2, série Novel Without a Title , 2019 Bronze, patine chimique et rehauts colorés — 20 × 167 × 20 cm Collection MAC VAL — Musée d’art contemporain du Val-de-Marne — Acquis avec la participation du FRAM Île-de-France...
For this floor based work, Gomes has taken two lengths of bamboo and tied them together using linen thread...