17:57 minutes
Clarissa Tossin’s film Ch’u Mayaa responds to Frank Lloyd Wright’s Hollyhock House (constructed 1919–21) in Los Angeles, an example of Mayan Revival architecture. By re-appropriating the structure as a temple and imbuing it with a dance performance based on movements and postures found in ancient pottery and murals, the choreography takes its influence from the house’s design and the body positions on ancient Maya ceramics and buildings. A pulse, breathing, and a pre-Columbian clay flute are among the sounds on the soundtrack. Tossin mimics how the Maya civilization might have used a temple or ceremonial structure by employing Hollyhock House as a stage. The home is re-signified as belonging to the Pre-Columbian Mesoamerican architecture lineage by the movement of a female dancer. The title, which translates as Maya Blue , refers to the ancient azure color seen on Mayan ceramics and paintings portraying dancers, which is widely renowned for its weather resistance and ability to withstand the passage of time.
Clarissa Tossin’s photographs, videos, and installations are active investigations into the workings of urban planning and labor politics. The artist draws poignant parallels among historical events, creating engaging narratives that are also often subversive. Many of her works are concerned with what could be called a topography of place. Focusing on the promises, legacies, and failings of modernity, globalism, and utopian idealism, much of her work concentrates on cultural and economic connections between the United States and Latin American countries. Tossin’s most recent artwork, Archaeology of the Present, investigates the link between Indigenous civilizations and current Los Angeles via the lenses of gender and appropriation.
Van Gogh’s 'Starry Night over the Rhône' will return for the first time to the city where it was painted Art market Museums & heritage Exhibitions Books Podcasts Columns Technology Adventures with Van Gogh Search Search Adventures with Van Gogh blog Van Gogh’s 'Starry Night over the Rhône' will return for the first time to the city where it was painted But did Vincent really wear a hat fringed with candles when he was working? Martin Bailey 8 December 2023 Share Van Gogh’s Starry Night over the Rhone (September 1888) Credit: Musée d’Orsay, Paris Adventures with Van Gogh Adventures with Van Gogh is a weekly blog by Martin Bailey, our long-standing correspondent and expert on the artist...
In this two-channel video installation, Spaniards Named Her Magdalena, But Natives Called Her Yuma , Carolina Caycedo gathered footage during numerous research trips to dam sites in the Harz Mountains, Saxony, Westphalia and the Black Forest in Germany interspersed with images of the Rio Magdalena region in Colombia...
Shooshie Sulaiman’s pictures of unidentified figures initially appear alien and even monstrous: rendered hairless in unusual and even sickly colors, they stand in stark contrast to the aesthetic ideals of conventional portraiture...
Conceived as a large-scale mural-like projection, Color of History, Sweating Rocks is a neo-futuristic, hybrid film that combines cinematic language, collage, animation, and inventive forms to highlight the plight of the peoples of the Sahara—and refugees in general—who have been displaced by oil-mining....
The cruel paradox of cosmetic tweakments now being deemed ‘ageing’ | Dazed â¬…ï¸ Left Arrow *ï¸âƒ£ Asterisk â Star Option Sliders âœ‰ï¸ Mail Exit Beauty Beauty Feature You may be scared of ‘ageing like milk’, but turning to filler and Botox at a young age could now leave you dubbed with ‘stink face’ online 12 February 2024 Text Laura Pitcher Lately, just existing on social media will leave you feeling like there’s no correct way to age...
What to see at Indian Photo Festival 2023 - 1854 Photography Subscribe latest Agenda Bookshelf Projects Industry Insights magazine Explore ANY ANSWERS FINE ART IN THE STUDIO PARENTHOOD ART & ACTIVISM FOR THE RECORD LANDSCAPE PICTURE THIS CREATIVE BRIEF GENDER & SEXUALITY MIXED MEDIA POWER & EMPOWERMENT DOCUMENTARY HOME & BELONGING ON LOCATION PORTRAITURE DECADE OF CHANGE HUMANITY & TECHNOLOGY OPINION THEN & NOW Explore Stories latest agenda bookshelf projects theme in focus industry insights magazine ANY ANSWERS FINE ART IN THE STUDIO PARENTHOOD ART & ACTIVISM FOR THE RECORD LANDSCAPE PICTURE THIS CREATIVE BRIEF GENDER & SEXUALITY MIXED MEDIA POWER & EMPOWERMENT DOCUMENTARY HOME & BELONGING ON LOCATION PORTRAITURE DECADE OF CHANGE HUMANITY & TECHNOLOGY OPINION THEN & NOW Laurent Nilles, Guéré dancers, part of the Portrait of Humanity exhibition The country’s largest photography event returns to Hyderabad for its 9th edition...
Gwyneth Paltrow Owns a Fake Ruth Asawa, Gallery Confirms – ARTnews.com Skip to main content By Shanti Escalante-De Mattei Plus Icon Shanti Escalante-De Mattei View All February 3, 2022 11:41am Actress Gwyneth Paltrow zz/John Nacion/STAR MAX/IPx On Wednesday, an Architectural Digest story featuring a look inside actress Gwyneth Paltrow’s home went viral on social media because it included one unexpected object: what appeared to be a sculpture Ruth Asawa hanging not far from an Ed Ruscha painting...
Leticia Ramos’s film DROPSPIKE is the second of a five-part film project entitled STORIES OF THE END OF THE WORLD ...
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In Seven Deadly Sins (2006), Shen utilizes abstraction to produce complex topographies of color that evoke associations with violently tumultuous landscapes...
SEE WHAT SEE (Mar 2021): GENRE FICTION | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia ArtsEquator Viewpoints March 30, 2021 By Joel Tan Welcome back to See What See ! It’s our monthly round-up of interesting stuff by Singapore and regional makers that you can stream right here on the Internet...
Pipilotti Rist, Anj Smith and Guillermo Kuitca at Hauser & Wirth, NYC (Video) - ArteFuse PIPILOTTI RIST PRICKLING GOOSEBUMPS & A HUMMING HORIZON 9 NOVEMBER 2023 – 13 JANUARY 2024 NEW YORK, 22ND STREET ANJ SMITH DRIFTING HABITATIONS 9 NOVEMBER 2023 – 13 JANUARY 2024 NEW YORK, 22ND STREET GUILLERMO KUITCA PINTURA SIN MUROS 9 NOVEMBER 2023 – 13 JANUARY 2024 NEW YORK, 22ND STREET...
Contortions and Gentle Songs: SEA at Venice Biennale | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia Articles Olivia Kwok October 2, 2019 By Teo Xiao Ting (1,414 words, 6-minute read) A vivacious viscous zoo swirling with prestige and art, the Venice Biennale spins me exhausted after 45 days...