Changi, Singapore, possibly 1970s is from the series “As We Walked on Water” (2010-2012), which looks into Singapore’s history around the phenomenon of land reclamation. After exhausting the country’s own soil from its tiny hills and ridges, the government had to buy sand from Malaysia and Indonesia to continue its reclamation efforts. At the early stages of a land reclamation project, the imported sand would sit idle for some time, forming an artificial desert-like landscape. By fictionally representing these landscapes, Zhao’s image fluctuates between history and story making, echoing the equally undermined condition of the man-made nature of our landscapes as they gradually become part of the real environment.
Robert Zhao Renhui’s multimedia practice questions fact-based presentations of ecological conservation and reveals the manner in which documentary, journalistic, and scientific reports sensationalize nature in order to elicit viewer sympathy. Zhao portrays humans as figures curious about their natural environment, which is at times mysterious and unpredictable. Through observing human behavior in front of animals, Zhao’s critical lens examines various modes and preconceived notions of what he calls a “zoological gaze”—the manner through which humans view animals and nature. This perspective challenges the dualistic separation between the human and the non-human worlds. Under the name of a fictional institution, The Institute of Critical Zoologists (ICZ), Zhao’s work creates visual ambiguities that destabilize assumptions about the ways in which images present facts, represent reality, and disseminate truths. Zhao was in residency at KADIST San Francisco in 2014.
Book Review: "Writing the Modern: Selected Texts on Art & Art History in Singapore, Malaysia & Southeast Asia" | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia Articles September 12, 2018 By Carmen Nge (1300 words, five-minute read) In the vast firmament of Singaporean-Malaysian art history, no star illuminates as radiantly as T...
Mapa-Mundi BR (postal) is a set of wooden shelves holding postcards that depict locations in Brazil named for foreign countries and cities...
Telescopic Pole is an adjustable telescopic pole that extends vertically from floor to ceiling and is held up by its own internal pressure...
Kadar Brock creates dynamic abstract paintings that are born from a process of painting, scraping, priming, sanding, and painting again...
While most of Ashmina Ranjit’s work has been large-scale installations, often immersive and site-specific, the series Hair Warp – Travel Through Strand of Universe is a brilliant concentration of both her beliefs and aesthetic...
John Houck’s brown- , sienna- and golden-toned composition, Untitled #185, 65, 535 combinations of a 2×2 grid, 16 colors , features densely packed lines of color moving diagonally across the creased page...
Nathan Lewis has always made figurative and abstract drawings, which are related to anatomical textures and patterns he encountered when working as an ICU nurse...
Dealer Johann König opens second Berlin gallery in former telegraph office Art market Museums & heritage Exhibitions Books Podcasts Columns Technology Adventures with Van Gogh Search Search Commercial galleries news Dealer Johann König opens second Berlin gallery in former telegraph office This is the first König space to launch since a number of artists left the gallery's roster last year Catherine Hickley 14 December 2023 Share König Telegraphenamt is located on Museum Island in Berlin Courtesy of König Galerie The Berlin dealer Johann König is tomorrow opening a new gallery next to the city’s Museum Island in a building that once housed the postal service’s telegraph office...
Vietnam's visual arts and COVID-19 | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia ArtsEquator Viewpoints Nguyen Duc Phuong July 30, 2020 By Quyen Hoang (2,100 words, 8-minute read) On a rainy evening towards the end of May 2020, it seemed like Saigon’s most dapper guys and modish gals all flocked to Galerie Quynh...
Through the Lens of Realism: Juergen Teller’s Artistic Odyssey at the Grand Palais Éphémère “I need to live” till January 9th – A Shaded View on Fashion Dear Shaded Viewers, Juergen Teller, a celebrated name in the world of photography, has made a significant impact with his unfiltered celebrity portraits, edgy fashion shoots, and compelling campaigns for renowned designers...
Michel Parmentier — 15 février 1984 — 12 août 1985 — Loevenbruck Gallery — Exhibition — Slash Paris Login Newsletter Twitter Facebook Michel Parmentier — 15 février 1984 — 12 août 1985 — Loevenbruck Gallery — Exhibition — Slash Paris English Français Home Events Artists Venues Magazine Videos Back Previous Next Michel Parmentier — 15 février 1984 — 12 août 1985 Exhibition Painting Michel Parmentier, 15 février 1984 (détail) © ADAGP, Paris...