104 x 156 cm
The photographic series Wrapped Future II by Lim Sokchanlina brings fences used on construction sites to enclose the surrounding areas, to different locations, lakes, valleys and forests; and places them at the center of works to obscure the beautiful Cambodian landscape. The inharmonious landscape is gradually captivated by the exquisite balance between inorganic material and mystical background. The photos were taken in places that in recent years have become targets of large-scale exploitation under a massive globalization of capital and other political interests. Using the fences as a symbol of change, Sokchanlina’s work warns of an uncertain future where local realities with their communities, culture, and nature will slowly fade away. – Text by Sachiko Iwase
Lim Sokchanlina, nicknamed ‘Lina’, works across documentary and conceptual practices with photography, video, installation, and performance; particularly drawn to the use and function of space where urban communities meet rural attitudes. Using different strategies, he calls attention to various social, political, geopolitical, economic, cultural, and environmental changes in Cambodia, and in relation to the globe. Lim Sokchanlina also belongs to a Khmer generation critically aware of the need to inform Cambodian youth of their cultural, social, and political histories. His work raises questions about the role of power and economics in our everyday living and contemporary present and usually involves research to discover, unpack, and record the present’s history and the future’s imagination by learning from the past. Growing up in a society decimated by the affects of the Khmer Rouge and its anti-intellectualization, a violent civil war that killed millions, Lina co-founded Stiev Selapak / Art Rebels, in 2007 (an initiative which gave subsequent birth to exhibition space ‘Sa Sa Art Projects’ and commercial space ‘Sa Sa Bassac’) – a community within Southeast Asia well-known for their activities raising local awareness of civic, environmental and cultural injustice. – Text by Sa Sa Bassac and Zoe Butt
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For this image, Olaf Breuning invented a revised stone age corrected for the cinema in which dolmens and leather were replaced by surf boards and neoprene clothing...
University of Florida Offers a Funded MFA in Studio Art Skip to content Natalie Novak, “Levitate (ʇɐolɟ ǝǝɹɟ)” (2023), synthetic nylon tulle, fluid acrylics, gloss medium, thread, air, inflatable blowers; potions made from expired makeup pigments, lotions, shampoos, hair gel, bath bombs, vaseline, nail polish, baby oil, wax, imitation pearls, iridescent beads (photo courtesy the artist) The University of Florida (UF) offers a three-year, full-tuition, stipend-funded MFA degree ...
#AGOAsks, I Answer: Super Real Pop Art Collection – Art Report News ARTISTS Artist Highlights Artist Interviews Studio Visit VIDEOS ART+ Community Listicles No Result View All Result News ARTISTS Artist Highlights Artist Interviews Studio Visit VIDEOS ART+ Community Listicles No Result View All Result No Result View All Result #AGOAsks, I Answer: Super Real Pop Art Collection by Mia Halabi Jan 26, 2016 in Featured 0 "Marilyn Monroe," Andy Warhol, Art Gallery of Ontario...
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Antony Gormley and Magdalene Odundo to have major shows at Houghton Hall - FAD Magazine Skip to content By Mark Westall • 14 December 2023 Share — Houghton Hall, Photo: Hugh Glendinning Antony Gormley and Magdalene Odundo Houghton Hall Houghton Hall ‘s 2024 programme will see Antony Gormley and Magdalene Odundo stage major solo presentations...
"Miss British": Embodying the Post-Colonial Complaint | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia Articles Photo courtesy of Esplanade - Theatres on the Bay April 18, 2019 By Aparna Nambiar (1440 words, six-minute read) “How has colonialism affected you?” This question flashes upon the giant screens that span the studio walls of The Esplanade Theatre Studio...
The primary interest in the trilogy is Joskowicz’s use of cinematic space, with long tracking shots that portray resistance to habitual viewing experiences of film and television...
Henry Taylor, I Got Brothers All Ova The World But They Forget We’re Related (2023), via Hauser & Wirth Marking its inaugural outing at its new Paris exhibition space, Hauser & Wirth looks west to the work of critically acclaimed Los Angeles artist Henry Taylor, whose major career survey arrives at the Whitney Museum of American […]...