The version of Frontier acquired by the Kadist Collection consists of a single-channel video, adapted from the monumental installation and performance that Aitken presented in Rome, by the Tiber River, in 2009. In this film, Aiken’s allusion to “the frontier” and iconic imagery like the cowboy suggest that the American West Coast as a cultural construction. These notions are reinforced by two key elements in the film: its protagonist, the iconic West Coast artist Ed Ruscha, and its reference to the cinematic and the experience of the movie theater. The film is structured as a journey in time, from day to night. The completed film was shot in different places around the globe, including Los Angeles, Rome, South Africa, and Israel, which suggests the blurring boundaries of the unknown and emphasizes both fictive and real landscapes.
Doug Aitken’s work started to draw international attention when his installation Electric Earth earned the International Prize at the 1999 Venice Biennale, which was organized by renowned Swiss curator Harald Szeemann. Interested in breaking conventional narratives, Aitken emphasizes circularity and non-linearity in his monumental site-specific installations. This monumentality is usually expressed in Aitken’s tendency to combine apparently disconnected fragments in order to create epic films. Although this aspect of his work differs from the all-encompassing wholes sought by modernism, Aitken’s films play with the imaginary and surreal in a way that flirts with the notion of utopia. The artist uses pop culture and, especially, the film industry as sources for his compelling and immersive environments. Aesthetic elements such as coloration, light and space and a careful editing process give his films a contemplative mood.
Continuing Oursler’s broader exploration of the moving image, Absentia is one of three micro-scale installations that incorporate small objects and tiny video projections within a miniature active proscenium...
The film Line Describing a Cone was made in 1973 and it was projected for the first time at Fylkingen (Stockholm) on 30 August of the same year...
In 1977, as an already-established artist best known for his films, Bruce Conner began to photograph punk rock shows at Mabuhay Gardens, a San Francisco club and music venue...
Behind the simplicity and beauty of this untitled photograph of a brilliantly-colored flowerbed by Félix González-Torres are two remarkable stories of love, loss, and resilience...
In the video The Syphilis of Sisyphus (2011), Reid Kelley transported her heroine to the French demimonde...
Kelley’s 2015 portrait of the poet Charles Baudelaire is one of a series of poets, rappers, and other thinkers who have influenced the artist’s ideas about beauty, creativity, and expression...
In the 2013 video work, Sitting Feeding Sleeping , Rose combines footage taken of zoo animals living in captivity with screen images that flicker and flash before us...
Tania Libre is a film by Lynn Hershman Leeson centered around renowned artist Tania Bruguera and her experience as a political artist and activist under the repressive government of her native Cuba...
Unlike many of his earlier films which often present poignant critiques of mass media and its deleterious effects on American culture, EASTER MORNING , Conner’s final video work before his death in 2008, constitutes a far more meditative filmic essay in which a limited amount of images turn into compelling, almost hypnotic visual experience...
A minute Ago starts with a hailstorm pelting down unexpectedly on a quiet beach in Siberia...
Nuevo Dragon City is a reenactment of a historical event from 1927 in which six Chinese were either trapped or voluntarily hid themselves inside a building in northern Mexico...
Kadar Brock creates dynamic abstract paintings that are born from a process of painting, scraping, priming, sanding, and painting again...
The work La Loge Harlem focuses on the history of Harlem and its development over the last 200 years...
Untitled (San Francisco) was made in Idaho in 1984 and was facetiously dedicated to Henry Hopkins, the then director of the San Francisco Museum of Art who added “modern” to its name...
In Monster (1996-97), the artist’s face becomes grotesque through the application of strips of transparent adhesive tape, typical of Gordon’s performance-based films that often depict his own body in action...
First Born by Rachel Rose is part of a series of works titled Borns which expands on the artist’s longstanding interest in the organic shape of eggs...
Bruce Conner is best known for his experimental films, but throughout his career he also worked with pen, ink, and paper to create drawings ranging from psychedelic patterns to repetitious inkblot compositions...