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Amie Siegel
Berlin Remake ( 2005) combines extracts of East German films with images filmed by the artist in Berlin. While staying in Berlin, the artist found the locations where the official films were made and she juxtaposes the two in a synchronised double projection. Therefore on one screen there is Berlin between 1945 and 1989 and on the other Berlin in 2004.
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Andrew Grassie
In 2008, Grassie was invited by the Whitechapel Gallery to document the transformation of some of its spaces. The artist chose to depict the space before and after, thus creating the series titled “After the Archive Collections Room.” This group of paintings displays a space locked into time with its scaffolding and broom exposed, depicted just before an exhibition on a collection of archives.
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Kitty Kraus
This work emphasises Kitty Kraus’s involvement with process, with alchemical transformations associated with Post-Minimalist aesthetics, Arte Povera, Joseph Beuys and Robert Smithson. The loss of form or its dissolution is at the heart of the series of lamps encapsulated in blocs of ice with liquid progressively spreading on the floor. The bulb is embedded in the ice.
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Marwa Arsanios
Carlton Hotel project is the second part of a research on the Carlton, an iconic building of modernist architecture from the 1960s in Beirut. Designed by Polish architect Karol Shayer, it was destroyed in 2008 (date of the project’s creation). This project is multifaceted, always transforming into different forms and involving a series of collaborations: the first step took place as part of the “traveling curtains project”, which consisted in recuperating the curtains from the Carlton hotel before its demolition and sending them to different cities throughout the world where they would be subject to new interventions and transformations by artists, among whom Marwa Arsanios.
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Alex Da Corte
Slow Graffiti was produced for Da Corte’s exhibition at the Vienna Secession in 2017. The video is a shot-for-shot remake of the film “The Perfect Human” by Danish filmmaker Jørgen Leth (1967). The original is narrated in an anthropological manner, or as if listening to a guide at a zoo, but Da Corte’s version is stranger and more philosophical.
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Oliver Laric
Oliver Laric’s video Versions is part of an ongoing body of work that has continued to evolve and mutate over time. Comprised of several video and sculptural works that share the same title, the Versions series reflects Laric’s key concerns: the mutability of images and objects and the negotiation between original and copy. In this video, we see several 3D renders of recognizable objects and places, while an ubiquitous feminized robotic voice that evokes the domestic familiarity of voice recognition tools such as Siri and Alexa, speaks of issues relating to identity, language, and translation.
Marwa Arsanios
Marwa Arsanios is born in 1978 in Washington, United-States...
Andrew Grassie
- location: Edinburgh, United Kingdom
- year born: 1966
- gender: male
- nationality: British
Amie Siegel
- year born: 1974
- gender: female
- nationality: American
- home town: Chicago, Illinois
Oliver Laric
- location: Berlin, Germany
- year born: 1981
- gender: male
- nationality: Austrian
- home town: Innsbruck, Austria
Alex Da Corte
Alex Da Corte’s works conveys a state of delusion, where logic is set aside in order to access the stranger, deeper parts of our minds...
Kitty Kraus
Kitty Krauss has a very particular outlook on Minimal and Constructivist Art...
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2000-2009
Amie Siegel
2005Berlin Remake ( 2005) combines extracts of East German films with images filmed by the artist in Berlin...
Marwa Arsanios
2008Carlton Hotel project is the second part of a research on the Carlton, an iconic building of modernist architecture from the 1960s in Beirut...
Andrew Grassie
2009In 2008, Grassie was invited by the Whitechapel Gallery to document the transformation of some of its spaces...
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2010-2019
Oliver Laric
2012Oliver Laric’s video Versions is part of an ongoing body of work that has continued to evolve and mutate over time...
Alex Da Corte
2017Slow Graffiti was produced for Da Corte’s exhibition at the Vienna Secession in 2017...