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about 3 months ago (02/09/2024)
Book Review: ‘The Secret History of Bigfoot’ by John O’Connor | KQED Skip to Nav Skip to Main Skip to Footer upper waypoint The Do List Is Bigfoot Real? A New Book Dives Deep Into the Legend Gabino Iglesias Feb 9 Save Article Save Article Failed to save article Please try again Email A moment from Hulu documentary series, 'Sasquatch'...
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about 3 months ago (02/08/2024)
‘The Taste of Things’ Review: A Moving Tale of Love and Food | KQED Skip to Nav Skip to Main Skip to Footer upper waypoint Arts & Culture Food, Glorious Food (and Other Pleasures) in ‘The Taste of Things’ Lindsey Bahr, Associated Press Feb 8 Save Article Save Article Failed to save article Please try again Email Benoit Magimel and Juliette Binoche in ‘The Taste of Things.’ (Stéphanie Branchu/ IFC Films via AP) The Taste of Things should come with a warning: Audiences may be tempted to abandon work as they know it and start a beautiful, calm new life in the French countryside devoted to the culinary arts...
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about 3 months ago (02/07/2024)
‘Lisa Frankenstein’ Review: ’80s Teen Movie Satire is Unwatchable | KQED Skip to Nav Skip to Main Skip to Footer upper waypoint Arts & Culture Diablo Cody’s ’80s Satire ‘Lisa Frankenstein’ Lurches From Whimsy to Unwatchable Mark Kennedy, Associated Press Feb 7 Save Article Save Article Failed to save article Please try again Email Cole Sprouse and Kathryn Newton in ‘Lisa Frankenstein.’ (Michele K...
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about 5 months ago (12/14/2023)
‘Wonka’ Review: Sweet Film Dodges Roald Dahl’s Bitterness | KQED Skip to Nav Skip to Main Skip to Footer The Do List A Surprisingly Sweet ‘Wonka’ Dodges Dahl’s Bitterness Michael Fox Dec 14 Save Article Save Article Failed to save article Please try again Facebook Share-FB Twitter Share-Twitter Email Share-Email Copy Link Copy Link Timothée Chalamet stars as the chocolatier Willy Wonka in Paul King’s original musical prequel to ‘Charlie and the Chocolate Factory.’ (Jaap Buittendijk/Warner Bros...
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about 5 months ago (12/08/2023)
Space race fakery, a CIA manual and a 10ft man: group show in Florida reveals the art of deception Art market Museums & heritage Exhibitions Books Podcasts Columns Technology Adventures with Van Gogh Search Search Art Basel in Miami Beach 2023 review Space race fakery, a CIA manual and a 10ft man: group show in Florida reveals the art of deception Boca Raton Museum of Art exhibition explores the evolution of illusion through a contemporary lens Torey Akers 8 December 2023 Share A fibreglass Merma (2022), incorporating a video projection performance by Dominique Bousquet, is part of Tony Oursler’s Creature Features installation Tony Oursler As Miami Art Week winds down, the Boca Raton Museum of Art is keeping the magic going with an enchanted offering: Smoke and Mirrors: Magical Thinking in Contemporary Art , a thematic exhibition that seeks truth through the lens of deception...
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about 7 months ago (10/13/2023)
Review: Disney100 Exhibition At ExCeL London | Londonist Review: Blockbuster Disney Exhibition Digs Deep To Deliver The Magic Disney100: The Exhibition, ExCeL London ★★★★☆ By Will Noble Looks like this article is a bit old...
© » ARTS EQUATOR
about 17 months ago (12/06/2022)
Natasha: A Biennale By Any Other Name | ArtsEquator Skip to content Striving to experience Natasha on their own terms, Xiao Ting Teo runs through the gamut of emotions, from exhaustion to uncertainty, to amusement, to moments of connection at the Singapore Biennale 2022...
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about 18 months ago (11/21/2022)
Memori Menonton "Two Lines In a Square": Penjara Bahasa dan Sang Tahanan Bebas Separa | ArtsEquator Skip to content Azrin Fauzi mengulas "Two Lines in A Square", persembahan yang dilancar di Taipei dan Kuala Lumpur dari dua perspektif berbeza...
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about 18 months ago (11/10/2022)
Make Hantus Great Again: Breaking Bread With the Undead | ArtsEquator Skip to content "Make Hantus Great Again", Teatre Ekamatra's latest production, combines kooky supernatural characters with social commentary this Halloween...
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about 19 months ago (10/06/2022)
Ghaib: Can the Unheard Speak? | ArtsEquator Skip to content Faisal Tehrani’s 'Ghaib', a complex portrayal of family, agency and voice, contends that real emancipation is still elusive in our society...
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about 20 months ago (08/30/2022)
Reconsidering the Commandments with Wild Rice’s Animal Farm (2022) | ArtsEquator Skip to content In Wild Rice’s restaging of Animal Farm, Rebecca G finds a production that leavens the darker aspects of the text by drawing out the absurdities of the narrative...
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about 21 months ago (08/04/2022)
A Gap in the Telling: Review of Virgin Labfest 17 | ArtsEquator Skip to content While acknowledging the value of art in addressing national trauma, Pristine de Leon raises questions about the limits, and ethics of representation on stage...
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about 23 months ago (06/21/2022)
Ilham Art Show 2022: An Introspection Into What Was | ArtsEquator Skip to content From technological frustrations to climate catastrophes to queer representation, the Ilham Art Show has it all...
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about 23 months ago (06/02/2022)
Remotes X Quantum: Daring Collaboration Defies Cohesion | ArtsEquator Skip to content Remotes x Quantum, a Singapore-Philippines collaboration, is a daring, experimental work that never quite attains cohesion, which Jennifer Anne Champion finds is on-brand for SIFA 2022's experimental nature...
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about 23 months ago (05/31/2022)
MEPAAN: The Air Bandung Conundrum | ArtsEquator Skip to content Dr Shahril Salleh reflects on the challenges and rewards of intercultural collaboration in the Singapore Festival of the Arts 2022’s opening show, MEPAAN, using a beloved local drink as an analogy...
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about 35 months ago (06/28/2021)
The Commission: Why do these three meet again? | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia ArtsEquator Viewpoints Crispian Chan June 28, 2021 By Eugene Tan (1,503 words, 5-minute read) As has become customary for every review of a Singapore International Festival of the Arts (SIFA) 2021 show (or as the festival programme now calls them, “content”), we should applaud the fact that these shows are happening at all...
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about 36 months ago (05/28/2021)
AE x Goethe-Institut Critical Writing Micro-Residency: Meet the Writers (Part 2) | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia ArtsEquator Viewpoints May 28, 2021 We recently announced our selected resident writers for the inaugural AE x Goethe-Institut Critical Writing Micro-Residency, focusing on the development and promotion of critical writing about arts and culture in Southeast Asia...
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about 36 months ago (05/08/2021)
AE x Goethe-Institut Critical Writing Micro-Residency: Meet the Writers (Part 1) | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia ArtsEquator Viewpoints May 8, 2021 We recently announced our selected resident writers for the inaugural AE x Goethe-Institut Critical Writing Micro-Residency, focusing on the development and promotion of critical writing about arts and culture in Southeast Asia...
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about 38 months ago (03/12/2021)
Open Call for AE x Goethe-Institut Critical Writing Micro-Residency 2021/2022 | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia ArtsEquator Viewpoints March 12, 2021 ArtsEquator and Goethe-Institut Singapore are pleased to announce the launch of the inaugural AE x Goethe-Institut Critical Writing Micro-Residency 2021/2022 ...
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about 45 months ago (09/02/2020)
ArtsEquator, Deadline Now | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia Articles September 2, 2020 by Kathy Rowland ArtsEquator sometimes feels like a mythical creature...