© » KADIST
Chen Shaoxiong
After engaging primarily with video and photography for more than a decade, Chen turned to painting to explore the issue of urban change and memories—both personal and collective. This “return to origin” reveals an interesting critical reflection on the interactive relation between outside change and internal reflection, and the possibility for more experimental approaches that revive “traditional media.” Chen’s series Collective Memories depicts some of the most important architectural works and urban sites in modern Chinese society, especially those related to the history of revolutions. Instead of reproducing the images himself, Chen invited the public to participate in their making by using their fingers to paint directly on the paper or canvas.
© » KADIST
Kwan Sheung Chi
One Million is a video work depicting the counting of bills. Divided into three versions, the video first shows a number of Japanese ten-thousand-yen bills being counted without in an orderly, efficient manner. In Two Million , a similar counting of one-thousand-dollar bills from Hong Kong follows.
© » KADIST
Fang Lu
In the work Cinema , Fang Lu explores in a meticulous yet un-dramatic — almost casual — way of how “the self” in our today’s life is a controlled and staged construction of oneself. What appears at first sight to be a not unusual performance of self-choreography, becomes at a second glance a disturbing portrait of a – female – persona brought to life under contemporary conditions of attractiveness, anxiety and narcissism. Unlike her previous works, which duel more on the internal, surrealistic human conditions, this seven-channel work elevates the individual relationship with its socio-political environment to a more recognizable and appealing set of behavioral actions of self-awareness and self-inflicted anguish.
© » KADIST
Kwan Sheung Chi
A Flags-Raising-Lowering Ceremony at my home’s cloths drying rack (2007) was realized in the year of the 10th anniversary of the establishment of The Hong Kong Special Administrative Region of the People’s Republic of China. The artist asked his parents to perform a flags-raising-lowering ceremony on their home’s cloths drying rack, with the HKSAR regional flag, and the flags of PRC and The UK. Artist Lee Kit hand-painted the HKSAR regional flag following the detail instructions in “The State’s Standards of The People’s Republic of China, GB16689-1996”, issued by The State Authority of Technical Monitoring.
© » KADIST
Yang Guangnan
Itch explores the relationship between technology and daily human experience with a motorized arm that extends from within the gallery’s wall, moving up and down while holding a projector that shows a desperately scratching pair of hands.
© » KADIST
Zhang Peili
In the video installation A Gust of Wind , Zhang continues to explore notions of perspective and melds them seamlessly with a veiled but incisive social critique. His ultimate goal is to reveal the ways in which social image is constructed and to cast doubt on the ephemeral vision of a middle-class utopia offered by mass media.
© » KADIST
Sun Xun
Sun Xun’s lushly illustrated, dynamic short film Mythological Time is a dreamy chronicle of rapacious industrial development, the mythical qualities of state propaganda, and the constancy of change, as experienced by an unnamed coal mining town. While it is not named in the film itself, the town at the center of Mythological Time is a re-imagined incarnation of Sun’s hometown of Fuxin, in the northern Chinese province of Liaoning. Sandwiched between North Korea and Inner Mongolia, Fuxin is a poor coal-mining region that used to contain one of China’s largest open-pit mines and has historically been the site of significant conflict, thanks to its rich mineral resources.
© » KADIST
Jianwei Wang
In Dilemma: Three Way Fork in the Road , Wang references Peking opera in a re-interpretation of traditional text. The performance begins with two broad-knife-wielding characters circling each other in conventional operatic steps. Oblivious to the presence of these two on stage, additional characters, in a mix of period costume and contemporary dress, enter the stage in increasing droves to consume a various of foods laid out on a table until they collapse and pile on top of each other.
© » KADIST
Cao Fei
Cao Fei’s video La Town, 2014 depicts a mythical metropolis that has been destroyed by unknown forces. Although the damage is obvious, as the camera navigates across the elaborate, handmade dioramas, the inhabitants of La Town carry on with their activities and the normality of everyday life pervades. As the film progresses, the latent chaos and violence begin to emanate from every corner of the miniature city: a bloody briefcase left on the ground, a kidnapping scene, an axe murderer on the loose, a ferocious man-eating octopus—all rendering the darkness of this new post-apocalyptic world order.
© » KADIST
Lin Yilin
All his artworks utilize the use of body – the artist’s own body and that of others. The Result of 1000 Pieces typi?es an image of Lin: Lin is standing in an empty hole of a brick wall. By incorporating the brick wall for his work, Lin develops a speci?c strategy to question and negotiate with the relationship between people and the changing environments.
© » KADIST
Jiang Pengyi
Unregistered City is a series of eight photographs depicting different scenes of a vacant, apparently post-apocalyptic city: Some are covered by dust and others are submerged by water. Yet, ambiguous lights blink from buildings and yachts still sail on the water, and further observation reveals these structures to be miniatures manipulated by the artist through Photoshop and other postproduction image tools. The model city’s surroundings are themselves real abandoned spaces, perhaps an empty room, a wait-to-be demolished building, or a discarded bathtub.
© » KADIST
Xiaoyun Chen
The lengthy titles in Chen Xiaoyun’s work often appear as colophons to his photographs that invite the viewer to a process of self realization through contemplating the distance between word and image. Near his studio, Chen often walks over fallen branches in late autumn and sense their existence. Thus, his placing them in diverse contexts builds a “narrative Ariadne’s thread” where the branches become “the language of things” intertextually cohering his oeuvre.
© » KADIST
Pak Sheung Chuen
Drawing & Print (Drawing & Print)
The series Nightmare Wallpapers represents a shift if Chuen’s practice, allowing the artist to immerse himself in an “artistic pilgrimage of self healing” following the failure of the 2014 Umbrella Movement. These drawings were created during the trial of political activists pursued by the government that the artist would regularly attend. During the tribunal, the artist would let his pen slide freely across his notebook, replicating the automatic drawing techniques of the surrealists.
© » KADIST
Xiaoyun Chen
State Terrorism in the ultimate form of Pre-Raphaelite Brotherhood features a portrait of the artist wearing a zipped utilitarian jacket reminiscent of a worker’s uniform, with one arm behind his back as if forced to ingest a bundle of stick—a literal portrayal to the definition of fascism. The title alludes to the Pre-Raphaelite notion of a brotherhood based on “truth to nature.” Censorship of the mouth and indigestion of freshly cut stalks, central to Chen’s language of tree branches, feeds back provocatively to the title’s suggestion of “state terrorism.” However, one must resist seeking symbolic meaning in the image as Chen’s focus is on the direct visual impact of the absurd act portrayed.
© » KADIST
Xiaoyun Chen
The image of rusted nails, nuts and bolts as shrapnel sandwiched between a fried Chicken burger highlights the contrast between decadence and destruction. Chen emphasizes the direct sensational impact of his work to allow his viewer to question the boundary between reality and art. The image of nails as food harks at a visceral relationship with the title, which cries the tone of a manifesto.
© » KADIST
Cao Fei
Diversionist is part of the Cosplayers Series from 2004. In Cosplayers Cao Fei depicts the popularity among Asian youths of “cosplay” in which daily life is merged with images of video games and popular films. For many, this virtual reality is an outlet to “transcend” the paradox of a developing society in which the pleasures of consumption and depression of alienation go hand-in-hand.
© » KADIST
Lin Yilin
For his action, Safely Maneuvering across Lin He Road , Lin built a brick wall on one side of a busy main street in the city of Guangzhou. He then took bricks from the sidewalk end of the wall and moved them to the street side, slowly extending the wall into the street. Repeating the same gesture for hours, he leapfrogged the whole wall across the street.
© » KADIST
Li Ran
The four-channel video installation Same Old Crowd departs from the documentation of an unknown city and takes place in an ambiguous temporal and spatial frame. Twelve characters (amateur actors hired by the artist) appear in black-and-white in highly stylized surroundings wearing patterned cloths. The identities or time period of the characters, all deprived of languages, are impossible to determine.
© » KADIST
Du Zhenjun
The Tower of Babel is an installation of large-format photographs that forces the audience to occupy a central position through its monumental scale. These photographs present a series of urban landscapes and assembled Foucauldian structures of the present. Du sees the Tower of Babel as a continually reinvented narrative that warns people of “dangerous tendencies in the present time.” Du’s Babylonian towers resurrect from fallen rubbles of religious history in grand scale to focus on modern crises of civilization.
© » KADIST
Yang Xinguang
Although seemingly unadorned at first glance, Yang Xinguang’s sculptural work Phenomena (2009) employs minimalist aesthetics as a means of gesturing towards the various commonalities and conflicts between civilization and the natural world. Comprised of rudimentary planks of wood hammered together into a rectangular form, Yang’s work uses reclaimed materials from everyday life and seems deliberately in conversation with Arte Povera, the art movement that originated in Italy during the late 1960s where practitioners produced art from found and common materials as an act of resistance against the decided commercialization of the art world through market economies. Yang, by extension, pays close attention to his materials in attempt to release the forms within them rather than impose his own.
© » KADIST
Lu Chunsheng
Lu has developed an oeuvre that consists of characters in bizarre situations. The large-scale photograph I Want to Be a Gentleman depicts nine men standing like statues on display in a museum on tall plinths in front of a run-down industrial building. Lu’s brooding films and photographs are preoccupied with China’s industrial era and communist history.
© » KADIST
Yang Zhenzhong
Peasant Sensation Passing Through Flesh – 3 consists of a massage chair fixed to a wall. With its cushions removed to reveal its internal mechanisms, the chair’s programmed rubbing, kneading, patting, and vibrating motions create a strange sight and soundscape. The work explores the relationship between flesh and machine as they come together through technologically simulated social behaviors, challenging normative ideas about human interaction.
© » KADIST
Yan Xing
The title of this series – Two videos, three photographs, several related masterpieces and American art – is paradoxical, suggesting the work is conceived in relation to its medium and a situation in art history and the region of the world in which it was made. Paradoxical but in the end, often true of the way in which art history is written. The presence of black men and the term “American Art” brings us back to Robert Mapplethorpe’s Black Book .
© » KADIST
Fang Lu
Canton Novelty by Fang Lu captures the adventure of a group of three girls, Ruohan, Lily and Zoe on a summer vacation in Guangzhou, China. Throughout the course of the trip, they film themselves with their cell phones singing in a karaoke room, shopping at a hardware store, sitting at a park, hanging out in a hotel room and exploring a neighborhood looking at vacant apartment ads. Although their days may seem uneventful, the girls seemingly discover the ability to perform impossible “miracles,” including cooking a full pot of rice from three grains, summoning objects to appear and disappear, and turning off street lamps on command.
© » KADIST
Li Ran
In his video work Beyond Geography , Li dramatizes the role of the artist-as-imitator to the point of sheer parody. Dressed to toe in the costume of a typical Discovery Channel adventurer-explorer, the artist dashes suavely through the uncharted jungle habitat of a primitive tribe. Li modulates his own voice in laughably accurate mimicry of the dubbed Discovery Channel protagonist familiar to Chinese viewership, daringly gulping fresh water from a river, expertly admiring exotic vegetation, and whimpering in fear of the dark sounds of the night (screaming, even, as he trips on a human skull) in an full-scale exaggeration of a nature show personality.
© » KADIST
Jiang Zhi
In the video installation Tremble, Jiang projected the life-size images of seven naked men and women onto seven individual screens. Each person displays a different facial expression and body position such as reading a book, arms open for a hug, holding a knife, raising a fist to take an oath. Each gesture reflects some essential social aspect of everyday life: hugging is about caring, taking oath has to do with politics, reading relates to acquiring knowledge, and raising a knife indicates violence.
© » KADIST
Chen Shaoxiong
After engaging primarily with video and photography for more than a decade, Chen turned to painting to explore the issue of urban change and memories—both personal and collective. This “return to origin” reveals an interesting critical reflection on the interactive relation between outside change and internal reflection, and the possibility for more experimental approaches that revive “traditional media.” For Ink Diary , Chen recorded his daily life and impressions within a rapidly-changing urban setting in ink wash paintings which he then turned into an animated film. The complex result of this simple process is both highly innovative and reflective of modernization.
© » KADIST
Lin Yilin
Golden Bridge is part of “Golden Journey”, a series of site-specific performances and installations created during Lin’s residency at Kadist San Francisco. The photograph is a documentation of a Golden Gate Bridge performance that makes palpable the tensions between people and the military, the individual and the group, danger and ordinary life. Lin recalls: “Fighter planes repetitively flew over my head.
Xiaoyun Chen
- location: Hangzhou, China
- year born: 1971
- gender: male
- nationality: Chinese
- home town: Hubei Province, China
Lin Yilin
- location: Beijing & New York
- year born: 1964
- gender: male
- nationality: Chinese
- home town: Guangzhou, China
Cao Fei
- location: Beijing, China
- year born: 1978
- gender: female
- nationality: Chinese
- home town: Guangzhou, China
Fang Lu
Fang Lu uses intimacy as a place for self-expression in her videos and draws out mundane moments from everyday life as a strategy to heighten one’s awareness of existence from the rest of the world...
Kwan Sheung Chi
Kwan Sheung Chi obtained a third honor B.A...
Du Zhenjun
- location: Paris, France
- location: Shanghai, China
- year born: 1961
- gender: male
- nationality: Chinese
- home town: Shanghai, China
Yang Guangnan
- location: New York City, United States
- year born: 1986
- home town: Inner Mongolia, China
Jiang Zhi
- location: Beijing
- location: Shenzhen, China
- year born: 1971
- gender: male
- nationality: Chinese
- home town: Yuanjiang, China
Yan Xing
- location: Beijing, China
- year born: 1986
- gender: male
- nationality: Chinese
- home town: Chongqing, China
Chen Shaoxiong
- location: Beijing
- location: Guangzhou, China
- year born: 1962
- gender: male
- nationality: Chinese
- home town: Shantou, Guangdong Province, China
Lu Chunsheng
- location: Shanghai, China
- year born: 1968
- gender: male
- nationality: Chinese
- home town: Changchun, Jilin province, China
Pak Sheung Chuen
- location: Hong Kong, China
- year born: 1977
- gender: male
- nationality: Chinese
- home town: Fujian, China
Li Ran
- location: Beijing, China
- year born: 1986
- gender: male
- nationality: Chinese
- home town: Hubei Province, China
Sun Xun
- location: Hangzhou, China
- year born: 1980
- gender: male
- nationality: Chinese
- home town: Fuxin, Liaoning Provence, China
Zhang Peili
- location: Hangzhou, China
- year born: 1957
- gender: male
- nationality: Chinese
- home town: Hangzhou, China
Yang Zhenzhong
- location: Shanghai, China
- year born: 1968
- gender: male
- nationality: Chinese
- home town: Xiaoshan, China
Wang Taocheng
Wang Taocheng is a Shanghai artist who lives and works in Amsterdam...
Tsang Kin-Wah
- location: Hong Kong, China
- year born: 1976
- gender: male
- nationality: Chinese
- home town: Shantou, Guangdong Province, China
Yang Xinguang
- location: Beijing, China
- year born: 1980
- gender: male
- nationality: Chinese
- home town: Hunan Province, China
Jianwei Wang
- location: Beijing, China
- year born: 1958
- gender: male
- nationality: Chinese
- home town: Sichuan Province, China
Hu Yun
- location: Shanghai, China
- year born: 1986
- gender: male
- nationality: Chinese
- home town: Shanghai, China
Qiu Anxiong
- location: Shanghai, China
- year born: 1972
- gender: male
- nationality: Chinese
- home town: Chengdu, Sichuan Province, China
Qing Zhang
- year born: 1977
- gender: male
- nationality: Chinese
- home town: Suzhou, China
Li Liao
- location: Shenzhen, China
- year born: 1982
- gender: male
- nationality: Chinese
- home town: Hubei Province, China
Jin Shan
Jin Shan is an installation artist who uses humor, satire, and play to comment upon social and political power dynamics within contemporary China...
Jiang Pengyi
- location: Beijing, China
- year born: 1977
- gender: male
- nationality: Chinese
- home town: Yuanjiang, Hunan Province, China
© » KQED
this quarter (02/09/2024)
Happy Lunar New Year! 5 Things to Know About the Year of the Dragon | KQED Skip to Nav Skip to Main Skip to Footer upper waypoint Arts & Culture Happy Lunar New Year! 5 Things to Know About the Year of the Dragon Rae Alexandra Feb 9 Save Article Save Article Failed to save article Please try again Email The Year of the Dragon begins is upon us....
© » APERTURE
this quarter (02/06/2024)
Taking a local, hometown look at the Chinese Spring Festival Shehuo, Zhang Xiao considers how the thousand-year-old tradition has transformed into a tourist-facing enterprise....
© » THEARTNEWSPER
this quarter (02/05/2024)
Those who stay: the Hong Kong artists fighting for a brighter future Art market Museums & heritage Exhibitions Books Podcasts Columns Technology Adventures with Van Gogh Search Search Hong Kong analysis Those who stay: the Hong Kong artists fighting for a brighter future Despite governmental intimidation of arts entities, the high cost of living and the lure of better opportunities abroad, many artists are choosing to remain in the city Lisa Movius 5 February 2024 Share The satirical cartoonist Wong Kei-kwan, who uses the pen name Zunzi, had his comic strip in the Hong Kong newspaper Ming Pao cancelled following government pressure, but he continues to live in the city Photo: Reuters/Tyrone Siu Some call it the great exodus: the family company owners, the bankers and the expatriate businesspeople departing Hong Kong in droves during and since the Covid-19 years...
© » ASX
about 3 months ago (01/18/2024)
Max Pinckers & Thomas Sauvin – The Future Without You – AMERICAN SUBURB X Skip to content The introduction of computers in the workplace well prefigures the advent of the internet...
© » FRANCE24
about 3 months ago (01/11/2024)
Special programme: Taiwan's artists step out of China's shadow (part 1) - arts24 Skip to main content Special programme: Taiwan's artists step out of China's shadow (part 1) Issued on: 11/01/2024 - 15:18 Modified: 11/01/2024 - 15:27 12:51 FRANCE 24's Alison Sargent takes you to Taipei for a special programme on how the island's artists are stepping out of China's shadow...
© » 1854 PHOTOGRAPHY
about 4 months ago (12/18/2023)
The Jimei × Arles festival is a feast – will it boost Chinese photography for good? - 1854 Photography Subscribe latest Agenda Bookshelf Projects Industry Insights magazine Explore ANY ANSWERS FINE ART IN THE STUDIO PARENTHOOD ART & ACTIVISM FOR THE RECORD LANDSCAPE PICTURE THIS CREATIVE BRIEF GENDER & SEXUALITY MIXED MEDIA POWER & EMPOWERMENT DOCUMENTARY HOME & BELONGING ON LOCATION PORTRAITURE DECADE OF CHANGE HUMANITY & TECHNOLOGY OPINION THEN & NOW Explore Stories latest agenda bookshelf projects theme in focus industry insights magazine ANY ANSWERS FINE ART IN THE STUDIO PARENTHOOD ART & ACTIVISM FOR THE RECORD LANDSCAPE PICTURE THIS CREATIVE BRIEF GENDER & SEXUALITY MIXED MEDIA POWER & EMPOWERMENT DOCUMENTARY HOME & BELONGING ON LOCATION PORTRAITURE DECADE OF CHANGE HUMANITY & TECHNOLOGY OPINION THEN & NOW Operating room party (Grand), 2022, from the series Baby’s Baby © Wu MeiChi Now in its ninth year, the festival brings works from Les Rencontres d’Arles alongside its own cutting-edge programme...
© » I-D
about 4 months ago (12/18/2023)
Seven creatives from Hangzhou share their experiences living through a generational paradigm shift....
© » THEARTNEWSPER
about 4 months ago (12/07/2023)
Art history meets Lego in two of Ai Weiwei’s latest works Art market Museums & heritage Exhibitions Books Podcasts Columns Technology Adventures with Van Gogh Search Search Art Basel in Miami Beach 2023 news Art history meets Lego in two of Ai Weiwei’s latest works Chinese artist recreates two famous historic paintings using the hundreds of thousands of Lego bricks Alexander Morrison 7 December 2023 Share Ai Weiwei’s version of Giorgione’s Sleeping Venus is at Galleria Continua Photo: © Liliana Mora Visitors to Art Basel in Miami Beach making their way past Galleria Continua’s stand this week may find themselves doing a double take, as they encounter what looks like the Renaissance painter Giorgione’s Sleeping Venus (1510) made supersize...
© » FRANCE24
about 8 months ago (08/09/2023)
War of words over China breaks out on London graffiti wall - France 24 Skip to main content War of words over China breaks out on London graffiti wall Issued on: 09/08/2023 - 15:42 02:27 War of words over China breaks out on London graffiti wall (2023) © AFP / France 24 Video by: Juliette MONTILLY Follow Long renowned as a graffiti artist's heaven, Brick Lane in east London has found itself at the heart of a furious political debate overseas after a group of Chinese art students spray-painted Communist Party slogans over one of its walls...
© » RANDIAN ZH
about 49 months ago (04/20/2020)
(English) Will any large exhibition or art fair take place in September...
© » RANDIAN ART MARKET
about 56 months ago (09/03/2019)
by Chris Moore The China art market faces its most difficult period since 2008...
© » ARTNEWS CN
about 135 months ago (03/20/2013)
Guggenheim Museum Collects China – ARTnews.com Skip to main content By Sarah Cascone Plus Icon Sarah Cascone View All March 20, 2013 1:10pm New York’s Solomon R...
© » ARTNEWS CN
about 151 months ago (12/01/2011)
Turning Over a New Leaf – ARTnews.com Skip to main content By Lilly Wei Plus Icon Lilly Wei author View All December 1, 2011 11:00am It doesn’t look like an exhibition about dissent, at least not to contemporary eyes accustomed to more rousing images...
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2000-2009
Lu Chunsheng
2004A mesmerizing experience of a vaguely familiar yet remote world, History of Chemistry I follows a group of men as they wander from somewhere beyond the edge of the sea through a vast landscape to an abandoned steel factory...
Chen Shaoxiong
2006After engaging primarily with video and photography for more than a decade, Chen turned to painting to explore the issue of urban change and memories—both personal and collective...
Xiaoyun Chen
2006State Terrorism in the ultimate form of Pre-Raphaelite Brotherhood features a portrait of the artist wearing a zipped utilitarian jacket reminiscent of a worker’s uniform, with one arm behind his back as if forced to ingest a bundle of stick—a literal portrayal to the definition of fascism...
Xiaoyun Chen
2006The image of rusted nails, nuts and bolts as shrapnel sandwiched between a fried Chicken burger highlights the contrast between decadence and destruction...
Qing Zhang
2006603 Football Field presents a soccer game played inside a small student apartment in Shanghai...
Kwan Sheung Chi
2007A Flags-Raising-Lowering Ceremony at my home’s cloths drying rack (2007) was realized in the year of the 10th anniversary of the establishment of The Hong Kong Special Administrative Region of the People’s Republic of China...
Jianwei Wang
2007In Dilemma: Three Way Fork in the Road , Wang references Peking opera in a re-interpretation of traditional text...
Chen Shaoxiong
2007After engaging primarily with video and photography for more than a decade, Chen turned to painting to explore the issue of urban change and memories—both personal and collective...
Zhang Peili
2008In the video installation A Gust of Wind , Zhang continues to explore notions of perspective and melds them seamlessly with a veiled but incisive social critique...
Jiang Pengyi
2008Unregistered City is a series of eight photographs depicting different scenes of a vacant, apparently post-apocalyptic city: Some are covered by dust and others are submerged by water...
Pak Sheung Chuen
2008Pak created New York Public Library Projects (NYPLP) (2008) during a residency in New York, using public libraries as exhibition spaces and the books they house as raw materials...
Yang Xinguang
2009Although seemingly unadorned at first glance, Yang Xinguang’s sculptural work Phenomena (2009) employs minimalist aesthetics as a means of gesturing towards the various commonalities and conflicts between civilization and the natural world...
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2010-2019
Du Zhenjun
2010The Tower of Babel is an installation of large-format photographs that forces the audience to occupy a central position through its monumental scale...
Du Zhenjun
2010The Tower of Babel is an installation of large-format photographs that forces the audience to occupy a central position through its monumental scale...
Du Zhenjun
2010The Tower of Babel is an installation of large-format photographs that forces the audience to occupy a central position through its monumental scale...
Yang Guangnan
2011Itch explores the relationship between technology and daily human experience with a motorized arm that extends from within the gallery’s wall, moving up and down while holding a projector that shows a desperately scratching pair of hands....
Qiu Anxiong
2011A Portrait: Covering and Cleaning is an installation of six black-and-white video projections...
Yang Zhenzhong
2012Peasant Sensation Passing Through Flesh – 3 consists of a massage chair fixed to a wall...
Xiaoyun Chen
2012The lengthy titles in Chen Xiaoyun’s work often appear as colophons to his photographs that invite the viewer to a process of self realization through contemplating the distance between word and image...
Kwan Sheung Chi
2012Kwan Sheung Chi’s work One Million is a video work depicting the counting of bills...
Xiaoyun Chen
2014The central point of Vanishing Point is the most direct physiological reaction of the body to the environment...
Pak Sheung Chuen
Drawing & Print
2017(Drawing & Print) The series Nightmare Wallpapers represents a shift if Chuen’s practice, allowing the artist to immerse himself in an “artistic pilgrimage of self healing” following the failure of the 2014 Umbrella Movement...
