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ÆTHER (Poor Objects)
© » KADIST

Li Shuang

Film & Video (Film & Video)

ÆTHER (Poor Objects) by Li Shuang builds on the artist’s consideration of the interplay between physical and digital spaces. Through a kaleidoscopic video collage, Li examines the complexities of personal subjectivity within an increasingly immersive and omnipresent online culture. Among disparate imagery that includes extra-terrestrial simulations, dizzying hordes of birds, animated figures trapped in dystopian virtual spaces, and real-life abandoned places, the video references the Chinese creation myth of Nuwa, a goddess who uses her own body to repair the sky.

Sign series, #1, #2, #3
© » KADIST

Bjorn Copeland

Sign #1 , Sign #2 , Sign #3 were included in “Found Object Assembly”, Copeland’s 2009 solo show at Jack Hanley Gallery, San Francisco. These rather austere collages were created by simply cutting and inverting the text from existing information signs. In Sign #2 , for example, the original image that presumably carried the message “NO RIDERS” was placed upside down.

Li Shuang

Raised in rural south-eastern China in the 1990s, Li Shuang grew up consuming popular media such as YouTube, MySpace, knock off Nintendo consoles, pirated video games, and dakou CDs...

© » ARTS EQUATOR

about 36 months ago (06/03/2021)

Master Conversations: Lighting Design with Lim Woan Wen and Daniel Teo | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia ArtsEquator Viewpoints June 3, 2021 Singapore lighting designer Lim Woan Wen shares about her practice and process, and chats with critic Daniel Teo about the impact of lighting in a performance, and whether critics should be expected to write more about lighting design in a review...