Tropical Siesta begins in a rural landscape of Vietnam. Very quickly, painted images of students sleeping on their school benches appear. A text speaking of how the communist regime has placed agriculture at the center of its economy reads alongside the images.
On September 22, 1940 the French signed an accord, which granted Japanese troops the right to occupy Indochina. The Japanese presence in Indochina lasted until the end of World War II and during the occupation, jute supplies from India were interrupted. Jute was used to make sacks as well as gunpowder, a crucial material for the war industry.
Phan Quang’s portrait series Re/cover grapples with a lesser-known history in Vietnam. After World War II, many Japanese soldiers who fought in Vietnam stayed in the country. They married Vietnamese women, had children, and lived in the country until Japan recalled them home.
To produce her photo and film works, Diane Severin Nguyen makes amalgam sculptures from found materials, both natural and synthetic. She captures these ephemeral constructions at close range, enlarging minute tensions. Nguyen uses transient, prosthetic lighting—the glow of sunset, an iPhone flash, battery-powered LEDs, fire—so that the camera intervenes moments before these temporary arrangements and their lighting change.
The essay film How to Improve the World by Nguyen Trinh Thi takes us into an indigenous village of the Jrai people in the Central Highlands of Vietnam, in Gia Lai province. It begins with sound – perhaps a hammer, or a gong – the lack of image making its identification difficult. A landscape emerges of an open field where a farmer tends his grazing cow herd.
Landscape Series no. 1 presents landscape as a “quiet witness of history.” It began with searches of online archives of Vietnamese news-media, for images of figures in landscapes “pointing, to indicate a past event, the location of something gone, something lost or missing.” The uniformity is striking but the sequence is subtly structured: the typology hints at narrative progression, though of an uninformative narrative, lacking details.
Filmed underwater, this is the third video in Nguyen-Hatsushiba’s “Memorial Project” series which began in 2001. The title already implies the cultural complexities about to be ironically unravelled: Ho Chi Minh is parodied and Okinawa (where this was filmed) was a battle site in Japan during World War II which then became an American training base during the Vietnam War. To a remix of James Bond movie tracks composed by Quoc Bao, no less than thirty divers in wet suits and full gear advance against the water resistance armed with cartridges of color.
A Soldiers’ Garden by Nhà Sàn Collective is a night portrait series located in an army camp outside Hanoi. Here new recruits assemble for basic training during the first months of their military service, before they are relocated to their assigned battalion. Night is the only time the soldiers in training have a few moments for themselves.
A Soldiers’ Garden by Nhà Sàn Collective is a night portrait series located in an army camp outside Hanoi. Here new recruits assemble for basic training during the first months of their military service, before they are relocated to their assigned battalion. Night is the only time the soldiers in training have a few moments for themselves.
A Soldiers’ Garden by Nhà Sàn Collective is a night portrait series located in an army camp outside Hanoi. Here new recruits assemble for basic training during the first months of their military service, before they are relocated to their assigned battalion. Night is the only time the soldiers in training have a few moments for themselves.
Like many Asian countries, Vietnam has lost an immense amount of natural environment and rural landscape to economic growth and industrial development. The single-channel video Waltz of the Machine Equestrians is a response to the overwhelming number of motorbikes and scooters overtaking the streets of Vietnam as small agrarian communities have been displaced by the construction of skyscrapers. The video shows 28 “equestrians” on motorbikes and scooters arrayed into a rainbow cavalcade held together by strings clipped onto brightly colored ponchos.
To produce her photo and film works, Diane Severin Nguyen makes amalgam sculptures from found materials, both natural and synthetic. She captures these ephemeral constructions at close range, enlarging minute tensions. Nguyen uses transient, prosthetic lighting—the glow of sunset, an iPhone flash, battery-powered LEDs, fire—so that the camera intervenes moments before these temporary arrangements and their lighting change.
This work presents the image of an immolated monk engraved on a baseball bat. The flames surround him eroding the extremity of the bat. The delicate sculpture refers to the sacrifice of the Buddhist monk, Thich Quang Duc, who immolated himself on June 16th 1963, in reaction to the discrimination and the repressive politics of the Diem Catholic regime (regime installed by the Americans) towards the Buddhists.
In the “Black Paintings” series, although the human body is only suggested, it plays an important role. Some body parts are absent, mostly the faces which are usually an affirmation of the individual. The characters recall ghosts testifying as to the traumas of war.
Set in the haunting space of an ex-colonial rubber plantation in Central Vietnam, Phuong Linh Nguyen’s film Memory of the Blind Elephant is a tender portrait of the complex economies of interspecies trauma and resilience in the face of continued extraction and destruction. Formerly present in the coronation of Potau Apui (the Jarai King of Fire), in Dr. Yersin’s exploratory crew during the colonial period, and now a major draw for tourists, the figure of the elephant is ailing, grievous, as though haunting its habitat. Intrigued by the reality she observed, Phuong Linh gathered, documented, altered, repositioned the local materials of ceaseless exploitation of natural resources: raw rubber, ferrosols, and aluminium to assert a critical proposition.
A Soldiers’ Garden by Nhà Sàn Collective is a night portrait series located in an army camp outside Hanoi. Here new recruits assemble for basic training during the first months of their military service, before they are relocated to their assigned battalion. Night is the only time the soldiers in training have a few moments for themselves.
A Soldiers’ Garden by Nhà Sàn Collective is a night portrait series located in an army camp outside Hanoi. Here new recruits assemble for basic training during the first months of their military service, before they are relocated to their assigned battalion. Night is the only time the soldiers in training have a few moments for themselves.
A Soldiers’ Garden by Nhà Sàn Collective is a night portrait series located in an army camp outside Hanoi. Here new recruits assemble for basic training during the first months of their military service, before they are relocated to their assigned battalion. Night is the only time the soldiers in training have a few moments for themselves.
A Soldiers’ Garden by Nhà Sàn Collective is a night portrait series located in an army camp outside Hanoi. Here new recruits assemble for basic training during the first months of their military service, before they are relocated to their assigned battalion. Night is the only time the soldiers in training have a few moments for themselves.
A Soldiers’ Garden by Nhà Sàn Collective is a night portrait series located in an army camp outside Hanoi. Here new recruits assemble for basic training during the first months of their military service, before they are relocated to their assigned battalion. Night is the only time the soldiers in training have a few moments for themselves.
Fade In (the whole title of the film is actually the entire five page script) is a collaboration with the Danish artist collective Superflex (group of freelance artist–designer–activists committed to social and economic change, founded in 1993 by Jakob Fenger, Rasmus Nielsen and Bjørnstjerne Christiansen). There are several time layers to understand the story behind this film. In 1601, the San Jago set sail from Goa for Lisbon; the cargo included the first consignment of South East Asian porcelain destined for the European market.
Diane Severin Nguyen collects found objects and organic matter to craft the images in her photographs and video works...
Nguyen Trinh Thi is a moving image pioneer, not only within the landscape of contemporary art in Vietnam, but also broader South East Asia...
The Propeller Group was established in 2006 as a cross-disciplinary structure...
Phuong Linh Nguyen’s multidisciplinary practice spans video, sculpture and installation...
Tuan Andrew Nguyen is an artist and filmmaker, one of the three founders of The Propeller Group created in 2006...
Visual artist and photographer Phan Quang stages nuanced compositions that illustrate the relationship between global historical events and the personal histories of families and communities in Vietnam...
Nguyen Thai Tuan was born in 1965, he studied at the school of Fine Arts of Hue where he studied propaganda art, which he got bored of very quickly...
Interview: In the Studio with Tammy Nguyen - Something Curated Copy Features Interviews Profiles Guides Jobs Interviews - 7 Feb 2024 - Share Vietnamese American artist Tammy Nguyen ’s work oscillates between painting, drawing, printmaking, and various publishing projects...
Miles Johnson, Diana Reid, Fuchsia Dunlop: Hong Kong International Literary Festival 2024’s line-up is as impressive as it is eclectic | South China Morning Post Advertisement Advertisement Books and literature + FOLLOW Get more with my NEWS A personalised news feed of stories that matter to you Learn more British food writer Fuchsia Dunlop will talk about her latest book, “Invitation to a Banquet”, at the Hong Kong International Literary Festival 2024, which includes a stellar line-up of emerging and established writers...
Whitney Museum announces the artists participating in Whitney Biennial 2024: "Even Better Than the Real Thing" | | Flash Art Flash Art uses cookies strictly necessary for the proper functioning of the website, for its legitimate interest to enhance your online experience and to enable or facilitate communication by electronic means...
Artists Collecting Artists – Art and Cake January 25, 2024 January 25, 2024 Author Artists Collecting Artists Check out our new photo essay “Artists Collecting Artists.” As artists we are probably the most lucky collectors of all...
United States Artists announces its 2024 fellows, including six for visual arts...
Tia-Thuy Nguyen — Sparkle in the vastness — Almine Rech Gallery, Matignon — Exhibition — Slash Paris Login Newsletter Twitter Facebook Tia-Thuy Nguyen — Sparkle in the vastness — Almine Rech Gallery, Matignon — Exhibition — Slash Paris English Français Home Events Artists Venues Magazine Videos Back Previous Next Tia-Thuy Nguyen — Sparkle in the vastness Exhibition Painting Tia Thuy Nguyen, série I, my, me, cloud (2018-2023) Courtesy de l’artiste et galerie Almine Rech Tia-Thuy Nguyen Sparkle in the vastness Ends in 13 days: January 11 → February 24, 2024 “Sparkle in the vastness", Tia-Thuy Nguyen’s first show with Almine Rech presents a suite of more than twenty multi-media paintings from the artist’s ongoing series “I, my, me, cloud” (2018–)...
Tia-Thuy Nguyen — Sparkle in the vastness — Galerie Almine Rech, Matignon — Exposition — Slash Paris Connexion Newsletter Twitter Facebook Tia-Thuy Nguyen — Sparkle in the vastness — Galerie Almine Rech, Matignon — Exposition — Slash Paris Français English Accueil Événements Artistes Lieux Magazine Vidéos Retour Précédent Suivant Tia-Thuy Nguyen — Sparkle in the vastness Exposition Peinture Tia Thuy Nguyen, série I, my, me, cloud (2018-2023) Courtesy de l’artiste et galerie Almine Rech Tia-Thuy Nguyen Sparkle in the vastness Encore 13 jours : 11 janvier → 24 février 2024 « Sparkle in the vastness » (Une étincelle dans l’immensité), la première exposition de Tia-Thuy Nguyen à la galerie Almine Rech présente une série de plus de vingt peintures de techniques mixtes issues de la série « I, my, me, cloud », en cours depuis 2018...
Design store Beverly's opens in New York's Chinatown | Wallpaper (Image credit: Photography: Sean Davidson) By Pei-Ru Keh published 15 December 2023 Contributions from Sean Davidson - Photography When Beverly Nguyen first opened her namesake store, Beverly’s, it was April 2021...
Pirelli HangarBicocca has unveiled its exhibition program for 2024-2025, marking its 20th anniversary...
Artistic Freedom Report Vietnam: An ever-changing terrain | ArtsEquator Skip to content The key findings and analysis of artistic freedom in Vietnam from the Southeast Asian Arts Censorship Database Project, 2010-2022...
The Art of Exhibition Licencing in Vietnam | ArtsEquator Skip to content In a country with opaque requirements for what can and cannot be shown, Linh Le highlights how something as seemingly straightforward as obtaining an exhibition licence may be used to control artistic expression in Vietnam...
Nghệ thuật Xin giấy phép Triển lãm ở Việt Nam | ArtsEquator Skip to content Tại một đất nước như Việt Nam, nơi có những yêu cầu không rõ ràng về việc trưng bày, Linh Lê nhấn mạnh rằng chỉ cần một thứ tưởng chừng đơn giản như xin giấy phép triển lãm có thể trở thành một cách kiểm duyệt biểu đạt nghệ thuật...
Podcast: Freedom for Artistic Expressions in Vietnam | ArtsEquator Skip to content Researcher Linh Le interviews artist-curator Bill Nguyễn, in a wide ranging conversation about historical and contemporary censorship in Vietnam...
Film programmes exploring the attempts of humans to represent the different scales of environmental crises (2015–)...
Fragments of History: Loc Vang, the Yellow music singer from Hanoi | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia ArtsEquator Viewpoints Nguyen Dinh Toan August 3, 2021 By Duong Nguyen Thuy (800 words, 3-minute read) It was perhaps the melancholy of history that was the most palpable presence in the livestream action Fragments of History , which I organised as part of Mekong Cultural Hub’s Mini-Meeting Point held on 17 July 2021...
Weekly Southeast Asia Radar: Will Hokkien die out? ; Pineapple Lab shuts | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia ArtsEquator Radar Photo via Phố Văn Blog August 12, 2020 ArtsEquator’s Southeast Asia Radar features articles and posts about arts and culture in Southeast Asia, drawn from local and regional websites and publications – aggregated content from outside sources, so we are exposed to a multitude of voices in the region...
Vietnam's visual arts and COVID-19 | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia ArtsEquator Viewpoints Nguyen Duc Phuong July 30, 2020 By Quyen Hoang (2,100 words, 8-minute read) On a rainy evening towards the end of May 2020, it seemed like Saigon’s most dapper guys and modish gals all flocked to Galerie Quynh...
Weekly Southeast Asia Radar: Indonesian govt aids arts; female voices in Vietnam war stories | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia ArtsEquator Radar JG Photo/Yudha Baskoro May 14, 2020 ArtsEquator’s Southeast Asia Radar features articles and posts about arts and culture in Southeast Asia, drawn from local and regional websites and publications – aggregated content from outside sources, so we are exposed to a multitude of voices in the region...
Weekly Southeast Asia Radar: The No-COVID(ish) Edition | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia ArtsEquator Radar Via Khmer Times April 1, 2020 ArtsEquator’s Southeast Asia Radar features articles and posts about arts and culture in Southeast Asia, drawn from local and regional websites and publications – aggregated content from outside sources, so we are exposed to a multitude of voices in the region...
Migrant Ecologies Project: A Grain of Wheat Inside a Salt Water Crocodile | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia Grain of Wheat July 8, 2019 We included 60 letters by leading artists and writers in Southeast Asia and beyond, addressed to the grain of wheat...
In Ho Chi Minh City, there’s a music street called Nguyen Thien Thuat (via Tuoi Tre News) | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia Articles Tuoi Tre News January 14, 2019 Nguyen Thien Thuat Street in District 3, Ho Chi Minh City, is best known for its wide array of music stores...
Pho Ben Doi art exhibition returns to Da Lat in December | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia ArtsEquator Radar Artwork by Lieu Nguyen December 21, 2018 The third edition of Da Lat’s annual Pho Ben Doi art exhibition will feature more than 125 artworks by nearly 50 young, well-known Vietnamese and international artists and experts in archeology, architecture, and music from December 8, 2018 to February 28, 2019...
In Saigon's Latest Indie Workshop, a Heaven for Eco-Friendly Risograph Prints (via Saigoneer) | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia Articles Kevin Lee December 13, 2018 Nestled above inpages in Thao Dien, a new print studio is offering artists and other creatives a new way to express their ideas and visions...
'Son mai' – the painstaking Vietnamese art of lacquer painting (via Tuoi Tre News) | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia Articles December 3, 2018 Once chiefly employed in the decoration of wooden objects, son mai , or lacquer painting, has grown over the last century into a freestanding art form in Vietnam, to a point where it is now widely considered to be the country’s national painting technique...
Vietnam's Award-Winning Documentary About a Trans Woman (via Saigoneer) | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia Articles November 8, 2018 A critically acclaimed documentary about a member of Vietnam’s trans community will finally see an official premiere in Vietnam next month...
Vietnamese director's debut feature The Third Wife wins award at Toronto Film Festival | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia Articles October 1, 2018 The directorial debut from Nguyen Phuong Anh, also known as Ash Mayfair, won the Network for the Promotion of Asian Cinema (NETPAC) award at last week’s Toronto International Film Festival (TIFF)...
Vietnamese artist wins prestigious Signature Art Prize (via SEA Globe) | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia ArtsEquator Radar July 15, 2018 In a dark room, two suspended video screens play images of rice paddies and derelict schoolrooms in rural Vietnam...
Filmed underwater, this is the third video in Nguyen-Hatsushiba’s “Memorial Project” series which began in 2001...
In the “Black Paintings” series, although the human body is only suggested, it plays an important role...
Fade In (the whole title of the film is actually the entire five page script) is a collaboration with the Danish artist collective Superflex (group of freelance artist–designer–activists committed to social and economic change, founded in 1993 by Jakob Fenger, Rasmus Nielsen and Bjørnstjerne Christiansen)...
A Soldiers’ Garden by Nhà Sàn Collective is a night portrait series located in an army camp outside Hanoi...
A Soldiers’ Garden by Nhà Sàn Collective is a night portrait series located in an army camp outside Hanoi...
A Soldiers’ Garden by Nhà Sàn Collective is a night portrait series located in an army camp outside Hanoi...
Like many Asian countries, Vietnam has lost an immense amount of natural environment and rural landscape to economic growth and industrial development...
This work presents the image of an immolated monk engraved on a baseball bat...
A Soldiers’ Garden by Nhà Sàn Collective is a night portrait series located in an army camp outside Hanoi...
A Soldiers’ Garden by Nhà Sàn Collective is a night portrait series located in an army camp outside Hanoi...
A Soldiers’ Garden by Nhà Sàn Collective is a night portrait series located in an army camp outside Hanoi...
A Soldiers’ Garden by Nhà Sàn Collective is a night portrait series located in an army camp outside Hanoi...
A Soldiers’ Garden by Nhà Sàn Collective is a night portrait series located in an army camp outside Hanoi...
On September 22, 1940 the French signed an accord, which granted Japanese troops the right to occupy Indochina...
Phan Quang’s portrait series Re/cover grapples with a lesser-known history in Vietnam...
Set in the haunting space of an ex-colonial rubber plantation in Central Vietnam, Phuong Linh Nguyen’s film Memory of the Blind Elephant is a tender portrait of the complex economies of interspecies trauma and resilience in the face of continued extraction and destruction...
To produce her photo and film works, Diane Severin Nguyen makes amalgam sculptures from found materials, both natural and synthetic...
To produce her photo and film works, Diane Severin Nguyen makes amalgam sculptures from found materials, both natural and synthetic...
The essay film How to Improve the World by Nguyen Trinh Thi takes us into an indigenous village of the Jrai people in the Central Highlands of Vietnam, in Gia Lai province...