(Untitled) Nimoa and Me: Kiriwina Notations
2015 - Installation (Installation)
63 x 43 cm
Newell Harry
(Untitled) Nimoa and Me: Kiriwina Notations by Newell Harry brings together a litany of contemporary politics—mobilization around enduring racism, the legacies of Indigenous and independence struggle, and the prospects of global solidarity against neocolonialism and social injustice. Yet what makes his stance unique is his idiosyncratic ‘anarchival’ method, developed over twenty years of living, working, and gathering in and around the South Pacific. From the resulting miscellany, Harry elicits thought-provoking new connections between collected artefacts; photographs and impressions authored by himself; and items drawn from journalist, activist, and documentary archives. The neatly gridded wall installation gives a formal consistency to Harry’s miscellaneous encounters and anecdotes, resisting any linear or monolithic narrative, well-known hazards of documenting “other cultures”. This photographic series consists of framed and matted black-and-white photographs, some accompanied by typewritten vignettes, describing an event or episode from the artist’s expedition to Kiriwina Island in Papua New Guinea’s Milne Bay Province. The largest of the Trobriand Islands, Kiriwina is a highly loaded location—the site of Bronislaw Malinowski’s celebrated anthropological field studies of island life, sexuality, and that archetypal model of non-capitalist exchange, the Kula ring. Kiriwina has long been a quasi-sacred site for the human sciences, but while attentive to the facts of non-linear economic and symbolic exchange, Harry’s candid photos and diaristic reflections paint his “island friends” with decidedly profane humor and matter-of-fact contemporaneity. (Some text adapted from Samuel Lee, Antenna , Summer 2021, vol. 2 )
Newell Harry’s practice traces an intimate web of connections and histories linking Pacific island cultures (especially those of the Vanuatu archipelago)–via Australia, where he lives, and the Malay world–to South Africa’s Western Cape Province, the home of his extended family. He is known for acid text works featuring pithy appropriations of Pidgin and Creole languages, marrying a concrète poetics with craft traditions of the South Pacific. But his art is rooted in a studious kind of gathering , of stories, images, and artefacts, both on the ground in the course of his travels and in archives, markets, and collections. Harry has long explored island societies’ unfinished histories of exploitation and epistemological upheaval, as well as the cultural friction of colonial migration and its legacies concerning race and identity. His own South African and Mauritian descent affords a dissonant perspective on present-day Australia, a nation whose schizoid settler imaginary—as both colony and Pacific colonizer—is plagued by its uneasy history in a region looming ever larger in global affairs. Through the lenses of journalism, documentary practice and his own family’s experience, Harry’s recent research uncovers transnational solidarities and the contradictions of white multiculturalism in a certain geography of decolonization, lately called the ‘Indo-Pacific’.
Colors:
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What You Don't Know About the World’s Oldest Photograph | Art & Object Skip to main content Subscribe to our free e-letter! Webform Your Email Address Role Art Collector/Enthusiast Artist Art World Professional Academic Country USA Afghanistan Albania Algeria American Samoa Andorra Angola Anguilla Antarctica Antigua & Barbuda Argentina Armenia Aruba Ascension Island Australia Austria Azerbaijan Bahamas Bahrain Bangladesh Barbados Belarus Belgium Belize Benin Bermuda Bhutan Bolivia Bosnia & Herzegovina Botswana Bouvet Island Brazil British Indian Ocean Territory British Virgin Islands Brunei Bulgaria Burkina Faso Burundi Cambodia Cameroon Canada Canary Islands Cape Verde Caribbean Netherlands Cayman Islands Central African Republic Ceuta & Melilla Chad Chile China Christmas Island Clipperton Island Cocos (Keeling) Islands Colombia Comoros Congo - Brazzaville Congo - Kinshasa Cook Islands Costa Rica Croatia Cuba Curaçao Cyprus Czechia Côte d’Ivoire Denmark Diego Garcia Djibouti Dominica Dominican Republic Ecuador Egypt El Salvador Equatorial Guinea Eritrea Estonia Eswatini Ethiopia Falkland Islands Faroe Islands Fiji Finland France French Guiana French Polynesia French Southern Territories Gabon Gambia Georgia Germany Ghana Gibraltar Greece Greenland Grenada Guadeloupe Guam Guatemala Guernsey Guinea Guinea-Bissau Guyana Haiti Heard & McDonald Islands Honduras Hong Kong SAR China Hungary Iceland India Indonesia Iran Iraq Ireland Isle of Man Israel Italy Jamaica Japan Jersey Jordan Kazakhstan Kenya Kiribati Kosovo Kuwait Kyrgyzstan Laos Latvia Lebanon Lesotho Liberia Libya Liechtenstein Lithuania Luxembourg Macao SAR China Madagascar Malawi Malaysia Maldives Mali Malta Marshall Islands Martinique Mauritania Mauritius Mayotte Mexico Micronesia Moldova Monaco Mongolia Montenegro Montserrat Morocco Mozambique Myanmar (Burma) Namibia Nauru Nepal Netherlands Netherlands Antilles New Caledonia New Zealand Nicaragua Niger Nigeria Niue Norfolk Island Northern Mariana Islands North Korea North Macedonia Norway Oman Outlying Oceania Pakistan Palau Palestinian Territories Panama Papua New Guinea Paraguay Peru Philippines Pitcairn Islands Poland Portugal Puerto Rico Qatar Romania Russia Rwanda Réunion Samoa San Marino Saudi Arabia Senegal Serbia Seychelles Sierra Leone Singapore Sint Maarten Slovakia Slovenia Solomon Islands Somalia South Africa South Georgia & South Sandwich Islands South Korea South Sudan Spain Sri Lanka St...