Sultana's Dream

2018 - Drawing & Print (Drawing & Print)

51.1 x 41 cm

Chitra Ganesh


Art of War 1, City in Broad Daylight, Leaving the House, Justice is a Virtue, and Lions are Stronger than Men are linocut prints from the series Sultana’s Dream . This series by artist Chitra Ganesh comprises a large-scale narrative suite inspired by a 1905 feminist utopian (eponymous) text written by a Bengali writer and social reformer, Rokeya Sakhhawat Hossain. Educated thanks to the support of her elite family, Hossain was one of the few Bengali women of her generation writing in English. The text Sultana’s Dream , though not as well known, holds a singular position among early feminist science fiction. This series of linocut prints draws on Hossain’s text and connects with problems shaping 21st-century life: apocalyptic environmental disaster, the disturbing persistence of gender-based inequality, the power of the wealthy few against the economic struggles of the majority, and ongoing geopolitical conflicts that cause widespread death and suffering. Protests scenes, revisited myths, or dreams, the linocut scenes all illustrate an alternative future in which gender roles in India are reversed and women occupy broad-ranging positions of power. These works demonstrate the enduring relevance of utopian imaginaries in offering means of envisioning a more just future.


Spanning printmaking, sculpture, and video, Chitra Ganesh’s work draws from broad-ranging material and historic reference points, including surrealism, expressionism, Hindu, Greek and Buddhist iconographies, South Asian pictorial traditions, 19th-century European portraiture and fairy tales, comic books, song lyrics, science fiction, Bollywood posters, news and media images. The process of automatic writing is central to the practice of the Indian-American artist and emerges from dissecting myths to retrieve critical moments of abjection, desire, and loss. By layering disparate materials and visual languages, Ganesh considers alternate narratives of sexuality and power.


Colors:



Herculine's Profecy
© » KADIST

Juliana Huxtable

2017

Herculine’s Prophecy by Juliana Huxtable features a kneeling demon-figure on what appears to be a screen-print, placed on a wooden table, which has then been photographed and digitally altered to appear like a book cover, with a title and subtitle across the top, and a poem written across the bottom...

Condition Report
© » KADIST

Glenn Ligon

2000

Glenn Ligon’s diptych, Condition Repor t is comprised of two side-by-side prints...

Tania Libre
© » KADIST

Lynn Hershman Leeson

2016

Tania Libre is a film by Lynn Hershman Leeson centered around renowned artist Tania Bruguera and her experience as a political artist and activist under the repressive government of her native Cuba...

VertiGhost
© » KADIST

Lynn Hershman Leeson

2017

Using the seminal 1958 film Vertigo as a launchpad, Lynn Hershman Leeson explores the blurred lines between fact and fantasy in VertiGhost , a film commissioned by the Fine Arts Museums in San Francisco...

Other related works, blended automatically  
» see more

Silhouette in the Graveyard
© » KADIST

Chitra Ganesh

2018

Silhouette in the Graveyard is part of a suite of animated videos by Chitra Ganesh titled The Scorpion Gesture ...

Related works sharing similar palette  
» see more

Banquetas Chéveres (Chéveres Stools)
© » KADIST

Jorge González

2017

Easy to fold and carry, Jorge González’s Banquetas Chéveres (Chéveres Stools) embody the nomadic and flexible nature of the Escuela de Oficios...

Tree on Keystone
© » KADIST

Lucas Blalock

2011

Compositions such as Tree on Keystone (2011) become hyperreal versions of their real-world equivalents...

Erin Marie Lynch Interviewed by Mathangi Subramanian
© » BOMB

BOMB Magazine | Erin Marie Lynch Interviewed Necessary (Required) Cookies that the site cannot function properly without...

Frieze reveals shortlist for Frieze Los Angeles Film Award
© » FAD MAGAZINE

Frieze reveals shortlist for Frieze Los Angeles Film Award - FAD Magazine Skip to content By Mark Westall • 26 January 2024 Share — Frieze has revealed the eight emerging filmmakers shortlisted for the 2024 Deutsche Bank Frieze Los Angeles Film Award...

Other works by: » Chitra Ganesh  
» see more

Silhouette in the Graveyard
© » KADIST

Chitra Ganesh

2018

Silhouette in the Graveyard is part of a suite of animated videos by Chitra Ganesh titled The Scorpion Gesture ...

Rainbow Body
© » KADIST

Chitra Ganesh

2018

The title of Rainbow Body by Chitra Ganesh refers to an elevated state of, or metaphor for, the consciousness transformation known as a rainbow body...

Rabbithole
© » KADIST

Chitra Ganesh

2010

Rabbithole by Chitra Ganesh is a digital animation that refigures a fundamental plot device in myths and fables...

Related works found in the same semantic group  
» see more

84 handkerchiefs, an umbrella and some books
© » KADIST

Publication by Sofia Hernandez Chong Cuy...

One Must
© » KADIST

John Baldessari

1997

In One Must , an image of a pair of scissors, accompanied by the words of work’s title, poses an ominous question about the relationship between the image and the text...

PACIFIC LIMN
© » KADIST

YOUNG-HAE CHANG HEAVY INDUSTRIES

2013

Pacific Limn weaves together three narratives that comment on hyper-capitalism pan-Pacific cities that San Francisco exemplifies...

End of an epic journey: A Dream Under the Southern Bough: Existence
© » ARTS EQUATOR

End of an epic journey: A Dream Under the Southern Bough: Existence | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia ArtsEquator Viewpoints CRISPI June 28, 2021 By Jocelyn Chng (1,180 words, 4-minute read) Existence is the third instalment in the Southern Bough series commissioned by Singapore International Festival of Arts (SIFA)...