Illusion of Matter

2015 - Film & Video (Film & Video)

4:57 minutes (looped)

Naufus Ramírez-Figueroa


Naufus Ramírez-Figueroa’s performance Illusion of Matter establishes a dream state through a composition of motifs that were drawn from the artist’s childhood memories. Ramírez-Figueroa recreated the components of the dream as giant props made out of polystyrene, and set in a colorful yellow and orange mise-en-scene. Throughout the performance, the props and set are activated and demolished by children under the artist’s direction. The performance culminates with Ramírez-Figueroa walking slowly towards the camera holding a ghostly mask/figure in front of his body. This work was the first in an ongoing commission by the performance network Corpus, for which Ramírez-Figueroa attempted to exhaust his interest into the Guatemalan Civil War.


In Naufus Ramírez-Figueroa’s practice, performance and narrative are interwoven through the use of sculptural objects that link pre-Columbian civilizations, seditious brotherhoods, evangelism, and imperialism. In an unsettling dream-like fashion, many of the artist’s works operate as non-narrative fictions that depart from his personal experience of Guatemalan history—particularly the country’s civil war that ran from 1960 to 1996 and in which members of his family took an active part—but always distancing himself from a documentary take on history. Thus, the artist creates fable-like situations, which mix memories and visions from his childhood with a dose of pathos and humor, to address cultural and political events such as the war’s genocide of Mayan populations, the infiltration of Mormon missionaries in the country, and the contemporary followers of apocalyptic conspiracies.


Colors:



Other related works, blended automatically  
» see more

Guardian 2
© » KADIST

Naufus Ramírez-Figueroa

2018

In Guardian 2 Naufus Ramírez Figueroa explores the historical memory and political reality of the ruins of Kawinal, an archeological site of postclassic Mayan culture that was flooded in order to construct the hydroelectric dam of Chixoy in 1975 in a supposed effort to bring electricity to the country...

Related works sharing similar palette  
» see more

A New York Businessman Donated a $1 Million Art Collection to Morehouse College - via CNN
© » LARRY'S LIST

Morehouse donation: A New York businessman donated a $1 million art collection featuring mostly Black and LGBTQ artists | CNN A New York businessman donated a $1 million art collection to Morehouse College By Alaa Elassar , CNN Updated 4:03 AM EST, Sun December 13, 2020 Link Copied! Ad Feedback McArthur Binion, "DNA:Study," 2020 ©McArthur Binion...

Austintipede
© » KADIST

Sahana Ramakrishnan

2019

Sahana Ramakrishnan’s work blends cultural influences, spanning a range of visual mythologies, she weaves together a tapestry of pop cultural references that are upended by the artist’s exploration of identity, sexuality and gender perspectives...

20
© » KADIST

Chris Wiley

2012

Architectural details become abstracted renderings in Chris Wiley’s inkjet prints 11 and 20 (both 2012)...

The University Uncancelled
© » ARTSJOURNAL

How the Movie Professor Got Cancelled | The New Yorker Skip to main content Save this story Save this story Save this story Save this story An academic’s life is none too cinematic...

Other works by: » Naufus Ramírez-Figueroa  
» see more

Guardian 2
© » KADIST

Naufus Ramírez-Figueroa

2018

In Guardian 2 Naufus Ramírez Figueroa explores the historical memory and political reality of the ruins of Kawinal, an archeological site of postclassic Mayan culture that was flooded in order to construct the hydroelectric dam of Chixoy in 1975 in a supposed effort to bring electricity to the country...

Related works found in the same semantic group  
» see more

Antigua, Guatemala: Naufus Ramírez-Figueroa, El mensajero del bosque sumergido
© » KADIST

(The Messenger of the Sunken Forest) is the second chapter of a body of work that arises from the research carried out by Naufus Ramírez-Figueroa in December 2017 in the regions of Alta and Baja Verapaz, Guatemala...

Ketchup Session: Alan Page Arriaga & Naufus Ramírez-Figueroa on Fact, Fiction, Myth, and History
© » KADIST

Ketchup Session: Alan Page Arriaga & Naufus Ramírez-Figueroa on Fact, Fiction, Myth, and History...

La Memoria Verde
© » KADIST

Enrique Ramirez

2019

Enrique Ramirez’s La Memoria Verde is a work of poetry, politics, and memory created in response to the curatorial statement for the 13th Havana Biennial in 2019, The Construction of the Possible ...

Enrique Ramírez
© » KADIST

This interview with Enrique Ramírez was conducted during the Lives Between exhibition, featuring Ramirez’s work International Sail...