Alameda Street and Chestnut Street

2008 - Photography (Photography)

J. John Priola


Priola pays particular attention to otherwise unnoticed details in the cityscape, a quality that not only recurs throughout his oeuvre, but which also places his work in line with a strong tradition of California documentary photography. Close-ups and attention to detail reveal something different: a portrait of what is usually discarded or missing, like unassuming weep holes in Alameda Street or minuscule weeds making their way up through the pavement in Chestnut Street . But these details are subtle to the point of being conceptual; from afar both images appear to be monochromes.


In his characteristic black-and-white gelatin silver prints, San Franicisco-based J. John Priola adopts the aesthetic of American modernist photography. He pays particular attention to and emphasizes image surface while at the same time manipulating light to create dramatic effects.


Colors:



Related works of genres: » photographers from california  
» see more

Untitled (Men)
© » KADIST

Matt Lipps

2011

In the series Horizons (2010), Lipps uses appropriation to riff on Modernism’s fascination with abstract form...

Untitled (Women)
© » KADIST

Matt Lipps

2011

Untitled (Women) (2011) presents a startlingly succinct history of violently romanticized femininity...

Untitled (City Limits)
© » KADIST

Allen Ruppersberg

1970

Untitled (City Limits) is a series of five black-and-white photographs of road signs, specifically the signs demarcating city limits of several small towns in California...

Cathy (bed self-portrait)
© » KADIST

Catherine Opie

1987

Catherine Opie’s candid photograph Cathy (bed Self-portrait) (1987) shows the artist atop a bed wearing a negligee and a dildo; the latter is attached to a whip that she holds in her teeth...

Related works found in the same semantic group  
» see more

One we are not
© » KADIST

Ryan Gander

2004

Ryan Gander is a collector...

Sans titre n°10 (Temps mort)
© » KADIST

Mohamed Bourouissa

2008

Temps Mort is the result of one year of mobile phone exchanges of still images and videos between the artist and a person incarcerated in prison...

The Bedroom
© » KADIST

Barbara Bloom

1997

In the 1980’s, while browsing Parisian fleamarkets, Barbara Bloom stumbled into an anonymous watercolor (dating to around 1960) in one of Paris’ fleamarkets, probably a study made by an interior designer for a bedroom...

Gradation
© » KADIST

Arabella Campbell

2011

In Gradation (2011), nine raspberries lined up on a lichen-dotted rock progress from left to right, dark to light, plump and juicy to not-yet-ripe...